Full of Hell remain successful in orbiting the broad domain of hardcore punk without becoming victims of convention or straying from ethic. With the release of Amber Mote in the Black Vault via John Hoffman’s (Weekend Nachos) Bad Teeth Recordings, “stagnation” simply does not appear to be a part of the Maryland/Pennsylvania outfit’s vocabulary. The group grows more and more … Read more
While hardcore and the like have always valued the use of noise rarely has it ever been used in a combination of hardcore as a genre as well as the idea of noise as a genre unto itself. Noise as a genre is a very tough to pin down aesthetic in and of itself, just as hard would be to … Read more
Ohio's Homewrecker have only been a band for a relatively short time, but in that time they have bridged the gap between clevo-style hardcore, powerviolence, and straight-up grind. Within their brief recorded history the band has managed to do this pretty well. Their A389 debut proves to be a different challenge as, now, many more are familiar with their general … Read more
Full Of Hell are an active and adventurous band. Scene Point Blank caught up with the group on the heels of 2017's new album, Trumpeting Ecstasy, for a few words with vocalist Dylan Walker. Discussing the new album, his motivations, and how he spends his time when he's not on … Read more
Every year we pause in our relentless quest to document the best music coming out of the punk, hardcore and indie scene and ask those on the other side to tell us what they've enjoyed: first the bands and artists, and secondly, the record labels. In this year's instalment we … Read more
Adam Dyson (Withdrawal) SPB: How do you choose your album art? Dyson: I've always felt that the artwork and presentation of a record is just as crucial as the music contained on it. It's important because it immediately sets a mood, and the recorded music itself fulfils the pre-conceived feelings … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here: