Review / 200 Words Or Less
Black Market Fetus / In Defence
Split

Give Praise (2009) Mirza

Black Market Fetus / In Defence – Split cover artwork
Black Market Fetus / In Defence – Split — Give Praise, 2009

Split 7" releases are great when both bands are good. And luckily this time both Black Market Fetus and In Defence are good underground groups and this nasty little piece is as sweet as it is short- seven songs pass by hastily but it's certainly good enough to warrant repeated listens. Another positive is that both bands differ slightly in sound providing a little bit of variety between their respective onslaughts.

Black Market Fetus play fast-paced grind/hardcore that is heavily thrash influenced which is showcased in their use of harmonious riffing that's embedded in their usual speedy bursts of aggression. Vocalist Nate "Nightjack" Fetus alternates his vocal delivery between raspy screams and a death metal growl and if you're partial to that sort of thing then you are advised to seek out some of their other releases. There are plenty of split 7" albums to choose from.

In Defence's brand of crossover thrash/hardcore gets the winning vote on this particular release due to some good moshing breakdowns and top notch shredding along with their resemblance to The Crumbsuckers and Suicidal Tendencies.

7.0 / 10Mirza • September 16, 2009

Black Market Fetus / In Defence – Split cover artwork
Black Market Fetus / In Defence – Split — Give Praise, 2009

Recently-posted album reviews

Lethal Limits

Elevate EP
GhettoBlaster Productions (2025)

The archival hunt for the "missing links" of first-wave California punk usually leads through a trail of grainy handbill Xeroxes and tape traders' overdubbed copies. But with The Flyboys, the story has always been a bit more elegant—and a lot more colourful. Long before they were swept into the gravity of the Hollywood scene, frontman John Curry was already performing … Read more

The S.E.T.

Self Evident Truth
Flatspot Records (2026)

Hardcore doesn’t need reinventing; just needs conviction. On Self Evident Truth, Baltimore’s The S.E.T. come out swinging with a debut EP that’s built on exactly that. It’s got groove, urgency, and a clear sense of purpose. Clocking in at around fifteen minutes, the EP wastes no time establishing its identity. From the opening moments of “This Chain,” it’s all forward … Read more

Dashed

Self Titled
Independent (2026)

When a band describes themselves as surf punk, it usually conjures a certain image. Reverb drenched guitars, sunburnt melodies, maybe even a sense of looseness that leans more carefree than chaotic. Dashed doesn’t really fit that mold. On their self-titled LP, they take those familiar elements and run them through something colder, sharper, and far less predictable. Across eleven tracks, … Read more