With the indefinite hiatus of Azure Ray, the duo of Maria Taylor and Orenda Fink ventured into the lives of solo recording artists with different intentions. Maria offered up her 11:11 album, which was more or less a continuation of the established Azure Ray sound, focusing on the vaguely folk indie pop which had won her over her with the … Read more
Taking a five year hiatus between albums, Beep Beep released Enchanted Islands, the follow up to 2004's Business Casual, earlier this year. Given the current pace of the music industry, and a slight change from the original lineup, Enchanted Island has a feel closer to a debut album rather than a sophomore effort. The band freely plays with esoteric tempos, … Read more
In what's seemingly an attempt to depart from the boy wonder tagline which has chased him his entire career, Conor Oberst takes on a more mature tone with Cassadaga, the latest of his half a dozen plus releases. This album sees Bright Eyes, now consisting of the aforementioned Oberst, Nate Walcott and Mike Mogis, devoid of the introspective, angst ridden, … Read more
Digital Ash in a Digital Urn appears to be out of character for Conor Oberst. He incorporates heavy beats and samples that force his signature acoustic guitar into the closet. The initial shock caused me to put the album away for a month, because I thought it was such an immense departure from his previous albums. I pulled it out … Read more
The morning is generally associated with hope and rebirth. Leave it up to sad-eyed pessimist Conor Oberst to reverse this symbol in I'm Wide Awake, It's Morning . Now the morning reveals all the clandestine secrets that lurk in the dark, all the secrets forgotten from a drunken night of destruction bask and glimmer in the sunlight. It brings consequences … Read more
Writing, recording, and releasing the "emo opus." Selling roughly around 175,000 units of that opus. Playing on late-night talk shows while maintaing indie-label status. Being courted by every major under the sun and being able to turn them down non-chalantly. Making out with Winona Ryder. These are just a few of the things that would have happened to you in … Read more
If I had a bunch of superfans crocheting armwarmers for me I could sell my half-assed b-sides just like Connor Oberst. Connor/Imaginary Successful Me: Remember that song we made when we were drunk and then that girl came over? And that one where I was learning how to make drum sounds on my iMac but we got drunk and that … Read more
When word broke out that Bright Eyes would be writing one final album before retiring the moniker—expectations were set pretty high. Since then, the band has retracted that statement. However, if The People’s Key ends up being the last we hear of Bright Eyes, then they conclude the story with a highly refined final chapter.The album opens with the first … Read more
Let's get a few obvious bits of information out of the way. Criteria is the latest vehicle by one half of the early Cursive writing team, Steven Pederson. No, this is not a blatant rip of Cursive's material. Criteria is a less pretentious and anthemic rock album. It is a supremely infectious pop record in fact. I was completely surprised … Read more
After completing their tour in support of the 2003 release The Ugly Organ, Cursive went on what many fans feared to be an indefinite hiatus. During the break lead vocalist Tim Kasher and guitarist Ted Stevens took time to focus on their other projects, releasing The Good Life's Album of the Year and Mayday's Bushido Karaoke, well the rest of … Read more
Cursive is one of my favorite bands. I was highly anticipating the release of their sixth LP, Happy Hollow. It had been over a year since their fifth release, The Difference Between Houses and Homes, a collection of b-sides, and over three years since the highly acclaimed The Ugly Organ. With all this time, I was sure Cursive would release … Read more
Oh, our beloved Cursive--shall we never hear another Ugly Organ from you? No, we shall not, so stop asking for one. For three albums now, Cursive have been bounded to their undeniable masterpiece, The Ugly Organ, and have been expected to reach that plateau with each subsequent release. I'd be lying if I said I wasn't one of those fans, … Read more
I first got the chance to interview Tim Kasher directly after the release of Cursive's Happy Hollow. A friend and I drove two and a half hours to Buffalo, NY and caught up with the band in the lobby of a Best Western Express not far from the venue. Their tour manager told us that they needed to soundcheck soon, … Read more
The release of Cursive's The Difference Between Houses and Homes: Lost Songs and Lose Ends reminded me what it was like to be excited for an album to come out. I was giddy like a kid waiting for Christmas; eagerly counting down how many more sleeps it would be until I was able to get my small, greasy, hands on … Read more
Cursive, being one of my favorite bands, had a lot to live up to with this release. Usually, when I absolutely love a band's records, they tend to fail to top themselves, and thus I get disappointed. This is definitely an exception. The first few listens, I had a hard time swallowing this album and Cursive's new sound. Not that … Read more
The Ugly Organ is an appropriate title for the Nebraska-based Cursive's latest effort. The band has put together an album that is dissonant, cacophonous, and beautiful at the same time. On this album, the band uses a cello permanently as well as pianos, horns, and yes, organs to the original two guitars, bass, drums and singer Tim Kasher's dynamic voice. … Read more
It's nice when bands can make beautiful music and still have it rock the casa. One thing that separates this from other similar "indie" bands is a cello, and just the fact that they are really damn good and don't sound like the others. The lyrics range from satire on "emo" music to stories of lost daughters (which brought a … Read more
Bridging elements of power/indie pop while harnessing a danceable sound reminiscent of the better radio friendly tracks from the 1950's through the 1970's, Georgie James gives us Places. The Washington D.C. songwriting duo consisting of John Davis, drummer of the disbanded Dischord act Q and Not U, and Laura Burhenn, a locally established solo musician, share vocal duties and instrumentation … Read more
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