Review
Benthos
II

Eclipse Records (2021) Robert Miklos (Piro)

Benthos – II cover artwork
Benthos – II — Eclipse Records, 2021

I was absolutely stricken a couple months ago when I discovered Benthos. I can and also can’t understand how I managed to miss out on this band and how basically no one is talking about them. One of my best friends showed them to me and I knew I just had to listen to II until I’d grow to hate it. You know what I mean no?

Benthos, if we’re all lucky enough, will have a proper chance to bloom into what could be one of the finest bands on the prog metal scene. Their debut album, II is nothing short of an impressively promising start. Hailing from Italy, Benthos started out during 2018 and crafted a kind of prog which brings together lush atmospheres, heavy riffs, scintillating leads, hypnotizing bass lines, intricate rhythms, and a show stopper of a vocal performance.

It’s pretty obvious after a few listens that the band draws a lot from modern metal and is still in the throes of properly crystalizing in terms of musical identity, but they’re doing a great job and it definitely feels like their take is wholly authentic.

Normally I refrain from this type of comparison, but imagine if Karnivool and Beyond Creation had a vaguely metalcore influenced progeny. That’s Benthos. It’s a very plastic way of putting it, but I feel like it’s also a good way of putting an immediate and palpable image in your head instead of leading with some abstract thing. Although, I dare you to listen to “Debris // Essence” and tell me it doesn’t sound a whole damn lot like an unreleased song off of Themata, more particularly its chorus. I swear it could’ve fooled me.

While the production doesn’t feature anything spectacular, it does its job properly given what we’re looking at. The tonalities also work well, although similarly to the production, I can’t say that I’m hearing anything that’s ticking the wow factor or something that’s madly innovative. The real magic is in the songwriting though. There’s something so immediate, stirring, and fresh about II. It scratches the itch for soaring, epic, and melodic moments, along with the itch for really heavy and hard-hitting passages. There’s also plenty of groove to go along with said assault. Along the clean side of things, we also get a little bit of catchiness to go with the highly nuanced atmospheric textures.

Honestly II basically fulfills the entire checklist for a record that’s not only very relistenable, fresh, and packed, but also highly promising. For whatever reason I get really hung over super strong debuts. I would also argue that no other metal debut of this year was anywhere this level in any way. Anyway, I don’t want to dawdle any longer, so go ahead and listen to this awesome record, while I head back to spin it for the hundredth or whateverth time.

Benthos – II cover artwork
Benthos – II — Eclipse Records, 2021

Related features

Benthos

Interviews • November 21, 2022

Recently-posted album reviews

Cancer Bats

Give Me Dirt
Marshall Amplification PLC (2026)

ALBUM HIGHLIGHTS – “Bright Eyes of Gold”, “Give Me Dirt”, “Long Tooth”, “Fools Like You” Almost exactly two years ago, on 8th August 2024, Cancer Bats played Conne Island in Leipzig – a choice they would live to regret. Unbeknownst to them at the time, the centre had slowly become renowned for its radical politics and, more recently, the ban … Read more

Tyler Sonnichsen

The Dead Milkmen
J-Card Press (2026)

When I saw The Dead Milkmen at Toronto’s Diamond Club back in the late 1980s, the floor was a volatile, beautiful mess of colliding subcultures. It was like different species of house flies bumping into one another, wondering what the hell you were doing in the mason jar. You had suburban high school pocket-pen-protector pencil-neck nubile nerds, college radio snobs … Read more

Opus Kink

The Sweet Goodbye
So Recordings (2026)

ALBUM HIGHLIGHTS – “Come Over, Do Me Wrong”, “The Sweet Goodbye”, “I Have to Shine My Sunday Shoes”, “Crucify!” Opus Kink sound like nobody else. To call them “jazz punk” is to massively oversimplify it. In fact, there’s not much traditionally “punk” about them. If anything, it’s “noise rock”, but with traces of almost every other genre you could name. … Read more