Review / 200 Words Or Less
Brooke Bentham
This Rapture EP

All Points (2017) — Aideen

Brooke Bentham – This Rapture EP cover artwork
Brooke Bentham – This Rapture EP — All Points, 2017

Even though 21-year-old Brooke Bentham is firmly entrenched in the burgeoning South London music scene, her music sounds as though it has been dusted with sand from a Californian desert. With a sound that recalls Angel Olsen and First Aid Kit, her music soars and dips though the ravages of a shattered relationship with arresting lyrics and fluid guitars.

These affairs of the heart plague Bentham on This Rapture, her second EP following last summer's The Room Swayed. Staggered drumming is slumped over the shoulder of Bentham's winding and impassioned vocals on this EP, where she desperately tries to make a relationship work on "Have to Be Around You", ending in a blitz of shimmering synths, before accepting resignation on the dejected "Why We Fall". 

Just when you feel like you've figured out Bentham's sound, closing track "Solo" throws a curve ball. Bathed in fuzzy, distorted guitars, this icy track sees Bentham declaring, "Take me out, and I won't talk to you", with the intense, grunge-inflected guitars marking the jagged edges of the the point of a break-up where everything ultimately becomes futile. This Rapture is an unflinching exploration of a failing relationship, that doesn't come up for air and bypasses posturing. It sounds like Bentham has a lot more to offer.

7.0 / 10 — Aideen • November 13, 2017

Brooke Bentham – This Rapture EP cover artwork
Brooke Bentham – This Rapture EP — All Points, 2017

Recently-posted album reviews

Sweeping Promises

You Say I Romanticize
Sub Pop (2026)

What strikes me foremost about this record are the vocals. As the father of a 13 y.o. daughter I feel qualified to say that this person could be a pop singer. I mean I don’t really know what it takes to be one, although I’m sure that it’s more than a voice good enough to win a game show, I’ve … Read more

Moonraker

Me and the Bells
Punkerton Records (2026)

I have probably talked about this before, I knew of Moonraker through split EPs and things like that, but they didn't fully pop into my consciousness until The Forest. Me and the Bells, four years later, is their follow-up full-length and it continues the trajectory from that record while still capturing its own distinct vibe. Musically the band is heavily … Read more

Dreamwell

Hymns for the Denial of God
Prosthetic (2026)

Some records make their intentions obvious from the very beginning. They use the same structure that countless bands have for decades: verse, chorus, breakdown, payoff, and the blunt force of explaining what you are supposed to feel. Hymns for the Denial of God does something much more complex. It’s a series of difficult questions no one wants to answer, proposed … Read more