Feature / One Question Interviews
The Julie Ruin

Words: Loren • May 22, 2014

The Julie Ruin
The Julie Ruin

Sara Landeau (The Julie Ruin)

SPB: Did joining The Julie Ruin feel like a new band, or like you were joining one with an already-established identity?

Landeau: It felt like a brand new band, which it was. In retrospect, we probably should've changed the name because it’s the same name as Kathleen's 1998 solo moniker (Julie Ruin), but then again I'm proud to be part of it. And it’s a good name! And we do songs from that early album in our live set. As far as joining an already established identity, well, of course Kathleen and Kathi are famous figureheads of a movement that so many of us have been involved in for the some 20 years. I had all-girl trashrock bands in the mid ‘90s, then started a business teaching girls and women music for the past 10 years. Kathleen's call to start a band brought me back to performing, which I didn't know I was going to do again! So we all bring different experiences to the table. We're not trying to rehash old ideas, reuse any slogans, or give a makeover to something that's been undressed. We are a completely different jumpsuit. We're a 5-piece aiming to create new ideas, start new revolutions, and shout new, louder slogans. But sometimes being in a girls-rock-camp bubble can make it hard to see outside the store window. For example, it wasn't until we started touring that I noticed the hardcore Kathleen fans, those audience facial profiles -- that is, from the stage all I see are heads in the first 6 rows forming a direct angle that points to Kathleen. Burning stares. I could be doing ANYTHING and those people wouldn't see me. She has fans that really love her! So although it is a new band, there will always be an element of already established politics in place.

Loren • May 22, 2014

The Julie Ruin
The Julie Ruin

Related features

Black Adidas

One Question Interviews / What's That Noise? • March 5, 2026

Courtney Ranshaw (Black Adidas) SPB: Is there an instrument that's central to "the Black Adidas sound"? Ranshaw: I’d like to showcase an instrument that’s central to one of the songs on the record and has made its way onto a few songs of ours over the years. This is our … Read more

Dromedary Records

One Question Interviews • March 3, 2026

Al (Dromedary Records) SPB: What keeps you interested in running a record label as time passes and your own life changes? What keeps you motivated? AL: I’ve been doing this for more than 30 years, and there have certainly been times where it slowed way down or I took breaks, … Read more

Ultrabomb

One Question Interviews • March 2, 2026

Greg Norton (Ultrabomb) SPB: Has the current political climate affected Ultrabomb and did it influence lyrical content? Norton: Yes, absolutely. I’d say 80% of the lyrics for this album were written last summer as Trump was rolling out his gestapo squads, and the media’s lack of response to accurately reporting.  Read more

Nonthewiser

One Question Interviews • February 27, 2026

Nic (Nonthewiser) SPB: What were your biggest takeaways from recording your EP Injustice For All? What did you learn and what would that change the process next time around? Nic: Recording Injustice For All taught us how important planning really is. Since we live in different cities, we record everything … Read more

The Immortal Samsara Travelers

One Question Interviews • February 26, 2026

Stanley Christiaensen (The Immortal Samsara Travelers – guitar/flute/vocals/sitar) SPB: How do you typically begin the composition process for a song? Christiaensen: The composition process always starts from either existential questions like the evolution of the human species or historical visions like the Hadean Eon, Egyptian mythology. An atmosphere will spark … Read more

Related news

Kathleen Hanna and Tees 4 Togo

Posted in Music News on October 21, 2018

Schedule for Pitchfork 10

Posted in Shows on June 19, 2015

April 9: Riot Grrrl Day in Boston

Posted in Music News on April 9, 2015

Related reviews

The Julie Ruin

Run Fast
Independent (2013)

The onesheet drops the term “subversive pop.” While the term may apply lyrically, musically The Julie Ruin is more ‘80s pop in sound. Keyboards lead the melodies and punchy vocals with earworm melodies are at the core, accentuated by a range of percussion accompaniments and funky, danceable bass lines.The Julie Ruin is a continuation of Kathleen Hanna’s 1998 self-titled Julie … Read more

More from this section

Black Adidas

One Question Interviews / What's That Noise? • March 5, 2026

Courtney Ranshaw (Black Adidas) SPB: Is there an instrument that's central to "the Black Adidas sound"? Ranshaw: I’d like to showcase an instrument that’s central to one of the songs on the record and has made its way onto a few songs of ours over the years. This is our … Read more

Dromedary Records

One Question Interviews • March 3, 2026

Al (Dromedary Records) SPB: What keeps you interested in running a record label as time passes and your own life changes? What keeps you motivated? AL: I’ve been doing this for more than 30 years, and there have certainly been times where it slowed way down or I took breaks, … Read more

Ultrabomb

One Question Interviews • March 2, 2026

Greg Norton (Ultrabomb) SPB: Has the current political climate affected Ultrabomb and did it influence lyrical content? Norton: Yes, absolutely. I’d say 80% of the lyrics for this album were written last summer as Trump was rolling out his gestapo squads, and the media’s lack of response to accurately reporting.  Read more