Review
Aseitas
False Peace

Translation Loss (2020) Cheryl

Aseitas – False Peace cover artwork
Aseitas – False Peace — Translation Loss, 2020

Aseitas hail from the wilds of Portland, Oregon and while many bands from that region tend to dabble in the blackened side of the extreme metal spectrum, this group aim to create sonic dissonance via the technical aspects of death metal. Their second full-length, False Peace, is a demanding listen, not least because of three long-form tracks (all over ten minutes) that require closer attention in order to truly grasp the features of the songs. Atonal riffs, heady screams, avant-garde guitars and a disturbing atmosphere could all coalesce into chaotic noise, yet Aseitas’s tight control never allows the songs to tumble fully into the abyss and while “Spite/Sermon” tops out at fourteen minutes, the song is interesting throughout and moments of peace are allowed to shine through the darkness. Of course, as promised, that peace is not real and cannot last and so the song soon negates the serenity and pushes through the light, trailing shadows in its wake and creating a sense a death.

Where False Peace is aggressive, it also finds moments to breath and take respite from the turmoil and does so through the shimmering elements of “Crucible” and the gorgeous post-rock cascades of the introduction of “Blood Into Oil,” allowing the band to reflect on the horrors they have created and give space for more delicate emotions. The song is gentle in its progression to more violent territory but the build-up feels necessary as it brings the ferocious nature of the band clearly into focus – Aseitas use silence only to give themselves more power, more dynamism and “Blood Into Oil” is never a more perfect example of a band exercising control over their sound.

“The Value in Degradation” veers into entirely new areas as its unusual electronic pulses echo into the night, the song descending further into bizarre noises almost as though they are the distant cries of an alien lifeform, calling across the galaxy – perhaps for war as there is nothing peaceful about this communication. “Behemoth’s Dance” edges out the curious progressions and instead aims its course directly into the savage death metal arena that Aseitas are more at home in. The track is another monumental structure, sixteen minutes of hard-hitting and brutal death metal, that is rendered through snarls, off-kilter rhythms and intoxicating guitars. Aseitas take False Peace to the limit and surpass it with ease.

7.5 / 10Cheryl • September 14, 2020

Aseitas – False Peace cover artwork
Aseitas – False Peace — Translation Loss, 2020

Related news

July Aseitas

Posted in Records on May 8, 2020

Recently-posted album reviews

The Arrivals

Payload
Recess (2026)

It's been a short lifetime since the last Arrivals record, Volatile Molotov, but in many ways the new Payload picks up exactly where the last one left off. It straddles the mid-tempo punk spectrum while drawing influence from seemingly all realms of the rock 'n' roll cannon. I'd state that mod, power-pop, Brit Invasion, and even R&B are some of … Read more

UDDER

Self Titled
Depose Records (2025)

Some records feel like they were carefully constructed. Others feel like they were barely contained. Udder’s three-song 7” on Depose Records lands firmly in the second category with a short, strange burst of psych-leaning noise rock that feels less like a statement and more like something unearthed. That’s not far from the truth either. Originally formed in the early ’90s … Read more

Various Artists

Louder Than You Think: A Lo-Fi History of Gary Young & Pavement (Original Motion Picture Soundtrack)
Independent (2026)

Gary Young wasn’t just a drummer; he was a beautiful, unpredictable glitch poking a hole in the sky where other lovable misfits could enter and leave this universe they’d grace with their presence. While Hendrix kissed the sky, Young merely bit a hole right through it. While Pavement was busy inventing the 1990s slacker blueprint for the masses, Gary was … Read more