Review
Blue Monday
Rewritten

Bridge Nine (2005) Garth

Blue Monday – Rewritten cover artwork
Blue Monday – Rewritten — Bridge Nine, 2005

Let's face it, most hardcore bands don't have it in them to do a "full length" and if they do, it's usually a couple of really good songs with some filler to get it up to the half hour mark. Thankfully, Blue Monday do not fall into this category with their newly released Rewritten.

The first thing fans of the band notice is that the band is definitely a lot harder than their previous release on Perfect Victim Records. While there's still some melody on some tracks, the band has gone with more of a (for lack of a better description) Terror-esque sound for the music. Most notable is track 3, "Lost and Found", which starts almost like their Canadian hardcore brothers No Warning before kicking up the speed and getting ready for the eventual sing-along and breakdown parts.

Breakdowns are a big part of this record. Rather than relying on the standard boring open E (or D in some cases), Blue Monday's breakdowns are interesting to listen to and also will get you moving whether in your living room or at a live show.

The production of the album was done by Dean Baltulonis of Atomic Studios fame, and the style is unmistakable, with heavy breakdowns and group back-ups that sound like 50 people are in the room screaming out parts of songs that will soon be screamed by hundreds of kids in a VFW hall.

The layout is nice and readable, which some labels still haven't understood that little fun fact. However, overall the layout is boring, with the same light metallic blue done before (and better) by Champion. While I'm not expecting a digi-pack or something out of the ordinary, getting together with the band and doing something a little more fitting the title of the record would've been nice to see.

Blue Monday shows that they aren't another hardcore band that will toss out an EP and vanish into the crowd like a lot of other bands or worse, put out a lackluster full length after a good EP that doesn't show growth or experience. However, Rewritten shows maturity and with this record, adds them to the ranks of Bridge 9's best and brightest.

7.2 / 10Garth • May 4, 2005

Blue Monday – Rewritten cover artwork
Blue Monday – Rewritten — Bridge Nine, 2005

Related news

Blue Monday Calling It Quits

Posted in Splits on April 10, 2006

Bridge 9 Nabs The Blue Monday

Posted in Labels on May 29, 2004

Recently-posted album reviews

Citric Dummies

Split With Turnstile
Feel It Records (2025)

Citric Dummies might be the band I saw live the most often in 2025, yet I put off a thorough review of their latest LP until the calendar turned to 2026. Anyway, Split With Turnstile, besides having a great title, continues the band's garage-punk sound that draws from a deep array of influences from eggpunk to '80s hardcore while mostly … Read more

Pageant Mum

Finis Amoris Est
Red Tape Music (2026)

Breakup records usually announce themselves with a band. There is betrayal, shouting, and doors slamming shut. Finis Amoris Est, the new EP from UK post-hardcore outfit Pageant Mum, takes a different route. It’s a record about what happens after the blowup, when the noise dies down and you’re left alone with the quieter, harder questions. Across these four tracks, the … Read more

Pat Todd & The Rankoutsiders

After The Dolls
Heavy Medication Records (2026)

Pat Todd is a roots rock and roll incarnate — a relentless road dog, grinding it out night after night with his hot-as-buckshot band, The Rankoutsiders. His shows are raw, electric, and lived-in, a testament to decades on the road. With a career spanning over forty years, Todd has earned a reputation as one of the hardest-working men in the … Read more