Review
A Day in Black and White/Black Castle
Split

State of Mind (2004) Zed

A Day in Black and White/Black Castle – Split cover artwork
A Day in Black and White/Black Castle – Split — State of Mind, 2004

Splits are ideally awesome, with two bands combining their sounds for one album. Often times though it ends up that one side has a great band while the other has some weakness that jumped on. While Black Castle doesn't have as much to offer as A Day In Black And White, the two forces combined make a decent split.

If you've heard My Heroes Have Always Killed Cowboys, then you know ADIBAW can rocktually kick some serious behind. The three songs on this split sound a lot like the songs from MHHAKC, and could even be B-Sides from that album, although the sound does seem to have a little bit more rawness than the demo had. The first song, "In A Grove," is recorded live and contains no vocals. It feels like a more condensed version of "The Illusion Of The End," with less beating around the bush and more of an aim in the direction of the post rock crescendo. Next we get, "What Do You Want Me To Do, Sign Your Freakin' Yearbook?", which comes across as an alternate version of the second track from MHHAKC, "There Are Objects And Objects." But unlike "There Are Objects," "What Do You Want?" doesn't have a twinkly breakdown, but just drives forward the entire time. Due to the straight forwardness, the song comes off sounding kind of generic, but the big-orchestrated sound it gives off is great. Finally, we are given "Part One," which more than makes up for the fact there are only three ADIBAW songs. I don't know this song wasn't put on MHHAKC, as that album seemed a little too short, and this would've definitely made the album better. "Part One" spirals upwards until it spears itself through the roof and floats around on the blanket of night, eventually waking to a nightmare of sorts and falling down to earth into a heap of screams, delay effects and pounding drums.

Like following the kid at the talent show who could suck his own dick, following A Day In Black And White definitely increases the pressure for whoever comes next. In this case, Black Castle isn't able to live up to the previous act. Not even close. Black Castle sounds a lot like the OOP screamo band, Cobra Kai, whose sound is basically mid tempo screamo with synth. It makes you want to dance and convulse on the ground at the same time. Although the keyboard bass/keyboard groove in "Oh No! Oh No! Oh No! OH YEAH!" (awesome Family Guy reference) and intro to "How To Do The Wrong Thing, The Right Way" are really awesome, overall Black Castle falls short. I've heard they put on awesome show, but from this recording, there's definitely room for improvement.

One side is awesome, the other a bit mediocre. The A Day In Black And White side definitely makes this buy worthy though, and if you've never heard Cobra Kai before, you might really enjoy the Black Castle side. The artwork is pretty radical, the use of grey, blue and white definitely works, and there's no blood splatters! Respek. Also, I wonder if it's a coincidence that the two band's names go together like this: A Day In Black (Castle) And White. CONSPIRACY!

6.9 / 10Zed • August 29, 2004

A Day in Black and White/Black Castle – Split cover artwork
A Day in Black and White/Black Castle – Split — State of Mind, 2004

Recently-posted album reviews

Økse

Økse
Backwoodz Recordz (2024)

Økse is a gathering of brilliant, creative minds. The project's roster is pristine, with avant-jazz phenoms Mette Rasmussen on saxophone, Savannah Harris on drums, and Petter Eldh on bass/synths/samplers joining electronic artist and multidisciplinery extraordinaire Val Jeanty (of the fantastic Turning Jewels Into Water project.) The result is a multi-faceted work that stands on top of multiple sonic pillars, as … Read more

Final

What We Don't See
Room40 (2024)

Justin K. Broadrick's prolific output keeps giving, and may it never stop! The latest release is one of Broadrick's earliest projects, Final, which started in the power electronics tradition but since its resurrection in the early '90s, it is solidly standing in the ambient realm. Final's new full-length What We Don't See continues on the same trajectory, relishing drone's minimalistic … Read more

Bambies

Snotty Angels
Spaghetty Town Records, Wanda Records (2024)

The digital files I’ve been listening to as I write this review are all tagged to begin with the band name, e.g. “Bambies Teenage Night,” “Bambies Love Bite,” etc. It seems like a fitting metaphor. The Bambies play the kind of Ramones-adjacent garage-punk that’s often self-referential and in on their own joke. The Bambies play leather jacket-clad, straight-forward punky songs … Read more