The profound influence of punk on the grunge movement should not be understated. By the time it had reached national recognition, that lineage wasn't as obvious as it was in the beginning. But my point is that when stripped down to its bare essentials, grunge is, much like 80s hardcore, loud, fast, angry, and an embodiment of youth. This brings … Read more
I have to wonder what rock critics would've done without L7 and Babes in Toyland, as it seems every writer feels compelled to make comparisons to these bands whenever a female-fronted group is being discussed. That said, Minneapolis' Baby Guts show a bit of the ol' influence themselves. This is no sludgy L7 stuff and there's no pitch-shifting Bjelland on … Read more
Having never heard of this band before, I had no idea what to expect. Thankfully I was pleasantly surprised by the music on this EP length release. Taking the best guitar effects from 80's pop and welding it to a fierce backbeat, this one emerges from the morass and rises above. Lyrics you can make out and actual songwriting chops-absolutely … Read more
Pressure is a party. The three-piece band Kitten Forever trade off vocals constantly throughout, and even swap instruments while they’re at it. It starts off with a 43 second intro track of vocal switcheroos and handclaps before shifting into the muddy “Cry Baby” that sets the stage well for their alternating tones of distorted punk and happy-clap sing-song. While the … Read more
It's refreshing to hear bands showing their influences without becoming a fiftieth-wave hybrid, a la The ePoxies. Maps of Norway obviously love 1980's new-wave. However, they don't set out to make a copy of that, they fuse the sound into their own artistic development, and Guilt Ridden Pop's release Die Off Songbird is the end result. The record starts off … Read more
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