Review
Bloodlined Calligraphy
Ypsilanti

Facedown (2006) Tyler

Bloodlined Calligraphy – Ypsilanti cover artwork
Bloodlined Calligraphy – Ypsilanti — Facedown, 2006

You, the Scene Point Blank readers, are probably tired of reading about how awful metalcore is these days. But as stagnant and formulaic as the genre is, bands just keep putting out albums and apparently there is fanbase that keeps eating this shit up. But somebody has to review them, so here we are. When SPB writers, including myself, review metalcore albums they seem to fall into one of two categories:

1. Utter garbage; Across Five Aprils even earned themselves a 0/10

2. Mediocre, fairly listenable albums that aren't quite as bad, but aren't very exciting either.

Bloodlined Calligraphy is in the second category. First off, this band has the distinction of being one of the handful of female-fronted metalcore bands. And I have to give Ally French, Bloodlined Calligraphy's vocalist, some credit because she does a much better job than most men in the genre.

Another thing that sets this band apart from most of their peers is that they actually have some semblance of hardcore in their sound. I usually cringe at the "-core" suffix because most of the bands that fall under the heading just play crappy pop-metal with a new face. But Bloodlined Calligraphy has a toughguy-hardcore tinge to their sound, aesthetics, and lyrics. They keep things nice and quick, have some sparse gang vocals, and all the usual lyrical themes such as family, friends, and pride are there. So I also have to give French some credit for steering clear of the usual bullshit about bleeding roses and black hearts.

This album does have its share of cliches: the token piano intro and the token poppy track with clean vocals. Yet, to their credit, they can write some catchy songs. Hell, even the breakdowns are better than average because I can tell they put some attitude behind them. Now if they would just stop putting them at the beginning of songs. I think that is why I wasn't too optimistic about this album when I first listened to it.

Yet, at the end of the day, this is better-than-average metalcore because it actually has some attitude and inspiration. Although this album is slightly more glossed-over than Bloodlined Calligraphy's last album, They Want You Silent, it still hasn't been pro-tooled to death like so many other albums in its genre. When I put on some headphones, sat down, and gave it a fair listen, I really couldn't find much to complain about when there are so many worse bands out there. And I have to give the guitarist a point for not playing annoying harmonics every five seconds.

7.0 / 10Tyler • February 19, 2007

Bloodlined Calligraphy – Ypsilanti cover artwork
Bloodlined Calligraphy – Ypsilanti — Facedown, 2006

Related news

Bloodlined Calligraphy bassist passes away

Posted in Obituaries on April 21, 2010

Stream Entire Bloodlined Calligraphy Album

Posted in MP3s on September 19, 2006

New Bloodlined Calligraphy Song Online

Posted in MP3s on July 29, 2006

Recently-posted album reviews

SUB/SHOP

Democatessen
Independent (2025)

Richmond, VA has always had a way of bending punk into something sharper and stranger, and Sub/Shop feels like a direct product of that tradition. Their EP democatessen isn’t a debut in the wide-eyed sense but a statement from musicians who’ve already spent years inside heavy, confrontational music and are now choosing precision over spectacle. Across six tracks, Sub/Shop delivers … Read more

Guerilla Teens

I Cyclops / Pride of the Savanna-7"
Heavy Medication Records (2024)

One-eyed wind-up dancing eyeballs boppin' and weavin' with Scott "Deluxe" Drake and Jeff Fieldhouse from the one and only and never replicated the almighty "The Humpers". I was lucky to see them back in the 90's in Toronto at a hot, sweaty club in the dead of summer, back when there was a blue hue of cigarette smoke, a faint … Read more

Joyce Manor

I Used To Go To This Bar
Epitaph (2026)

Surely by now, you’ve heard their name. Joyce Manor have been writing soundtracks for heartbreaks and hangovers for nearly two decades now. They create short songs with their hearts on their sleeves, while sticking to that distinct Southern California mix of self-deprecation and sincerity. From the lo-fi charm of their 2011 debut to Never Hungover Again’s cult-classic status and the … Read more