Feature / One Question Interviews / What's That Noise?
DEAD

July 14, 2020

DEAD
DEAD

Jem (DEAD - drums, WeEmptyRooms – label operator)

SPB: Walk us through your kit and offer insight as to how you arrived at your sizes (shells and cymbals)?

Jem: I have never owned a complete, matching kit and probably never will. I'm a tone chaser and I imagine when I find the "perfect" kit is when I will die. My kit is set up specifically for playing live shows but...who knows when that will ever happen again. In the studio I change it from the below. I don't follow any brands.

Kick Drum: Tama Artstar Cordia 24x16. Coated Emperor heads front and back, no muffling. I love this thing. It's loud and obnoxious which suits this band just fine.

Kick Pedal: Pearl eliminator, strap drive, wood or hard felt beater. Never been a chain guy and I think the strap makes some things easier and a lot of things much harder but it's the feel I like.

Snare Drum: Gretsch 14x8 Hammered Brass, Die Cast hoops, 3ply or kevlar top head. I started using super thick heads for economic reasons but as long as you have a loud drum to begin with it sounds great too. The only drum I've ever bought new. Got it for $300 on a US tour and they went up in price a LOT soon after. Don't have a whole lot of luck with drum stores but can't rate Drum Center of Portsmouth enough.

Mounted Tom: 14x13 Tama Artstar II Maple, Die Cast Hoops, double ply head w/dot. Tuned just above finger tight. It's white, I wish it was a cooler colour.

Floor Tom: 18x16 Tama Starclassic Birch/Bubinga, Die Cast Hoops, double ply head w/dot. Tama have completely lost the plot lately with their wraps and this thing is as ugly as fuck but it sounds great. I recorded one of our albums on Dale Crover's Tama Bubinga kit and loved the shit out of it.

 

Hats: 15" ‘80s Sabians + a broken cheap as shit cymbal on top of the top hat. I know nothing about these but they have not broken and served me a long time so I give them two thumbs up. The broken cymbal on top makes them dirty and good for the improv bits of our set. I tend to find 14" hats stick out a bit too much - like they're yapping away in the corner whereas 15s blend into the kit more.

Crash: 22" paiste 2002. I live in fear of the day this thing breaks and I have to replace it. It's only a matter of time. I know it's a big size for a crash but it works for me.

Ride: 22" Sabian "metal" ride. On our last US tour my ride broke somewhere in the midwest and when we got to Seattle a friend of Ben Verellen offered me this cymbal for $50. I decided I would play it till it broke and 5 years later I'm still playing it. It is amusingly brash and it makes me laugh a lot but I've become very fond of it. I prefer a 24" ride but I guess 22" is more versatile for the way Jace plays.

 

Sticks: Vick Firth "metal" wood tips or Power 5bs if we're playing a quit show. The sticks have the biggest effect on the sound of the above kit. I've never understood why people don't pay more attention to that. I use the tree trunk style sticks for volume and for the thud sound on the drums. It's a compromise 'cos you lose all subtlety in the cymbals. But Neanderthal style is my happy place.

 

I've always loved big drums; I love being inside the kit like it's a fort. They are easily found now but it was not the case when I started playing live. Initially I was very drawn to ‘60s and ‘70s drums. Partly because they were cheaper (I miss those days!) but I also loved the more subtle tone. As I began to play louder and louder I realised that you were pushing shit uphill to play that kind of gear in a live setting. I got sick of repairing my kit mid set and not being heard. So I basically seek out the heaviest shells I can find, with solid hardware and play thick skins and beat the crap out of them. You lose about 90% of the dynamic range but I enjoy the challenge of working within that remaining 10% and the sound you get from hard hitting makes me very fucking happy. It's a sound that's really ugly on its own but then works when I pair it with Jace's rather confronting bass tone.

I find the 8" depth snare a lot more versatile than shallower ones and it's a sound you feel in your chest. What's not to love about that?

 

Writing this all down has made me really miss playing live!

Listen to Raving Drooling by DEAD.

— words by the SPB team • July 14, 2020

images provided

DEAD
DEAD

Series: What's That Noise?

One-question interviews with artists where we find out about the gear and equipment they use to achieve their sound.

More from this series

Related features

Six Below Zero

One Question Interviews / What's That Noise? • January 22, 2025

Matthew Brammer (Six Below Zero) SPB: Can you walk us through your studio or recording set-up to get a glimpse of how a one-man band works for Six Below Zero? Brammer: Since I don't play live anymore, I'm pretty much 100% "in the box" these days. Especially since a lot … Read more

Distants

One Question Interviews / What's That Noise? • May 23, 2024

Steve Brewer (Distants) SPB: Did you choose your name before the band members were located in different cities? Brweer: Yes. Everyone who was in the band when it started lived in Chicago. When I joined the band in 2019, Zach and I would carpool the distants from Michigan to Chicago … Read more

Faulty Cognitions

One Question Interviews / What's That Noise? • April 1, 2024

Chris Mason (Faulty Cognitions) SPB: Was the mic’ing of your kit for the recording of Somehow, Here We Are fairly straight forward, or were there some techniques or experiments used to capture the sound? Mason: We didn't do anything too fancy. I do remember that we didn't mic the toms … Read more

Stephen Hamm Theremin Man

One Question Interviews / What's That Noise? • March 4, 2024

Stephen Hamm Theremin Man shows off his theremin magic. Read more

Middle-Aged Queers

One Question Interviews / What's That Noise? • January 31, 2024

Josh Levine (Middle-Aged Queers) SPB: Tell us about the day you bought your current (primary) bass and why you chose it. Levine: I bought my current primary bass in the ‘90s at Univibe Music (RIP) in Oakland. It’s a DanElectro Longhorn, ‘90s reissue. I thought it was black. I played … Read more

Related news

Comeback Kid revisits "Wake The Dead"

Posted in Bands on February 7, 2025

Dead Pioneers take down the American Dream

Posted in Records on February 2, 2025

Scowl kicks off Are We All Angels

Posted in Records on January 23, 2025

Related reviews

Half Dead

Nasty, Brutish, and Short
Early Onset Records (2023)

I have two sisters (both younger) and growing up I found myself with their chores on my list, despite the initial fair divide decreed by our parents. I went to university (I know- my level of pretension and rambling introductions give that away) and was often submitted to the dreaded group project. You know how it goes. Group chat, a … Read more

Won't Stay Dead

3 Hits From Purgatory
We Are Horror Records (2023)

Won't Stay Dead are back with a few more tracks following on from their album Purgatory released in Oct 2022 https://www.scenepointblank.com/reviews ... purgatory/. This EP entitled 3 Hits From Purgatory contains two previously unreleased tracks from the Purgatory sessions. "New Descent" and "Nine Guys (No Weapons)" might not have made it onto the album, instead they were destined for bigger … Read more

Dead End Drive-In

A Worthwhile Endeavour
Early Onset Records (2023)

Discontent, a few degrees away from unease, oozes from the riffs of Dead End Drive-In’s new album, A Worthwhile Endeavour. Another release from Early Onset Records’ recent slew of disillusioned bands, Dead End Drive-In treads along a well worn path, much like labelmates Stuttr and Brass. On paper the existential crises might be getting old but on record the band … Read more

Advertisement

DCxPC 2025

More from this section

Mercy Ties

One Question Interviews • February 12, 2025

Trevor Bebee (Mercy Ties) SPB: Any new thoughts, perspectives, or memories of this tour as you prep for a new round on the road? Bebee: Yeah, from 2013 to 2024 my perspective on playing in a touring hardcore band has changed a lot. Since being inactive for so long, I … Read more

Curse Words

One Question Interviews • February 11, 2025

Tommy Colliton (Curse Words) SPB: What is the most tiresome stereotype about punk rock? Colliton: I find one of the most tiresome stereotypes would be that punk has to be yelling angry, aggressive lyrics. While there’s plenty to be pissed off about and it’s rather cathartic yelling along in a … Read more

Rad Owl

One Question Interviews • February 10, 2025

David Jarnstrom (Rad Owl) SPB: What was the inspiration in starting this band? A midlife crisis? Jarnstrom: In all seriousness, Rad Owl was a bit of a nostalgia trip at first. We were childhood friends who had grown up discovering metal and punk rock and hardcore together in the late … Read more