There’s so much music released, whether physically or digitally, that keeping up with what’s going on becomes almost like a full time job. With Only Death Is Real, the aim is to bring you something new.
Do you ever go through phases of listening to the same music over and over and over again? Why would I listen to something new when I could listen to X ten times in a row, or that song off Y a couple of times a day? Sometimes something new and cool does fall through the cracks in the brain that is somehow mine, and these two are prime examples of how to get me off the Vemod train. Saidan – Visual Kill: The Blossoming of Psychotic Depravity Self Released/Jems Label Having already been featured on Only Death Is Real with their previous two full-lengths, Saidan are hopefully not new to you, dear reader. Their black metal through a punk lens take on the genre is as exciting as it is refreshing and this duo from Nashville are one of the most interesting new projects out there. Originally starting life as a solo endeavour that leaned heavily into Japanese horror mythology, Saidan have grown their sound and their outlook in the years since their debut and with Visual Kill: The Blossoming of Psychotic Depravity, they have on their hands an album with bounding riffs, harsh vocals and ferocious drums. Lyrical themes read as though the band found an horror screenplay in a creepy abandoned house on a dead-end street and the inspiration follows through the grotesque "Sick Abducted Purity" and the outlook of the maniacal narrator we are beholden to. The Japanese fascination of Saidan’s first offerings seem to have … Read more
Acathexis – Immerse (Amor Fati/Extraconscious Records) Acathexis’ self-titled debut from 2018 is one that still bears repeated listens, personally, many years later. With some of the best known and hardest … Read more
Arkhtinn – 三度目の災害 (Prava Collective) The mysterious Prava Collective release music by a handful of artists (who may or may not be in every band or at least more than … Read more
It's time, once again, for Only Death Is Real to make an appearance. This is the twenty second edition of the column and I'll be honest with you, writing is … Read more
I'm slowly running out of things to say in these intro pieces. Do you read them? Do you need to know why I chose these particular records or are you … Read more
We post a variety of features in recurring series – click below to browse them.
A regular series by Robert F.
A wide-ranging guest column written by BJ from Ancient Shores, mainly covering film but extending into philosophy and aesthetics too. Check out BJ's work on the A389 podcast.
How an artist spends their time by day will influence the creative process at night. In Don’t Quit Your Day Job, Scene Point Blank looks at how musicians split their time, and how their careers influence their music.
Guest column by T of Vegas
A cookery column by Nick, vocalist with metal band The Famine. Veggie/vegan friendly!
A roundup of coverage of the annual punk rock festival held in Gainesville, Florida
Our annual roundup from Gainesville, FL's famous Fest.
SPB's coverage of the annual festival in Gainesville, Florida.
Our coverage of the annual Fest extravaganza.
Our coverage of the 19th edition of the Fest – an independent multi-day, multiple-venue music festival held annually in Gainesville, Florida.
All our coverage from the long-running music festival
Articles about the Fest 21
Our coverage of the 22nd edition of the FEST.
We dive into the back catalog of a record label and ask them to nominate their most memorable releases from their label's history–with a few suggestions of our own.
An interview format where we ask a band to rate and review a bunch of music
A radio DJ profile series created by Christopher D & Matt Hutchison.
There’s so much music released, whether physically or digitally, that keeping up with what’s going on becomes almost like a full time job. With Only Death Is Real, the aim is to bring you something new.
A life lived and lessons learned by Eddie Spaghetti of Supersuckers.
Welcome to Running on Nothing, the latest addition to our stable of columns at Scene Point Blank. Running on Nothing offers a look at the world through the eyes of Kole, bassist of The Lippies, guitarist of The Bloody Lips, and gigposter artist.
We survey some of the other music releases out there. Results may vary...may get weird, but hopefully something covered here piques your interest.
A semi-regular column where we choose a specific area and give a local scene report.
Discussing the state of the music business at the kitchen table
A brief but englightening chat with an artist who reveals an interesting or unexpected story from their career
A collection of items grouped by topic, eg. "Top 5 Worst Beatles Songs" or "Top 10 best '77 punk releases".
One-question interviews with artists where we find out about the gear and equipment they use to achieve their sound.
A collection of coverage rounding up the year 2012, covering our favorite albums, shows, bands, and more, as well as asking record labels and bands about their past twelve months in music
It's the end of 2013, so here's our best-of roundup for the last twelve months.
Our annual round-up of the best music of the year 2014.
Our annual round-up of the best music of the year 2015.
Our annual round-up of the best music of the year 2016.
Our annual round-up of the best music of the year 2017.
Our summary of the best music (and more) of 2018.
Our wrap-up of the best music and more from 2019
Our wrap-up of the best music and more for the year we'll all want to otherwise forget, 2020.
Our roundup of the best music from the worst year (since the previous one, anyway).
Our favorite music and more from the year 2022
Our roundup of the best music of the year 2023
For the twentieth edition of this column, we are doing something slightly different. Why? Well, to be honest, my listening habits have taken a detour of late and instead of diving into a million different things, I am concentrating way too hard on a handful of releases. And these two have stood out the most over the last month or … Read more
Can you believe that it’s 2023? It hardly seems like last week that we were ushering in 2022 and trying to maintain an outlook of hope that maybe, just maybe, this was a year in which things got better. Judging by the music that makes up this edition of Only Death Is Real, hope is still hard to come by. … Read more
Winter is approaching which means that musical preferences change alongside the season. For this edition of Only Death Is Real, that change is reflected in the excess of doom that has been released in the last month, with a sprinkling of black metal thrown in for good measure. There’s something about the colder months that brings the impetus for long-form … Read more
The collection of artists that make up this edition of Only Death Is Real have something that connects them. Despite the surface appearances being markedly different across the board, the five bands/musicians gathered here have been wildly prolific in their careers -- whether that’s for a long or a short time, or for concentrated bursts, they all create staggering amounts … Read more
Baazlvaat - An Old Forgotten Text (Self-Released) Baazlvaat appeared as if from nowhere (Flint, Michigan) during 2021 with The Higher Power, a record that owed as much to Bathory as it did to Thin Lizzy (despite the band not really knowing the latter), as a home-recorded full-length that quickly caught the imagination of many in the black metal scene. Having … Read more
The first Only Death Is Real of 2022 comes at a tumultuous time, a time where the pandemic still has a grip on the world and where world leaders can wantonly decide to invade their neighbours on a whim. The nuances are, of course, much trickier to unravel but from the outside the situation is bizarre and heartbreaking. We can … Read more
Circle of Ouroborus - Kiromantia (His Wounds) Keeping up with Circle of Ouroborus could be a full-time job in itself, as the duo turn around new music at a rate that is enough to give one a moment of breathlessness. They have been quieter in recent years compared to the beginning of the band, yet they have maintained a high … Read more
The number 13, unlucky for some, a portend of doom, of sign of bad things to come. For Only Death Is Real the number 13 brings a handful of releases that range from electronic beats to deeply religious texts to raw black metal and dungeon synth. The number 13 is lucky for you. Mother of Sighs – Mother Of Sighs … Read more
It is time, once again, to wax lyrical about how creative the underground metal scene is. This year has seen a surge in artists presenting their full vision for the first time, perhaps an effect of being shut indoors for much of the last 18 months and having the means and time available in which to hone their craft and … Read more
Welcome to the first Only Death Is Real of 2021. Not much has changed since the last time although perhaps there is now some light at the end of the proverbial tunnel in terms of being able to get back to some kind of normality. Perhaps you’re able to meet friends again, maybe you're in the process of being vaccinated … Read more
Can you believe that this is the tenth iteration of Only Death Is Real? Ten editions of a column featuring some of the best and most exciting extreme music of today and ten editions of a column that celebrates just how diverse the underground metal scene really is. The world is a lot different than it was ten columns ago … Read more
Finding new music to explore has become many people's escape since the world of 2020 changed for the worse. In times of struggle music has often become a guiding light and a saviour and in regards to Bandcamp itself, a place where people can effect change just by supporting artists. Music is life-changing. Stay safe, friends. Dumal - The Confessor … Read more
Finding new music to explore has become many people's escape since the world of 2020 changed for the worse. In times of struggle music has often become a guiding light and a saviour and in regards to Bandcamp itself, a place where people can effect change just by supporting artists, some of whom are in turn supporting human rights movements … Read more
The world has gotten exponentially more weird since the last time this column was published and it doesn’t seem as though it’s going to get any better any time soon. Music can help in a multitude of unusual situations and perhaps these five records go some way into making these strange times a little more bearable. Stay safe. Stay healthy. … Read more
2020 has only been upon us for three short months, yet the outlook for the rest of the year looks as bleak as it has ever been. Pandemics, floods, ineffective governments, dysfunctional rulers..... the list could go on but I fear that life is depressing enough already. The music contained within this edition of Only Death Is Real goes some … Read more
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