Review
Antonymes
The Licence To Interperet Dreams

Hidden Shoal (2011) — Jon E.

Antonymes – The Licence To Interperet Dreams cover artwork
Antonymes – The Licence To Interperet Dreams — Hidden Shoal, 2011

Antonymes is one Ian M. Hazeldine. The North Welsh based artist has in the last two years released more than a couple works of almost ambient music. I say almost since it has some characteristics of the ambient genre it also bases much of its work in the classical realm as well. The pieces have been everything from short singular releases to multiple discs made to be played simultaneously. All of these things help, in a small way, to explain what Mr. Hazeldine is really up to.

The music comes and goes in calm waves. As though the listener is letting cold english waters touch their feet then retreat repeatedly. This is mood music, in the sense that it would be capable of making one picture a calm stable atmosphere.

The music is slow and rarely picks up any kind of tempo. This is a double edged sword. As the lack of speed or drums help to make the music itself more atmospheric experience for the listener it also makes for something that can be hard to enjoy outside of it's own place. That is to say, in the same way scores for movies can be quite enjoyable and even something truly fantastic, they are generally not something you will find yourself putting on just because.
The recording is pristine almost too pristine. That is to say it is absolutely perfect in a sense it almost doesn't feel like it was done by a human. While in this given genre the human touch can be phased out and very rarely will it be missed, i almost miss a sense that something is imperfect in this recording as it would help to keep the listener on their toes. Instead the listener gets something absolutely gorgeous in almost every way.

There is nothing clearly wrong with this record whatsoever. The music moves along calmly creating ambience throughout the listening process. The same things that make this a great record are also, in some ways, it's downfall. There is some semblance of emotion in these songs but rarely is it clear to the listener. While some instrumental music can dredge any number of feelings from the listeners psyche this seems to avoid doing so. All in all Antonymes have recorded and released something that remains beautiful and almost disassociated from emotion. In the process this reveals little about the artist and even less to the listener.

7.6 / 10 — Jon E. • October 17, 2011

Antonymes – The Licence To Interperet Dreams cover artwork
Antonymes – The Licence To Interperet Dreams — Hidden Shoal, 2011

Recently-posted album reviews

Haywire 617

I Don't Wanna Say Goodbye
Roadrunner (2026)

How does one describe what differentiates a good hardcore band vs. something special within the space.It's really difficult to explain but Haywire 617 has proven to be something special.When boiled down to base elements Haywire is a hardcore band in the vein of something like latter day Blood For Blood (specifically their more Rock n' Roll/Oi elements with Rob singing). … Read more

super*user

Gutless Wonder
GC Records, Ideas Are Bulletproof Records (2026)

Detroit is famous for bands like the MC5 and The Stooges, White Stripes and of course KISS. Fellow Detroiters super*user may sound nothing like any of those bands but I would have thought it would take some KISS-sized balls to intentionally start your punk record with a riff ripped off from U2’s “Sunday Bloody Sunday”! Maybe that one’s unintentional but … Read more

Nick Soulsby

Born of Struggle, Living in Hope: The Anarcho-Punk Lives of the Centro Ibérico (1971-1983)
PM Press (2026)

Living in Hope , as the subtitle suggests, is a punk-centric history of the Centro Ibérico, an anarcho-punk squat at 421 Harrow Road. It is also the first book-length treatment of the space, which was at the crossroads of far-right fascist violence, police surveillance, housing disputes, and the punk scene. Founded in 1970 by Spanish Civil War veteran Miguel García … Read more