Review
Austerity
Self Titled LP

Deathsmile (2010) Bob

Austerity – Self Titled LP cover artwork
Austerity – Self Titled LP — Deathsmile, 2010

After some blind stroke of luck and the whims of fate, I picked this cassette tape up along with another because I saw it was available and had heard some whispers about the sheer magnificence of this release on the world wide interwebs (a few cryptic reviews and blubbering nonsense about its amazing-ness had me intrigued at least and now here I am doing exactly the same thing) regarding this self titled album from Austerity (a literal one man band from Italy); now, even though the words registered in my thick head that these mysterious peoples on the other side of the phospherent glow had written in effusive praise, nothing prepared me for the sounds that hit me when I pressed play on my cassette deck.

A recent acquaintance of mine describes Austerity as “Perfect music for dark, snowy winter nights” and, quite frankly, that is far from baseless hyperbole because the stark soundscapes that flow unceasingly from the speakers brings a cold chill not unlike the winter wind blowing through the cracks in old door while a steady snow falls in the dark; the imagery that Austerity puts in one’s feeble and sleep deprived brain is entirely concrete and breathtakingly evocative (this seriously could cause someone to fall into a depressive morass because of how isolating it can make you feel, particularly if the volume is turned way up and no one else is in the house), but that is not the sheer limit of just what the music here does. The recording has a definite physical component that is astonishing because at times you can feel the kick drum in your chest (for instance during “Ad Nihil”) with a disconcerting rumble that almost rattles your entire chest cavity, and there are moments when the noises sound as though they are about to escape from the stereo and inhabit real space (again on “Ad Nihil”); but some of the more mood affecting moments come in other places like “Lacrime” (the beginning with the “choral” like vocals and the lonely piano just kill me) and the subtle howling wind sounds (even the vocals really sound like blowing wind rather than anything of a human origin) of “Nacht Und Morgenrohte”

Austerity wins with this album and so do people that search out this dark and brooding piece of music; this album will certainly see its fair share of spins (or cassette plays, but I do not know what kind of quick term to use to describe playing the cassette, well OK sure I could just say plays of the cassette but that sounds so pedestrian) while the winter months creep along at their glacial pace and my household maintains its snowy winter night revelries. Austerity is a great album (not a single bad track to be found here, not one could be skipped) to get lost in and zone out while listening to the crushing slabs of icy moodiness, and considering how cold and potentially depression causing the record is, you would almost swear that it came from some northern country with nothing to look at save frozen wastelands.

8.5 / 10Bob • March 7, 2011

Austerity – Self Titled LP cover artwork
Austerity – Self Titled LP — Deathsmile, 2010

Related features

The Austerity Program

One Question Interviews • November 17, 2013

Related news

SPB featured stream: Caterwaul 2024

Posted in Site News on May 1, 2024

Caterwaul 2024 lineup (wave 1)

Posted in Shows on January 19, 2024

News on new Austerity Program

Posted in Bands on October 13, 2013

Recently-posted album reviews

Økse

Økse
Backwoodz Recordz (2024)

Økse is a gathering of brilliant, creative minds. The project's roster is pristine, with avant-jazz phenoms Mette Rasmussen on saxophone, Savannah Harris on drums, and Petter Eldh on bass/synths/samplers joining electronic artist and multidisciplinery extraordinaire Val Jeanty (of the fantastic Turning Jewels Into Water project.) The result is a multi-faceted work that stands on top of multiple sonic pillars, as … Read more

Final

What We Don't See
Room40 (2024)

Justin K. Broadrick's prolific output keeps giving, and may it never stop! The latest release is one of Broadrick's earliest projects, Final, which started in the power electronics tradition but since its resurrection in the early '90s, it is solidly standing in the ambient realm. Final's new full-length What We Don't See continues on the same trajectory, relishing drone's minimalistic … Read more

Bambies

Snotty Angels
Spaghetty Town Records, Wanda Records (2024)

The digital files I’ve been listening to as I write this review are all tagged to begin with the band name, e.g. “Bambies Teenage Night,” “Bambies Love Bite,” etc. It seems like a fitting metaphor. The Bambies play the kind of Ramones-adjacent garage-punk that’s often self-referential and in on their own joke. The Bambies play leather jacket-clad, straight-forward punky songs … Read more