Review
Antonymes
The Licence To Interperet Dreams

Hidden Shoal (2011) Jon E.

Antonymes – The Licence To Interperet Dreams cover artwork
Antonymes – The Licence To Interperet Dreams — Hidden Shoal, 2011

Antonymes is one Ian M. Hazeldine. The North Welsh based artist has in the last two years released more than a couple works of almost ambient music. I say almost since it has some characteristics of the ambient genre it also bases much of its work in the classical realm as well. The pieces have been everything from short singular releases to multiple discs made to be played simultaneously. All of these things help, in a small way, to explain what Mr. Hazeldine is really up to.

The music comes and goes in calm waves. As though the listener is letting cold english waters touch their feet then retreat repeatedly. This is mood music, in the sense that it would be capable of making one picture a calm stable atmosphere.

The music is slow and rarely picks up any kind of tempo. This is a double edged sword. As the lack of speed or drums help to make the music itself more atmospheric experience for the listener it also makes for something that can be hard to enjoy outside of it's own place. That is to say, in the same way scores for movies can be quite enjoyable and even something truly fantastic, they are generally not something you will find yourself putting on just because.
The recording is pristine almost too pristine. That is to say it is absolutely perfect in a sense it almost doesn't feel like it was done by a human. While in this given genre the human touch can be phased out and very rarely will it be missed, i almost miss a sense that something is imperfect in this recording as it would help to keep the listener on their toes. Instead the listener gets something absolutely gorgeous in almost every way.

There is nothing clearly wrong with this record whatsoever. The music moves along calmly creating ambience throughout the listening process. The same things that make this a great record are also, in some ways, it's downfall. There is some semblance of emotion in these songs but rarely is it clear to the listener. While some instrumental music can dredge any number of feelings from the listeners psyche this seems to avoid doing so. All in all Antonymes have recorded and released something that remains beautiful and almost disassociated from emotion. In the process this reveals little about the artist and even less to the listener.

7.6 / 10Jon E. • October 17, 2011

Antonymes – The Licence To Interperet Dreams cover artwork
Antonymes – The Licence To Interperet Dreams — Hidden Shoal, 2011

Recently-posted album reviews

Elway

Nobody’s Going To Heaven
Red Scare (2025)

There’s a specific kind of punk record that doesn’t try to inspire you, doesn’t bother offering solutions, and doesn’t pretend things are going to work out in the end. Nobody’s Going To Heaven is firmly planted in that tradition. Elway returns sounding less interested in rallying cries and more invested in documenting collapse as it happens. They cover every collapse … Read more

Heather The Jerk

Very Motorcycle EP
Goodbye Boozy (2025)

Heather The Jerk is a project from Madison, WI musician Heather Sawyer -- a scrappy punk band with garage and pop influences running rampant through the peppy, raw sound. This 4-song EP is called Very Motorcycle, released about a year after the Not Very Motorcycle tape. I have no idea what the phrase means, yet it sets a distinct mood. … Read more

Toys That Kill

Triple Sabotage
Recess (2026)

If you were lucky enough to catch Toys That Kill live last year, you were maybe treated to a set that included classic F.Y.P bangers like “Come Home Smelly” and “Jerkoff”. I made the trip down to Seattle to see them with Off With Their Heads specifically for this reason and was in no way disappointed. I had somehow managed … Read more