Review / 200 Words Or Less
Brooke Bentham
This Rapture EP

All Points (2017) Aideen

Brooke Bentham – This Rapture EP cover artwork
Brooke Bentham – This Rapture EP — All Points, 2017

Even though 21-year-old Brooke Bentham is firmly entrenched in the burgeoning South London music scene, her music sounds as though it has been dusted with sand from a Californian desert. With a sound that recalls Angel Olsen and First Aid Kit, her music soars and dips though the ravages of a shattered relationship with arresting lyrics and fluid guitars.

These affairs of the heart plague Bentham on This Rapture, her second EP following last summer's The Room Swayed. Staggered drumming is slumped over the shoulder of Bentham's winding and impassioned vocals on this EP, where she desperately tries to make a relationship work on "Have to Be Around You", ending in a blitz of shimmering synths, before accepting resignation on the dejected "Why We Fall". 

Just when you feel like you've figured out Bentham's sound, closing track "Solo" throws a curve ball. Bathed in fuzzy, distorted guitars, this icy track sees Bentham declaring, "Take me out, and I won't talk to you", with the intense, grunge-inflected guitars marking the jagged edges of the the point of a break-up where everything ultimately becomes futile. This Rapture is an unflinching exploration of a failing relationship, that doesn't come up for air and bypasses posturing. It sounds like Bentham has a lot more to offer.

7.0 / 10Aideen • November 13, 2017

Brooke Bentham – This Rapture EP cover artwork
Brooke Bentham – This Rapture EP — All Points, 2017

Recently-posted album reviews

Painkiller

The Great God Pan
Tzadik (2025)

Painkiller, the trio of John Zorn, Bill Laswell, and Mick Harris shows no signs of slowing down. The Great God Pan is their third full-length, since their reunion in 2024, and in many ways it is an unexpected offering. In keeping with their interests in the metaphysical realm, Painkiller find inspiration from the famed Arthur Machen horror novella. Here, the … Read more

Painkiller

The Equinox
Tzadik (2025)

Painkiller sees three absolute masters of extreme music join forces. John Zorn of Naked City and a billion other projects, Mick Harris who transcended from Napalm Death drummer to illbient guru with Scorn, and producer extraordinaire Bill Laswell. Their first two records, Guts of a Virgin and Buried Secrets are strange meditations traversing between free-jazz, grindcore and dub. Still hungry … Read more

Dauber

Falling Down
Dromedary Records, Recess (2025)

The lazy approach would be to call Dauber "ex-Screaming Females," but that barely scratches the surface. If I had to pick one band to namedrop a comparison to, it would be labelmates Night Court. They play a familiar style but with a lot of quirks that set it apart from the genre standard-bearers. It's driving and energetic -- more importantly, … Read more