Review
Blue Monday
Rewritten

Bridge Nine (2005) Garth

Blue Monday – Rewritten cover artwork
Blue Monday – Rewritten — Bridge Nine, 2005

Let's face it, most hardcore bands don't have it in them to do a "full length" and if they do, it's usually a couple of really good songs with some filler to get it up to the half hour mark. Thankfully, Blue Monday do not fall into this category with their newly released Rewritten.

The first thing fans of the band notice is that the band is definitely a lot harder than their previous release on Perfect Victim Records. While there's still some melody on some tracks, the band has gone with more of a (for lack of a better description) Terror-esque sound for the music. Most notable is track 3, "Lost and Found", which starts almost like their Canadian hardcore brothers No Warning before kicking up the speed and getting ready for the eventual sing-along and breakdown parts.

Breakdowns are a big part of this record. Rather than relying on the standard boring open E (or D in some cases), Blue Monday's breakdowns are interesting to listen to and also will get you moving whether in your living room or at a live show.

The production of the album was done by Dean Baltulonis of Atomic Studios fame, and the style is unmistakable, with heavy breakdowns and group back-ups that sound like 50 people are in the room screaming out parts of songs that will soon be screamed by hundreds of kids in a VFW hall.

The layout is nice and readable, which some labels still haven't understood that little fun fact. However, overall the layout is boring, with the same light metallic blue done before (and better) by Champion. While I'm not expecting a digi-pack or something out of the ordinary, getting together with the band and doing something a little more fitting the title of the record would've been nice to see.

Blue Monday shows that they aren't another hardcore band that will toss out an EP and vanish into the crowd like a lot of other bands or worse, put out a lackluster full length after a good EP that doesn't show growth or experience. However, Rewritten shows maturity and with this record, adds them to the ranks of Bridge 9's best and brightest.

7.2 / 10Garth • May 4, 2005

Blue Monday – Rewritten cover artwork
Blue Monday – Rewritten — Bridge Nine, 2005

Related news

Blue Monday Calling It Quits

Posted in Splits on April 10, 2006

Bridge 9 Nabs The Blue Monday

Posted in Labels on May 29, 2004

Recently-posted album reviews

Økse

Økse
Backwoodz Recordz (2024)

Økse is a gathering of brilliant, creative minds. The project's roster is pristine, with avant-jazz phenoms Mette Rasmussen on saxophone, Savannah Harris on drums, and Petter Eldh on bass/synths/samplers joining electronic artist and multidisciplinery extraordinaire Val Jeanty (of the fantastic Turning Jewels Into Water project.) The result is a multi-faceted work that stands on top of multiple sonic pillars, as … Read more

Final

What We Don't See
Room40 (2024)

Justin K. Broadrick's prolific output keeps giving, and may it never stop! The latest release is one of Broadrick's earliest projects, Final, which started in the power electronics tradition but since its resurrection in the early '90s, it is solidly standing in the ambient realm. Final's new full-length What We Don't See continues on the same trajectory, relishing drone's minimalistic … Read more

Bambies

Snotty Angels
Spaghetty Town Records, Wanda Records (2024)

The digital files I’ve been listening to as I write this review are all tagged to begin with the band name, e.g. “Bambies Teenage Night,” “Bambies Love Bite,” etc. It seems like a fitting metaphor. The Bambies play the kind of Ramones-adjacent garage-punk that’s often self-referential and in on their own joke. The Bambies play leather jacket-clad, straight-forward punky songs … Read more