Review
Air
Pocket Symphony

Astralwerks (2007) Campbell

Air – Pocket Symphony cover artwork
Air – Pocket Symphony — Astralwerks, 2007

You know those bands that everyone talks about but you never get the chance to check them out? This is one of those cases. I never knew anyone who listened to Air on any regular basis, and bands that have extremely simple names never really seem to stick in my mind. Plus, when I hear the word electronica, it doesn't exactly send me running to the nearest Tower Records (yes, they're all gone, but I like to keep the spirit alive). But, luckily for me, I'm an adventurous listener, and I decided to check out Air's newest effort, Pocket Symphony.

For those who don't know, Air is a French duo usually dubbed as electronica, and they don't stray too far on their latest effort. You might recognize Air songs from their 1998 soundtrack to The Virgin Suicides or one of their tracks placed in various commercials and TV shows over the years. This is their first release since their 2004 spastically-reviewed album, Talkie Walkie.

The opening track, "Space Maker," begins with a lone echoing percussion beat, setting the tone perfectly. Slowly, an acoustic guitar, a piano, and a bass line come in and work together to really just bring a foggy afternoon to mind. Different keyboard sounds give the track an electronic overtone, but the melodies are softer than what you would expect. This leads into "Once Upon a Time," the first track on the album to have any singing. Similar melodies work perfectly with the quiet female vocals, dripping in a French accent.

Pocket Symphony holds itself together pretty well throughout. There are a few songs that hold true to Air's earlier sound to satisfy those disappointed with their last full-length release. There are also a handful of songs like "Somewhere Between Waking and Sleeping" and "Night Sight" that you can't help but compare to American contemporaries like the Album Leaf. The album seems to touch on all kinds of sub-genres and pull it off; "Left Bank" almost sounds like an Elliott Smith outtake.

I'll be honest; I didn't know much about Air before I picked up this album this past spring. But Pocket Symphony definitely won me over with the soft melodies and vocals combined with an ambient electronic feel. Perhaps this is not what long-time fans expected, but I think that it's a solid album standing on its own. Not all the songs are perfect, but if you're a fan of Air's brand of ambient, electronic-heavy melodies, there's no way you can turn your back on it.

8.6 / 10Campbell • December 10, 2007

Air – Pocket Symphony cover artwork
Air – Pocket Symphony — Astralwerks, 2007

Related features

On The Air with Stella Stray Pop

Music / On The Air • November 30, 2023

Fairweather

One Question Interviews / What's That Noise? • January 10, 2023

Related news

Elemantra cuts Air Like A Buzzsaw

Posted in Records on October 13, 2025

Chairmaker makes a record

Posted in Records on September 21, 2025

We're Loud in Nairobi and Kenya

Posted in Shows on September 21, 2025

Recently-posted album reviews

The Goslings

Plexuses, Planes
Independent (2025)

For experimental rock artists torn between noise-rock abrasion and torturous drone immersion, one side usually wins. It is either a certain sentimental and ethereal quality or an oppressive noise dimension that prevails. But there are some acts that can balance between these worlds. Names like The Angelic Process, and of course Low exemplify this strange balance in different ways. A … Read more

Bee Bee Sea

Stanzini Can Be Allright
Wild Honey Records (2025)

I believe the first I heard of this album was when Wild Honey released the limited edition It’s All About The Music concept 7” EP back in July. Exclusively released for the Punk Rock Raduno festival, IAATM is a three song 7” but only sort of? The concept: one garage-rock anthem, three versions- one is slowed down, one is regular … Read more

Second Harbour

Coalesce EP
Sharptone (2025)

Formed around the tight-knit chemistry of brothers Xavier and Vincent Morency with drummer John Muggianu, Canada’s Second Harbour are that rare modern post-hardcore band that sound equally comfortable bleeding and building. Their new four-song EP, Coalesce, marks both their SharpTone Records debut and their clearest creative statement yet. The title isn’t just poetic, it’s literal. This is where the band’s … Read more