Review / 200 Words Or Less
Brain Dead / Rot in Hell
Millennial Psychosis

Feast of Tentacles/Rumor Control (2008) Michael

Brain Dead / Rot in Hell – Millennial Psychosis cover artwork
Brain Dead / Rot in Hell – Millennial Psychosis — Feast of Tentacles/Rumor Control, 2008

Millennial Psychosis features two of the best up-and-coming hardcore bands that the U.K. has to offer. If you haven't picked up on these two yet, you're missing out.

Brain Dead offer up four songs of punishing hardcore/powerviolence that would do the likes of Infest proud. This U.K. four-piece unleashes a visceral assault onto the listener with blazing riffs and pummeling drums. The vocals are delivered in a forceful bark that compliments the music perfectly.

On the opposite side Rot in Hell deliver a one-two punch of holy terror influenced metallic hardcore with "The Barrens" and "Cholothrax" - think Systems Overload-era Integrity and Catharsis mashed together. The guitars seriously shred, especially when a solo is thrown in. The vocals are pissed as all hell. Rot in Hell is the best thing I've heard from Europe since the first Rise and Fall CD. To put it simply, I'm beyond stoked on this band.

Two great bands from the U.K. deliver the goods on this split 7". I enjoy both but Rot in Hell has become my favorite current band since I came across their demo. I suggest picking that up as well as their latest split with Hordes. All of it is worth having.

9.0 / 10Michael • May 2, 2008

Brain Dead / Rot in Hell – Millennial Psychosis cover artwork
Brain Dead / Rot in Hell – Millennial Psychosis — Feast of Tentacles/Rumor Control, 2008

Recently-posted album reviews

The Flyboys

Complete Flyboys 1979-1980
Frontiers Records (2026)

The archival hunt for the "missing links" of first-wave California punk usually leads through a trail of grainy handbill Xeroxes and tape traders' overdubbed copies. But with The Flyboys, the story has always been a bit more elegant—and a lot more colourful. Long before they were swept into the gravity of the Hollywood scene, frontman John Curry was already performing … Read more

Ultrabomb

The Bridges That We Burn
DC-Jam Records, Virgin (2026)

Ultrabomb just detonated. The Bridges That We Burn isn't some polite "heritage act" victory lap. It smells like a hand-rolled cigarette lit with a blowtorch in a damp Minneapolis alleyway. No reunion uranium glow here—just three lifers who’ve spent their lives in vans and aren’t interested in anything but the friction prediction. The DNA is legendary, but they aren’t coasting … Read more

Sweat

Tear it on Down
Vitriol (2026)

Tear It On Down is the third record from Sweat and it picks up where the last two left off. It's aggressive hardcore punk, but with a playful groove or swagger that really makes it feel uplifting, even when the content is not. Case in point: "Surveillance State," which rolls kind of like a call-and-response song, except that lead vocalist … Read more