Review
A Loss For Words
Motown Classics

Paper + Plastick (2010) Jon E.

A Loss For Words – Motown Classics cover artwork
A Loss For Words – Motown Classics — Paper + Plastick, 2010

A Loss For Words are an above average pop punk band. That is a rather general statement but, noting that i have listened to their previous work i can say alot of things. Going into this cover album i was somewhat excited yet skeptical. Very rarely does a cover album come out to be more than a fun yet passable album of your favorite bands favorite songs. Now this one certainly comes with a hitch. Rather than focusing on the bands that inspired them or got them into their sound AL4W rely on covering already classic motown songs (hence the album title).

We get covers of mostly the expected ( Lionel Richie, Jackson 5, The Supremes, etc.). Theres nothing outright wrong with their choice of songs, actually this seems to work somewhat to their advantage. While none of the songs are taken to be too much more than pop punk versions of their originals they ring with youthful fervor. The band throw in their bit of experimentation throughout the album. This includes a nice acoustic version of The Isley Brothers' classic "This Old Heart Of Mine". and getting their friends to guest playing horns or adding vocals. When this works for them they create something fun and rather exciting.

They take great measures in making these songs sound like their own. While this can't always work as we are trading genres and re-envisioning classics, they tend to work on their own level. It would be hard to not imagine a crowd helping on the many sing along parts or drive around bobbing one's head and singing along. These are the redeeming qualities of a cover album that is done well.

There is always a down side when it comes to albums like this. Unless you take them solely as the creation of the band doing the covers you are bound to be disappointed on some level. When the band run on all cylinders you can't help but get excited but, when they make missteps the songs sound trite at best. The best example is the song "Tears of A Clown". While the original is a wonderful showcase for the early talents of Smokey Robinson this version is bogged down with a sorry ear for dynamics and not the best use of the singers pipes. Noted, I don't expect him to be hitting falsettos or vibratos this would be a perfect time for him to take the lead as the band seems bored throughout the song.

Bottom line is that this is a very enjoyable album and a catchy and simple introduction for those unfamiliar with this band. While the bad parts are there The album on the whole is an enjoyable detour from the oh so serious crowd. While this could be pared down to a great EP or even short LP we get a overtly fun sing along of a covers album.
This is the perfect soundtrack to your next summer drive.

7.0 / 10Jon E. • October 20, 2010

A Loss For Words – Motown Classics cover artwork
A Loss For Words – Motown Classics — Paper + Plastick, 2010

Related news

New from A Loss For Words

Posted in Records on September 19, 2025

Tour sampler from Man Overboard

Posted in MP3s on October 8, 2015

Recently-posted album reviews

Tired Radio

Hope In The Haze
Red Scare Industries (2025)

I knew of Tired Radio, but I didn't really know the band's work. When Red Scare announced they'd signed the band, I figured it was a good excuse to dive in -- and I'm glad I did. Hope in the Haze is the title of their Red Scare debut and that title kind of sums up their general vibe too. … Read more

The Resinators

Recorded In 2005 By Jay Reatard
Independent (2024)

Interesting little slab we got sent to SPB by a Mr. Ed Young. Two originals and a cover, recorded in Jay Reatard’s living room back in 2005 as the title suggests. So that would be around the time of The Reatards’ Not Fucked Enough for anyone keeping track. Jay had apparently just switched from analog to digital recording but it … Read more

Various Artists

Bombs Away!
Rad Girlfriend Records (2025)

Split records have always worked best when they feel intentional rather than convenient, and Bombs Away! lands firmly in the former category. Bringing together East Bay veterans Tsunami Bomb and Oakland’s The Hammerbombs, this six-track split (three songs per band) doesn’t just unite two names but captures two complementary approaches to Bay Area punk that still feel vital decades into … Read more