Review / 200 Words Or Less
Blutch
Materia

At A Loss (2007) Scottie

Blutch – Materia cover artwork
Blutch – Materia — At A Loss, 2007

It's pretty easy to play in a doom/black/death metal band: depending on the style either play extremely fast or extremely slow, and, again depending on style, make your recordings sound like they were either recorded inside a garbage can or in a muddy swamp. Because of this, it also makes to be easy to mediocre playing in such a genre. Since their isn't a lot of variation in the genre a band has to be really special to stick out.

Unfortunately this is not the case with Blutch, whose full length Materia fall far below being anything worth remembering. The album's main problem is the constant shift in style, often a jerky transition between black metal played so fast its hard to distinguish how many notes they're actually playing to ultra sludgy doom played so slow and low its hard to distinguish if they're even playing more than a single note.

Not bad, but simply not worth the time it takes to listen to the album. You're better off checking out anything off Southern Lord.

5.0 / 10Scottie • July 8, 2007

Blutch – Materia cover artwork
Blutch – Materia — At A Loss, 2007

Recently-posted album reviews

Professor and the Madman

Dreamworld
FullerTone Records (2026)

ALBUM HIGHLIGHTS – “Brand New World”, “12 Strings and Tambourines”, “Adams Street”, “Temple of Madness” It’s rare to find these days. A band (or maybe supergroup, in this case) that defies all genre boundaries and just…creates. Alfie Agnew (Adolescents, D.I.) and Sean Elliott (D.I., Mind Over Four) are familiar names from Orange County’s early 80s hardcore and psych-punk scenes, but … Read more

Chat Pile

Who Loves The Sun
Flenser (2026)

If Chat Pile were a film, they would be a dark thriller. The kind that builds tension until the end and, once we reach the third act, still might not ever show the killer. It's plodding and intense and, while I just pulled out a genre reference, the best thing about the band is how much they defy conventional musical … Read more

Generacion Suicida

Hombre Nuevo
Vitriol (2026)

On the tail end of Autogramm’s 2018 tour of Mexico (what little I remember of that week now is a lot of pulque and not a lot of sleep) I visited the one punk record store in CDMX that I found via googling where to buy bootleg punk t-shirts. I’d already visited Venas Rotas Discos earlier on the trip and … Read more