Review
Brian Simpson
Postcard from L.A.

Independent (2006) Neil F.

Brian Simpson – Postcard from L.A. cover artwork
Brian Simpson – Postcard from L.A. — Independent, 2006

Brian Simpson plays that sort of music that you feel like you've heard before but can't really remember when or who else plays that sort of music. It carries all the influences of Bob Dylan and The Allman Brothers and ends up sounding something like what Van Morrison has been doing for the past decade or so and where Brian Kennedy et al have followed. Country and folk influenced rock 'n' roll all played to rockabilly beats, sincere lyrics and hints towards a time when music was just a little more wholesome and meaningful. Generally, just the sort of toe-tapping music that VH1 used to be interested in before the nightmare of rebranding.

"Invisible Prison" is a master-class in country-influenced rock 'n' roll - plenty of banjo and pedal steel and some melodies that The Eagles just missed out on. "I Will Wait For You" begins as a folk song that is reminiscent of Idlewild's acoustic version of "Too Long Awake" that begins as a nice change of pace but, disappointingly, quickly falls into another rock song on an EP surrounded by rock songs. The whole sound of Postcard from L.A. is epitomized by "Turbulence" and "Your Heart Already Knows". The former sounding like stadium-rock era Bon Jovi and the latter having just been done too many times before - both good songs but perhaps a hint at what is wrong with Brian Simpson.

It's hard to work out if Brian Simpson is good, or just good at what he does. There is no doubt that he is good at what he does, but the thought of being exogenously good leaves mixed feelings. Sometimes, it's easy to pick out the subtle differences that add a more modern edge to the songs on Postcard from L.A., at others, they are only found through the power of suggestion. Certainly more evident in the early parts of Postcards from L.A., the modernity seems to fade away and get lost in the rock 'n' roll muddle that the album closes with. On the surface, maybe Brian Simpson sounds like a lot of things that you've never quite heard before, but with a more attentive listen, there are one or two surprises to be found.

7.2 / 10Neil F. • September 28, 2006

Brian Simpson – Postcard from L.A. cover artwork
Brian Simpson – Postcard from L.A. — Independent, 2006

Recently-posted album reviews

Tony Molina

On This Day
Slumberland Records (2025)

I went to a birthday party for my wife and six or seven other friends and acquaintances last night. I guess people liked having sex in January in the late 70s-early 80s? In Canada at least, that’s how we keep warm in the winter! Anyway, I was foraging at the smorgasbord with a couple former co-workers talking about my recent … Read more

Often Wrong

The Figs Are Starting to Rot
Far From Home Records (2025)

Often Wrong is an emo/grunge/screamo hybrid born out of the DIY scene. It was built through the kind of friendships that start in basements, not boardrooms. The band formed in 2024 and quickly started carving out their own lane. They are blending fragile, journal-entry emo with blown-out guitars and throat-shredding catharsis. They’re signed to Far From Home Records, a label … Read more

Armor for Sleep

There Is No Memory
Equal Vision (2025)

Armor For Sleep return with an album that treats memory like a weapon. It’s delicate, devastating, and impossible to disarm. For those who may not be as old as me and missed their emergence into the emo/indie scene, the Teaneck, New Jersey band started in 2001. Led by frontman Ben Jorgensen, they dropped gems like Dream to Make Believe (2003) … Read more