Review
Annie Jump Cannon
Flourishing Apart

No Sleep (2022) Loren

Annie Jump Cannon – Flourishing Apart cover artwork
Annie Jump Cannon – Flourishing Apart — No Sleep, 2022

Every 15-20 years there’s a revival. This time it’s emo and Annie Jump Cannon may be a modern 2022 band, but this could have come out in 2005 and fit into the scene of that day: both for its strengths and its weaknesses.

Emo has always been a flawed genre for me. The melodrama plays well with crescendos and soaring, often minimal instrumentation. But that also puts extra attention on the words and, to be polite, very few people are that good with words. To throw a little more fuel on the fire, the genre tends to feel selfish to me. It’s not universal, but the lyrics are almost always “me, I and you.” In that order. While, thankfully, Flourishing Apart doesn’t jump down the possessive rabbit hole (google Jessica Hopper’s Punk Planet essay if you don’t know what I’m talking about), it still tends to look backward instead of looking forward, inward more than outward. And that’s generally not my world view.

Lengthy diatribe aside, I like Flourishing Apart more than I dislike it. “Dress Shoes” sets the tone nicely, a minimal jam that puts all the vulnerability on the table, before the record gets guitar heavy on “Grasp It” and “Whatever…I’m Just Happy To Be Here.” The record kind of seesaws between these two sounds. It’s at its best when it meets in the middle, with emphatic, raw vocals reminiscent of Sincere Engineer that plead in a heavy manner while the music contrarily draws more minimal. “March Madness” is a strong example. At other times I get shades of early ‘00s emotive bands like Dashboard Confessional and Bright Eyes. “Moth” has a quirky, finger-picking style that I quite enjoy as a changeup. While I’m typecasting the band a bit throughout this review, it’s nicely varied, with structural surprises and some experimental instrumentation along the way.

For those interested in wear-it-on-your-sleeve emo with a rock/punk base and a bit of indie rock meandering, Annie Jump Cannon should hit on all cylinders. It’s a bit dramatic for my tastes and I’m unlikely to keep it in heavy rotation, but this is something I’ll likely keep spinning from time to time as the mood hits.

7.0 / 10Loren • April 26, 2022

Annie Jump Cannon – Flourishing Apart cover artwork
Annie Jump Cannon – Flourishing Apart — No Sleep, 2022

Related news

Annie Jump Cannon full-length coming on No Sleep

Posted in Records on January 29, 2022

Recently-posted album reviews

Eddy Current Suppression Ring

In Light Of Recent Events
Suppression Records (2026)

Australian Neo-proto-punk garagerockers ECSR released 11 new songs in May without much, if any, fanfare and not as some marketing or PR stunt but because they seem to actually give zero fucks. If anything they are making a bit of effort to curb their success which includes multiple award nominations on their home turf including the Australian Music Prize for … Read more

Swell Maps

C21
Tiny Global Productions (2026)

This isn't a hologram dancing, marionette corpse, tap-dancing nostalgia trip. It’s a jagged pill, a necessary taser jolt. Jowe Head—the absolute last man standing, the sole surviving architect of the original Solihull syndicate—just dropped a record handling legacy like a hot, glowing BTU ember. An organ grinder’s monkey's comeback? Completely antithetical to reality, this is a well-orchestrated calculation of intelligent … Read more

Silver Proof

Even If It Hurts
Independent (2026)

Some pop punk records feel made for playlists and algorithms. They’re polished into oblivion, emotionally vague, and afraid to get messy. Silver Proof clearly didn’t get that memo. The Buffalo trio’s debut full length, Even If It Hurts, leans heavily into the emotional core of early 2010s emo pop and melody while still sounding energized rather than nostalgic. Across the … Read more