Trevor Dunn (Tomahawk, Melvins Lite, Fantomas, and formerly of Mr. Bungle)
SPB: What part of your live show is the hardest on sound engineers?
Dunn: I wouldn't know because 1) I stand in front of my 8x10 so that I have the best possible sound in the entire place and that's all I care about and 2) we bring our own sound guy. We not only pay him to make us sound good but also to keep his mouth shut and not whine. I wish I was a millionaire so I could pay more people for that in particular.
Still a Dirty Mess: The Stormtrooper Oral History Before the Sex Pistols swore on television -- or tried to brush it off as "nothing, a rude word" -- and corporate labels commodified safety pins, there was a bar at The Marquee and a damp basement on King's Road. In 1975, … Read more
From shaping the early guitar drive of The Misfits to heading up The Undead, slinging bass for Times Square, and running Post Mortem Records out of a New Jersey bedroom, Bobby Steele’s footprint on tri-state punk is as real as it gets. He’s dodged precinct venue shutdowns, survived botched UK … Read more
Jenn L. Beckwith (All Good Cretins Go To Heaven: The Enduring Spirit of the Ramones – author) SPB: Do you remember the first time you saw the Ramones live (or, alternately if it’s a better story, the first time you heard them)? Beckwith: My collaborator and researcher Gary Lynn Clevenger … Read more
Fail Harmonic Records SPB: What is your turntable set-up? Our office turntable is vanilla. Audio-Technica, maybe? What we’re spinning is what counts: and that’s Savageheads - Service to your Country (Social Napalm Records), an FHR HQ staple. If you wanna pack records at a fast pace, this is the album … Read more
Andresa Nugraha (Andresa One Man Band) SPB: What instrument has been the hardest to add into your set? Nugraha: Kazoo. It's funny because it seems like an easy instrument to play, but when you scream through the entire set and lose your voice, you can't play it right. So, I … Read more
Simon and Garfunkel.Seals and Crofts.Hall and Oates.Captain and Tennille.Some artists just go together. Sure, they might make music on their own. But once they find their “other”, their “person” - you never want to hear them with anyone else.Such is the case the case with Buzz Osbourne and Trevor Dunn. So long Melvins and Fantômas. So long Mr. Bungle and … Read more
Jenn L. Beckwith (All Good Cretins Go To Heaven: The Enduring Spirit of the Ramones – author) SPB: Do you remember the first time you saw the Ramones live (or, alternately if it’s a better story, the first time you heard them)? Beckwith: My collaborator and researcher Gary Lynn Clevenger … Read more
Fail Harmonic Records SPB: What is your turntable set-up? Our office turntable is vanilla. Audio-Technica, maybe? What we’re spinning is what counts: and that’s Savageheads - Service to your Country (Social Napalm Records), an FHR HQ staple. If you wanna pack records at a fast pace, this is the album … Read more
Andresa Nugraha (Andresa One Man Band) SPB: What instrument has been the hardest to add into your set? Nugraha: Kazoo. It's funny because it seems like an easy instrument to play, but when you scream through the entire set and lose your voice, you can't play it right. So, I … Read more
Looking for the SPB logo? You can download it in a range of styles and colours here:
Click anywhere outside this dialog to close it, or press escape.
