Review
Abstracter
Cinereous Incarnate

I Voidhanger Records (2018) Dennis

Abstracter – Cinereous Incarnate cover artwork
Abstracter – Cinereous Incarnate — I Voidhanger Records, 2018

Loads of bands that I follow or followed start out pretty heavy and during their career start to get (a bit more) mellow. Sometimes this evolution is only marginal, sometimes a band is almost unrecognisable after a few albums. Abstracter evolved as well over the course of their albums. Instead of mellowing down their sound, they have evolved in another direction. Things have gotten harsher over time. 

Cinereous Incarnate is their third full length. On their debut Tomb Of Feathers and their second album Wound Empire Abstracter played roughly with the same influences as on Cinereous Incarnate: doom, sludge, death metal and black metal. To my ears the doom and sludge influences were in the lead on those first two albums. I liked them enough to follow the band, but I really only played them when I was looking for sludgy music that wasn't too harsh. In 2016 Abstracter released a split album with Dark Circles. I clearly remember listening to that split for the first time. Abstracter added a load of black - and death metal influences. The whole atmosphere of the music was changed to something really punishing. Partly because the added power in the vocals. Either they got a new singer (they didn't) or the guy ate some barb-wire. Instead of relaxed growl I heard a guy who regurgitates his brontosaurus steak, and what a difference this makes! But not only the vocals changed. Music-wise everything was darker and there was room for something that comes close to a black metal sound. I love that split record and was really hoping that Abstracter would not limit themselves to a one time experiment with a heavier sound. Fortunately for me, they didn't. In fact, it seems they upped the ante!

Cinereous Incarnate finds Abstracter playing music that is taking cues from black metal. These blackened influences are mainly to be found in the atmosphere of the album. That atmosphere can only be described as bleak, harsh and suffocating. Put this record on and the light seems to be a bit dimmer, everything is bleaker than it was a moment ago. And yes, that is a very positive description in my book. 

There are four real songs on the album (plus two short, ambient interludes). This leaves the songs enough space to breathe and develop. Which they do. You never feel you are listening to ten minute songs. These songs twist and turn; the tempo changes from blast beats to slow, doomy and sludgy. This keeps everything interesting throughout the duration of the record. 

Abstracter is at the top of their game on Cinereous Incarnate. This album is bound to end up high on my year list. I could ramble on and on about it. Instead, let me urge you to check it out as well!

9.0 / 10Dennis • June 4, 2018

Abstracter – Cinereous Incarnate cover artwork
Abstracter – Cinereous Incarnate — I Voidhanger Records, 2018

Related features

Abstracter

One Question Interviews • December 3, 2018

Related news

Abstracter to release Wound Empire

Posted in Records on December 7, 2014

Recently-posted album reviews

The Crosses

Outlier
Rushmor Records, Spectragram Records, Triple Eye Industries (2026)

There’s always a risk when a band forms out of legacy. Especially one tied to something as influential as Die Kreuzen. Lean too hard on the past and it becomes nostalgia. Push too far away and you lose the thread entirely. On Outlier, The Crosses manage to thread that needle, delivering a debut EP that feels less like a revival … Read more

Sealer

Sealer
The Ghost Is Clear Records (2026)

Some bands aim for controlled chaos. Sealer sound like they’re actively trying to lose control and then figuring out how to weaponize that moment right before everything collapses. Their self-titled debut lands somewhere between hardcore, noise rock, and something far less stable, pulling from each without settling into any one comfortably. From the opening seconds of “Seeing/Peeling,” Sealer makes their … Read more

Palette Knife

Keyframe
Take This To Heart Records (2026)

There’s a fine line between being a quirky emo band with scene references and something that actually sticks. On Keyframe, Columbus trio Palette Knife don’t just flirt with that line but sharpen it, name it after a Final Fantasy item, and build ten huge choruses around it. The band’s self-described “Nerd-Core-Mid-West-Emo” tag could easily read like a gimmick, but this … Read more