One-question interviews with artists where we find out about the gear and equipment they use to achieve their sound.
Matthew Brammer (Six Below Zero) SPB: Can you walk us through your studio or recording set-up to get a glimpse of how a one-man band works for Six Below Zero? Brammer: Since I don't play live anymore, I'm pretty much 100% "in the box" these days. Especially since a lot of amp sims and digital tools have gotten so good the last few years. I have a small, modest home studio where I pretty much write, record, and mix everything. My main electric guitar is an Ibanez RGIB21 Iron Label baritone guitar in Drop C (CGCFAD) with custom balanced tension string sets from Stringjoy. My bass is an Ibanez SR600e in Drop C with custom nickel sets from Curt Mangan. I actually use those guitars and that tuning across a wide variety of projects and genres, not just SBZ. It's an incredibly versatile tuning that can be used in anything from hardcore to black metal to acoustic rock, and even though I've experimented with an awful lot of tunings and guitars over the years, I always keep coming back to that. My main acoustic is a Martin GPC-X2E (with Stringjoy strings), and I have a full-sized digital piano (Yamaha DGX-660)...but obviously those aren't used much (or at all) in SBZ stuff. They see a ton of use in my other projects though. One thing I'm super picky about....no pun intended...is my guitar picks. I use Dunlop Tortex picks...2mm for leads/solos and faster/more technical stuff, 1mm for most of my electric … Read more
Chris Mason (Faulty Cognitions) SPB: Was the mic’ing of your kit for the recording of Somehow, Here We Are fairly straight forward, or were there some techniques or experiments used … Read more
Stephen Hamm Theremin Man shows off his theremin magic. Read more
Josh Levine (Middle-Aged Queers) SPB: Tell us about the day you bought your current (primary) bass and why you chose it. Levine: I bought my current primary bass in the … Read more
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We post a variety of features in recurring series – click below to browse them.
A regular series by Robert F.
A wide-ranging guest column written by BJ from Ancient Shores, mainly covering film but extending into philosophy and aesthetics too. Check out BJ's work on the A389 podcast.
How an artist spends their time by day will influence the creative process at night. In Don’t Quit Your Day Job, Scene Point Blank looks at how musicians split their time, and how their careers influence their music.
Guest column by T of Vegas
A cookery column by Nick, vocalist with metal band The Famine. Veggie/vegan friendly!
A roundup of coverage of the annual punk rock festival held in Gainesville, Florida
Our annual roundup from Gainesville, FL's famous Fest.
SPB's coverage of the annual festival in Gainesville, Florida.
Our coverage of the annual Fest extravaganza.
Our coverage of the 19th edition of the Fest – an independent multi-day, multiple-venue music festival held annually in Gainesville, Florida.
All our coverage from the long-running music festival
Articles about the Fest 21
Our coverage of the 22nd edition of the FEST.
We dive into the back catalog of a record label and ask them to nominate their most memorable releases from their label's history–with a few suggestions of our own.
An interview format where we ask a band to rate and review a bunch of music
A radio DJ profile series created by Christopher D & Matt Hutchison.
There’s so much music released, whether physically or digitally, that keeping up with what’s going on becomes almost like a full time job. With Only Death Is Real, the aim is to bring you something new.
A life lived and lessons learned by Eddie Spaghetti of Supersuckers.
Welcome to Running on Nothing, the latest addition to our stable of columns at Scene Point Blank. Running on Nothing offers a look at the world through the eyes of Kole, bassist of The Lippies, guitarist of The Bloody Lips, and gigposter artist.
We survey some of the other music releases out there. Results may vary...may get weird, but hopefully something covered here piques your interest.
A semi-regular column where we choose a specific area and give a local scene report.
Discussing the state of the music business at the kitchen table
A brief but englightening chat with an artist who reveals an interesting or unexpected story from their career
A collection of items grouped by topic, eg. "Top 5 Worst Beatles Songs" or "Top 10 best '77 punk releases".
One-question interviews with artists where we find out about the gear and equipment they use to achieve their sound.
A collection of coverage rounding up the year 2012, covering our favorite albums, shows, bands, and more, as well as asking record labels and bands about their past twelve months in music
It's the end of 2013, so here's our best-of roundup for the last twelve months.
Our annual round-up of the best music of the year 2014.
Our annual round-up of the best music of the year 2015.
Our annual round-up of the best music of the year 2016.
Our annual round-up of the best music of the year 2017.
Our summary of the best music (and more) of 2018.
Our wrap-up of the best music and more from 2019
Our wrap-up of the best music and more for the year we'll all want to otherwise forget, 2020.
Our roundup of the best music from the worst year (since the previous one, anyway).
Our favorite music and more from the year 2022
Our roundup of the best music of the year 2023
Our roundup of the best music—and more—of 2024.
Jono Giralt (Stress Positions – drums) SPB: Walk us through your drum kit and how you arrived at your sizes, etc. Giralt: I play on a Tama Starrclassic. All Bubinga shells. 12”, 18”, and 24”. Charcoal grey, I guess? They look nice. I’ve been playing the Ludwig raw copper phonic snare. 6.5”x14”. Honestly the best snare I’ve ever played. Even … Read more
Marc Blaquiere (Phuture Memoriez) SPB: Walk us through your setup that led to what we hear on Play Cobra? Blaquiere: Read more
Mitchell Layton (Church Girls – guitar) SPB: What type of guitar do you play and what’s its “origin story”? Layton: My main guitar has changed a lot over the years depending on what style I’m playing and what I’m using it for, but for most of the Church Girls touring and studio recording I’ve used my Revered Double Agent. It’s … Read more
Morgan (MEDTIMEMAGIC – drums/organ) SPB: What nonstandard tweaks have you made to your kit setup to ease playing organ at the same time? (Feel free to walk us through your whole setup and include pics and/or videos.) Morgan: If only I could find a way to make playing the organ and the drums at the same time easy! I play … Read more
Erica (The Holy Circle – synth/vocals) SPB: What elements of your current keyboard, to you, are essential to “The Holy Circle” sound? (And what is the make/model you play?) Erica: I play a Micro Korg and Moog Little Phatty through a Holy Grail reverb, Death-by-Audio MicroDream, and a Electro-Harmonix 720 to make loops. I think the combination of the icy … Read more
Sam Black (The Tunnel - bass) "What's That Noise?" is a series about gear. Show us some of your key pieces. Read more
Curran Reynolds (Body Stuff) Tell us what piece of gear “makes the Body Stuff sound,” in your opinion. Read more
John Hoffman (Vacation, The Mimes) SPB: From when you were starting out to now, what parts of your setup in studio have help to voice your sound as it stands today? Hoffman: I'd have to say it's my Tascam 122 cassette deck. It's a two-track cassette desk that can monitor the recording of the cassette's audio in real time and … Read more
Victor Dowgiallo (Grizzlor) SPB: You just released a collection of b-sides and rarities. Did you use any specific techniques in mixing to get a steady sound when merging different recording sessions? Dowgiallo: No, I didn't use any special techniques, I just basically went into the old mixes and touched them up in a way with some things I had learned … Read more
Jake (Painted Light – guitar) SPB: What type of guitar do you play (and how did you land on this one)? Jake: Fender 1972 Thinline Telecaster! I love it because the tone is warm, not too bright -- but the highs come through well, and the pickups are hot enough to really project the tapping parts into tbe next level. … Read more
Ben Green (Fairweather-keyboards/vocals) SPB: Did you experiment with different sounds in the studio for Deluge, or did you enter knowing exactly what equipment you wanted to capture it? (Do you have any examples of equipment that helped to define this EP?) Green: Lots of different guitar sounds went into the recording of this record. I think my guitar parts were … Read more
Ben Wixson (Bend – bass) SPB: What model of bass do you play and how did you choose it? Wixson: For the past 20 years or so I have sworn by the Music Man Stingray bass, which has been made by Ernie Ball for decades. The first time I ever heard one of these basses live was watching Anti-Flag at … Read more
Teddy Panopoulos (Dead Waves) SPB: Tell us about how you captured the sound on Abandoned Children. Teddy: Like usual, we wanted to use everything we own on this new Dead Waves release and brought back some acoustic drums and percussion which our last release didn't have. For the first picture, I have my Ancient Lyre - I got this in … Read more
Tony Ash (Conan Neutron & the Secret Friends – bass) SPB: Tell us about your bass tone and how you set things up for your work in Conan Neutron & the Secret Friends? Ash: I want to preface this by saying, this is the moment I've been practicing for throughout the entire existence of Conan Neutron and the Secret Friends. … Read more
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