Review
BlackDots
EP2

Motorcycle Potluck Records (2022) Loren

BlackDots – EP2 cover artwork
BlackDots – EP2 — Motorcycle Potluck Records, 2022

BlackDots are back with EP2, released digitally and on a flexi 7”.

The peppy, punky band from Denver are energetic but they aren’t your typical punk band, even if they do check a lot of the boxes. With dual vocals and melodic guitars, the general sound is somewhat quirky but upbeat and bouncy music. It’s emotional and cathartic but built around singalong choruses and rhythmic hooks instead of aggression. It’s certainly not happy music, but it comes across uplifting rather than destructive. And while the lyrics are pained at times, there is a general tone of hope rather than escapism or lament. Some would likely categorize it into the indie-punk category based on this, but I think the structures are more on the traditional punk side of things. Members have also played with Vena CavaThe Achievement, and Knee Jerk Reaction.

One of the most unique things about the band is that the two singers (one male, one female) have similar singing styles. Instead of shooting for contrast to revitalize a song when it gets stale, the tradeoffs give continuity with subtle variation. This EP is more of a “lead” style with fewer tradeoffs from song to song, favoring in-song changeups instead, often using a format that straddles somewhere between harmonization and call and response. “Redeem” is a good example of how the vocal inflection is often used to turn a complex situation into sounding positive. It’s a talent both signers possess.

BlackDots are really driven by the drums and vocals, with guitar and bass taking more of a tone-setting approach. You definitely can’t ignore them (“Redeem,” for example, has some serious San Diego Dan Padilla or Tiltwheel vibes, but with a different twist vocally). The mix rightfully puts both of these elements at the forefront, emphasizing the singalong nature while the guitars have that basement, powerful but understated tone with a rough around the edges element that makes it feel world worn instead of pristine. “Are We There Yet” feels urgent, in large part to the relentless drumming paired with the direct lyricism.

In many ways BlackDots play direct, poppy punk. The lyrics and structures are upfront and blunt, but there are many nuances and contrasts within, blending empowerment, vulnerability and a call to action. It’s personal and political, happy and sad, angry and refreshed.

I really like the band they’ve now released two good EPs. While I don’t know what’s missing, it feels like they’re a half step away from a great album.

7.5 / 10Loren • August 16, 2022

BlackDots – EP2 cover artwork
BlackDots – EP2 — Motorcycle Potluck Records, 2022

Recently-posted album reviews

Action/Adventure

Ever After
Pure Noise (2025)

Chicago’s Action/Adventure have been grinding the pop-punk trenches since 2014. They have always played pop-punk like it still has something to prove because for them, it does. They went viral in 2020 on TikTok with their song “Barricades” by calling out the exact thing no one in the scene wanted to say out loud. The genre is full of white … Read more

217

In Your Gaze
Time To Kill (2025)

If you didn’t know, hardcore and punk are alive and thriving in Italy. When I come across bands from there, their scene never ceases to amaze me. Italy gave us Raw Power and Negazione in the ’80s, Slander and Strength Approach in the 2010s. Now 217 picks up that lineage with their own mix of fire and reflection by keeping … Read more

Ugly Stick

Absinthe
Hovercraft Records (2025)

Contrary to what I said on Vh1’s Behind the Music, Tim from Hovercraft is one of my favourite human beings. I suppose in some ways that’s not saying much but Tim plays in one of my favourite bands, I’m a fan of his art and on top of those two things and running a label, his day job is saving … Read more