Aesop Rock seems to be the rare artist who gets better with age. I enjoyed his early work with Blockhead, but it felt like things started to take off when he took over self-production, steadily growing and hitting what felt like peak when Spirit World Field Guide came out in 2020 (followed by Garbology in ’21). Luckily for all of … Read more
The big complaint since Aesop Rock’s breakthrough, Labor Days, seems to be that he hasn’t had the memorable singles. At this point, it should be clear that Aesop Rock writes albums, not hits. Skelethon is his sixth release, and first with powerhouse label Rhymesayers Entertainment. While None Shall Pass (2007) had its moments, I’ve long felt Aesop Rock’s best work … Read more
Spirit World Field Guide is Aesop Rock’s first full-length in a few years. He’s been busy in the meantime, working on Malibu Ken and other projects, but Spirit World Field Guide has been a slow-building project. And it’s just that: a project.At 21 tracks in total, this is a psychedelic hip-hop adventure that takes the listener to new lands. It’s … Read more
Atmosphere has always felt like rapper Slug pouring his soul into the mic. It feels authentic and refreshing to hear his humble self-reflection. But after a few albums, it also kind of feels like overload. There’s such a thing as too much emotion and strife. That’s not a knock on Atmosphere’s art, but Atmosphere took a break from each other. … Read more
Atmosphere’s MC, Slug has made a career, literally, out of exploiting and exercising his own personal demons as well as of those around him. He has an uncanny knack for telling a deeply personal story—sometimes his, sometimes someone else’s—all while moving the crowd. In short, he’s the heart-on-his-sleeve guy who rocks the party. Though, as Slug gets older, there’s a … Read more
While When Life Gives You Lemons, You Paint That Shit Gold brings Ant and Slug closer to full-blown mainstream success, it's an album that's not really about either of them. Rather, it's about those that possibly buy their albums, those that struggle to make it through the day, no real future in sight given their conditions. While Ant brings to … Read more
Brother Ali is one of RhymeSayers’ and Minneapolis’ premiere rappers, and his career trajectory has been on the up-and-up with each release. Still, for whatever reason, my interest in Ali has waned with each new LP. His tendency for bluntness and tough guy delivery of not-so-tough material had gotten to be a bit much, and I figured it was time … Read more
It's refreshing to put in a hip-hop disc and not have it bogged down with guest spots featured on every track. In fact, none of the songs on Felt 3: A Tribute to Rosie Perez have any star appearances - besides the rapping duo of Slug (Atmosphere) and Murs, combined with producer, Aesop Roc - as the pair returns with … Read more
I’ll admit I haven’t listened to much Atmosphere in recent years. But what I’ve heard of the new stuff, it’s more introspective and chill, as if Slug is content to ride in the passenger seat and look out the window instead of driving the car. It has a little less punch -– which is totally fine -– it’s his art … Read more
The unique style of P.O.S. continues to come together - from the disjointed and experimental Ipecac Neat that caught Rhymesayers' attention, and the slightly more mainstream Audition in 2006, Never Better continues to build and unify P.O.S.'s distinct and witty brand of hip-hop. To get it out of the way early, P.O.S. is also in the hardcore/mathrock band Building Better … Read more
Minneapolis’ P.O.S (aka Stefon Alexander) might not necessarily befit the tastes of most within the punk community, but his music is as heavily indebted to it as it is to hip-hop’s long and storied past. Since his musical beginnings in punk bands from as far back as high school, his music has been predominantly D.I.Y. and its messages of hard … Read more
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