Review
Brian Simpson
Postcard from L.A.

Independent (2006) Neil F.

Brian Simpson – Postcard from L.A. cover artwork
Brian Simpson – Postcard from L.A. — Independent, 2006

Brian Simpson plays that sort of music that you feel like you've heard before but can't really remember when or who else plays that sort of music. It carries all the influences of Bob Dylan and The Allman Brothers and ends up sounding something like what Van Morrison has been doing for the past decade or so and where Brian Kennedy et al have followed. Country and folk influenced rock 'n' roll all played to rockabilly beats, sincere lyrics and hints towards a time when music was just a little more wholesome and meaningful. Generally, just the sort of toe-tapping music that VH1 used to be interested in before the nightmare of rebranding.

"Invisible Prison" is a master-class in country-influenced rock 'n' roll - plenty of banjo and pedal steel and some melodies that The Eagles just missed out on. "I Will Wait For You" begins as a folk song that is reminiscent of Idlewild's acoustic version of "Too Long Awake" that begins as a nice change of pace but, disappointingly, quickly falls into another rock song on an EP surrounded by rock songs. The whole sound of Postcard from L.A. is epitomized by "Turbulence" and "Your Heart Already Knows". The former sounding like stadium-rock era Bon Jovi and the latter having just been done too many times before - both good songs but perhaps a hint at what is wrong with Brian Simpson.

It's hard to work out if Brian Simpson is good, or just good at what he does. There is no doubt that he is good at what he does, but the thought of being exogenously good leaves mixed feelings. Sometimes, it's easy to pick out the subtle differences that add a more modern edge to the songs on Postcard from L.A., at others, they are only found through the power of suggestion. Certainly more evident in the early parts of Postcards from L.A., the modernity seems to fade away and get lost in the rock 'n' roll muddle that the album closes with. On the surface, maybe Brian Simpson sounds like a lot of things that you've never quite heard before, but with a more attentive listen, there are one or two surprises to be found.

7.2 / 10Neil F. • September 28, 2006

Brian Simpson – Postcard from L.A. cover artwork
Brian Simpson – Postcard from L.A. — Independent, 2006

Recently-posted album reviews

Joyce Manor

I Used To Go To This Bar
Epitaph (2026)

Surely by now, you’ve heard their name. Joyce Manor have been writing soundtracks for heartbreaks and hangovers for nearly two decades now. They create short songs with their hearts on their sleeves, while sticking to that distinct Southern California mix of self-deprecation and sincerity. From the lo-fi charm of their 2011 debut to Never Hungover Again’s cult-classic status and the … Read more

La Luz

Extra! Extra!
Sub Pop (2026)

Formed in 2012, La Luz built their reputation on hypnotic surf-noir, eerie harmonies, and a uniquely supernatural warmth that made them one of Sub Pop’s most consistently compelling bands. Their 2024 full-length News of the Universe marked a major artistic shift. The sound became lush, cosmic, dust-covered, and produced by Maryam Qudus, whose work helped push the band into its … Read more

Dead Boys

Night Of The Living Dead Dolls
Cleopatra (2025)

Dead Boys, or should I say Dead Dolls (no, not those creepy little Dolls that were mass produced for wannabe Wednesdays). Johnny Blitz had just been stabbed on the streets of New York. A benefit was created to raise funds to help the fallen comrade, known as the Blitz benefit. Look it up, plebeians. Anyways cue in snot, attitude and … Read more