Feature / Music / Year End 2012
Pass The Mic: Record Labels and Artists on 2012

For our first 2012 retrospective, we're passing the mic to record labels and artists to tell us what they thought of the past twelve months in music. As well as asking about their favourite albums of 2012 and what they're looking forward to for 2013, we also ask bands, artists and labels about their thoughts on Kickstarter and similar enterprises for bands to ditch the traditional funding model. 

Featuring contributions from bands and performers Paint It Black, Ceremony, Frank Turner, Franz Nicolay, Circle Takes The Square, Sutekh Hexen, Shai Hulud, Teenage Bottlerocket, Mike Park, Nick 13, Tobias Jeg and more.

Use the dropdown menu below to page through the feature -- now offering an enormous 74 contributors from around the music world.

Aidan Baker Nadja

What is your name and band/label/etc?

Nadja

What are your top five albums that were released in 2012? (In order 1-5)

• Codeine - When I See The Sun
• Swans - The Seer
• Mount Eerie - Clear Moon
• Hangedup & Tony Conrad - Transit of Venus
• OM - Advaitic Songs

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

The Japanese band Les Rallizes Dénudés. Their proto-psych/noise rock seems appealing and still quite relevant today, even if they started making albums in the 1960s...

How will you remember 2012? (In terms of music)

Finally getting to see Codeine perform live.

What can we look forward to from you in 2013?

I have a solo album called "Already Drowning" coming out on Gizeh Records, with guest vocalists including Jessica Bailiff, Carla Bozulich, and others. Nadja will be releasing an ep of, well, 'grunge' songs on Oaken Palace Records and a 'grindcore' 7" on our own label, Broken Spine Productions. I also have albums coming out with my new groups B/B/S/ and Caudal.

What records are you looking forward to most in 2013?

I'm curious to hear both the forthcoming My Bloody Valentine and Carcass records...though my expectations of either of them being good aren't exactly high...

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I'm not fond of crowd-sourcing methods. Yes, it gives the artist more control, but it releases labels, promoters, etc. from the responsibility of providing support to artists.

Alan (drums) Nephelium

What is your name and band/label/etc?

Hey there, my name is Alan and I play drums in Nephelium.

What are your top five albums that were released in 2012? (In order 1-5)

• Testament - Dark Roots of Earth
• Jeff Loomis - Plains of Oblivion
• Spawn of Possession - Incurso
• Psycroptic - The Inherited Repression
• Aborted - Global Flatline

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Although the album was released in July of 2005, Nevermore’s “This Godless Endeavor” has been on repeat for a few months now. The rhythm work executed by Jim Sheppard and Van Williams is truly remarkable. As I have listened to this record umpteen times, I have dissected and picked at various major and minor aspects that have definitely influenced my playing in Nephelium’s follow up to “Coils of Entropy”. This record really opened up another door for me as far as listening is concerned. I say this in direct relation to musicians as it doesn’t really apply to the general audience but there’s a huge difference between listening for pleasure and listening to learn from and “This Godless Endeavor” really pushed the latter for me.

How will you remember 2012? (In terms of music)

Personally, lots of positivity and support – an absolutely astounding year for us, which will only get better hereon. In general, some pretty solid albums, metal and non-metal. On that note, check out the album “Mysterium Trememdum” from former Grateful Dead’s drummer’s band – the Mickey Hart Band. A percussionist’s dream!

What can we look forward to from you in 2013?

An East/West Canadian tour and a new album engineered to creep up the caverns of your brain…(Opeth: Deliverance)

What records are you looking forward to most in 2013?

Definitely looking forward to Suffocation’s “Pinnacle of Bedlam” and Dream Theater’s new record – always a good time!

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

This question is an opinionated perception. I feel that rather than a trend, it is an aid to both parties. It gives artists a chance to expose themselves and helps raise money for good causes…“Doing something to birds with stones…” as my girlfriend would say. I can’t speak for all artists, however, I think the outcome will be genre dependent. A lot of modern age pop and commercial music will tend to do what it takes to reach the masses, hence the word “commercial”, whereas the majority of independent, metal, and more extreme acts will always stay true to what they believe in – that music should never be dictated or directed and should and will always come from the soul.

Alex "Shmalex" Dontré (drums) Psychostick

What is your name and band/label/etc?

Psychostick!

What are your top five albums that were released in 2012? (In order 1-5)

• Meshuggah – Koloss
• Matt Skiba and the Sekrets – Babylon
• Exotic Animal Petting Zoo – Tree of Tongues
• All Human – Catholic Guilt and the Queerest of Thoughts
• Punch Brothers – Who’s Feeling Young Now?

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Probably the Punch Brothers. They are the first bluegrass band I have ever gotten into. They are incredible musicians and songwriters, and it is really expanding my horizons as a music fan.

How will you remember 2012? (In terms of music)

It’s pretty amazing, actually! I have discovered a few new bands that have blown me away, most notably the Punch Bros., Bone Dance, and All Human, and then a bunch of my favorite bands came back and put out some fantastic releases as well.

What can we look forward to from you in 2013?

At least one new album, probably more, and several tours with some pretty epic bands along with us! Plus, we are going to try to do more international tours; that is the goal at least.

What records are you looking forward to most in 2013?

Joy Formidable, Dillinger Escape Plan, Orbs, and Alkaline Trio.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

Psychostick has offered a few fundraisers independent of Kickstarter and Indiegogo, and it has worked out beautifully. I understand why people may think it is a going trend, but the reality of being a musician is this: 99% of bands never make a profit, ever. So if musicians want to continue to do what they love, they have to figure out a way to pay for it. Yes, they could get a job and save up, but that means it will take that much longer between releases. If their fans are willing to help out, that is nothing but good.

Amos Pitsch (guitar/vocals) Tenement

What is your name and band/label/etc?

Amos Pitsch, Tenement

What are your top five albums that were released in 2012? (In order 1-5)

1. Fiona Apple - The Idler Wheel..., a perfect record
2. The Figgs - The Day Gravity Stopped, newest record from the best rock band that not enough people have cared about for the past two decades
3. Birth Deformities - Suburbanized, best punk record of 2012
4. Potty Mouth - Sun Damage, I know this sounds nothing like Young Marble Giants, but that's the first thing i think of when i hear it. This seriously sounds nothing like them. But I love Young Marble Giants and I love this record.
5. Summer Twins - S/T, they do the Phil Spector girl group thing that alot of folks are doing, but also remind me of all my favorite female harmony groups from the '40s and '50s: McGuire Sisters, Chordettes, Boswell Sisters, etc...

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

NRBQ. Much like The Band, they hit their stride in the late '60s/early '70s while ignoring psychedelia. A pop group that's obviously influenced by everything from Larry Williams to Thelonious Monk and they are one of the few that pulled it off perfectly.

How will you remember 2012? (In terms of music)

Completed my Ray Charles and Sam Cooke record collections and ignored most contemporary music.

What can we look forward to from you in 2013?

Several Tenement LPs, a Technicolor Teeth LP, a Christmas record.

What records are you looking forward to most in 2013?

D'Angelo's Voodoo reissue. New records from DOC, Backslider, and SFN. Recorded output from Milwaukee's Phylums and Bloomington's Point Dume hopefully?

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I have no idea. Does this actually work for people? Free things are cool.

André Foisy Locrian, Kwaidan, Eolomea

What is your name and band/label/etc?

Locrian, Kwaidan, Eolomea, solo

What are your top five albums that were released in 2012? (In order 1-5)

1. Swans – The Seer (Young God)
2. Frank Rosaly – Centering and Displacement (Utech)
3. High Aura’d – Sanguine Futures (Bathetic)
4. Sun Splitter – III (Bloodlust!)
5. Zelienople -- The World is a House on Fire (Type)

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

My friend in Germany plays in a great project called Oko. I’m releasing a tape for them soon. That was a great new discovery. It’s really creative stuff.

How will you remember 2012? (In terms of music)

I’ll remember this as a year that I’ve barely gone to any shows. I’ll working with a bunch of great artists on Land of Decay tapes, the label that I run. Those will be the most memorable to me. I’ll also remember this as a year where lots of great labels have gone under due to low sales and no profits. It’s too bad! 2013 might be the same way.

What can we look forward to from you in 2013?

There will be a new Locrian 2xLP out on Relapse Records next spring. It’s called “Return to Annihilation.” Kwaidan just finished an LP and I imagine that it will be released next year too. I have some other things in the works too that will get finished next year if not released next year too.  

What records are you looking forward to most in 2013?

Honestly, there are a few labels that I trust that I’ll be picking up records from: Utech Records, Small Doses, Bathetic.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I think that those venues are around because it’s really difficult to break even playing music. I mean, it can get expensive to make records so if these venues stick around and help artists, then I think they have a function.

Andreas Weiss (vocals) The Rabid Whole

What is your name and band/label/etc?

Andreas Weiss, singer/songwriter of 21st century, high energy, alternative rock act, The Rabid Whole on Boonsdale Records.

What are your top five albums that were released in 2012? (In order 1-5)

1. Garbage - Not Your Kind of People
2. Deftones - Koi No Yokan 
3. How To Destroy Angels - An Omen
4. The Birthday Massacre - Hide and Seek
5. Delerium - Music Box Opera

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Art Vs. Industry from Austin, Texas. Really talented group with awesome tunes. Met them/saw them live while we were down playing SXSW. Very similar influences to our band, my type of music! ;) High energy rock with electronics.

How will you remember 2012? (In terms of music)

In terms of the music industry/scene... seemed kinda uneventful to me! I wasn't as enthusiastic to look around hard enough either... …so I might've missed a lot!

What can we look forward to from you in 2013?

Lots! Working on some international touring, festivals, videos, writing...

What records are you looking forward to most in 2013?

• KMFDM - Kunst
• Depeche Mode - ?
• Skinny Puppy - ?

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

The approach initially felt pretty trendy but definitely seems like a great opportunity available for artists that wasn't available in the past. Funding projects can usually be pretty difficult for artists without major label backing. If the current trend of label support dying down continues as it has, it might be an artist's necessity to rely on these types of 'charitable' services.

Andrew Gomez IV (owner) Glory Kid Limited

What is your name and band/label/etc?

I run the label/press called Glory Kid Limited, I am also the vocalist for Burn Your Life Down and Drummer for Where My Bones Rest Easy.

What are your top five albums that were released in 2012? (In order 1-5)

1. Convul - I'll Be Seeing You LP
2. Old Man Gloom - No LP
3. Torche - Harmonicraft LP
4. Graveyard - Lights Out LP
5. Dinosaur Jr - I Bet on Sky LP

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Kadavar (Not the death metal band). Great contemporary band from Berlin doing the "classic rock revival" flawlessly. They have a LP out on Tee Pee, great stuff.

How will you remember 2012? (In terms of music)

Touring with Colony (NY), making new friendships along the way on that tour. The headache of releasing the Convul LP (mainly the pressing plant delaying it).

What can we look forward to from you in 2013?

Debut LP from Divider (NY), Another release from Old Wounds besides their LP that is currently getting pressed and a few others that are still under wraps.

What records are you looking forward to most in 2013?

New Old Wounds LP

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I think it is here to stay, will it take the place of indie labels and others of the sort? No, I don't think so. For as much artists want control over their work. They will still need the support of others to help them grow.

Andrew Nolan Column of Heaven, Pick Your Side

What is your name and band/label/etc?

Column of Heaven and Pick Your Side

What are your top five albums that were released in 2012? (In order 1-5)

• Purity Control – Coping 7" and Adjusting 7”
• Evoken – Atra Mors (Profound Lore)
• Wölfbait –  S/T (Art for Blind)
• Radioactive Vomit – Witchblood (Bird of Ill Omen)
• Ill Omen – Purity through Uncreation (Analog Worship)

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

I listened to the Barghest O’ Whitby by My Dying Bride more than any other release this year (it came out in 2011) and think it's one of their finest moments as a band. Outside of this I started listening to a lot of Funeral Doom again this year for some reason.

How will you remember 2012? (In terms of music)

Waking up in a squat in Germany and finding one of the guitarists of the band I was on tour with lying on the floor having had two strokes in the middle of the night whilst we were all asleep.   That sucked.  

What can we look forward to from you in 2013?

Maybe another LP (both bands), possibly a tour (Column of Heaven).

What records are you looking forward to most in 2013?

• Iron Lung – White Glove Test, and Hatred Surge – Human Overdose. I have both of these in digital form and they're spectacular.
• Sea of Shit LP (I think they're attempting to write one)
• I'd love a new IRM full length, though I'll settle for another Martin Bladh solo release if need be.
• Any new Blind to Faith material
• The first release(s) by Coalinga.
• Anything Gas Chamber may end up releasing will be spectacular I'm sure.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

Has it really made any impact on the ability of artists to produce music? I might be living under a rock but I haven’t really seen much evidence to back this statement up.   I think it's a short sighted option that does nothing to encourage sustainability or longevity.   Get a job or steal shit or live under a bridge. Suffer for your fucking art.

Andy Nelson (bass) Paint It Black, Ceremony

What is your name and band/label/etc?

Andy Nelson. Paint It Black, Ceremony, R5 Productions, frequently impossible.

What are your top five albums that were released in 2012? (In order 1-5)

Alphabetically,

• Constant Mongrel - Everything Goes Wrong
• Frank Ocean - Channel ORANGE
• Merchandise - Children Of Desire
• Scott Walker - Bisch Bosh
• Sickoids - self-titled

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

This may fall on the trivial side of things, but every so often a record makes itself known that leaves one to ask, "Where have you been all my life?" Hail Of Rage's Fucking Pissed 7" is such a record. While it seems almost mathematically impossible that a 13 song powerviolence-styled hardcore EP from a 1996 northeast could elude a Vacuum catalog worshipping teenager such as myself, somehow I heard this breathtaking work for the very first time at the end of 2012. It's painful to think how long I've lived without it. A truly perfect offering, and a welcome reminder that the lonely ocean is always full of pearls.

How will you remember 2012? (In terms of music)

Deep in the belly of the beast.

What can we look forward to from you in 2013?

A new Paint It Black EP, records and shows from two new, as-of-yet untitled, and vastly different musical acts, maybe a new Ceremony single if the fates allow.

What records are you looking forward to most in 2013?

Iron Lung, Give, Factory Floor, Savages, The Ropes, Total Control, Royal Headache, Veronica Falls. Plenty to look forward to in the unfortunate event the world doesn't end.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

Is there any question that it's a trend? I'm not sure I have much to offer on this particular subject other than to say that, in general, anytime artists can minimize or eliminate the number of people or corporations between what they create and those who may be interested in it, it's a very good thing. It's nice to think these sorts of thing might give way to a widespread renaissance of DIY culture, but then, I've always been a hopeless dreamer.

Anthony Anzaldo (guitar) Ceremony

What is your name and band/label/etc?

I am Anthony Anzaldo and I play guitar in Ceremony.

What are your top five albums that were released in 2012? (In order 1-5)

1. Twin Shadow - Confess
2. Frank Ocean - Channel Orange
3. Gossip - A Joyful Noise
4. Blaqk Audio - Bright Black Heaven
5. Jessie Ware - Devotion

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Daughn Gibson and Chelsea Wolfe both made their way into my consciousness this year and both are fantastic artists. Ceremony has had the privilege to play with both of them. I don't want to put Daughn and Chelsea under the same umbrella because they are different artists that fill different voids, but I will always be interested in artists that can put an original twist on darker music.

How will you remember 2012? (In terms of music)

This year marked the longest period of time that Prince has not release a full-length album.

What can we look forward to from you in 2013?

Ceremony is going to start working on a new album.

What records are you looking forward to most in 2013?

Hopefully a new AFI album.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I'm not too familiar with either of those sites. I do think that in this day and age more artists will continue to find ways to release music themselves and veer away from signing with record labels. That's an obvious statement.

Aslan Freeman (vocals/guitar) Unifier / Future Ghosts)

What is your name and band/label/etc?

I'm Aslan Freeman, I sing and play guitar for the band Future Ghosts, and we work with Round Kid and Autumn + Colour Records.

What are your top five albums that were released in 2012? (In order 1-5)

1. The Menzingers - On The Impossible Past
2. Two Door Cinema Club - Beacon
3. Deftones - Koi No Yokan
4. Basement - Colourmeinkindness
5. Propagandhi - Failed States

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

As you can probably guess from the list above, I would have to say The Menzingers. Recently I've hit this interesting transition in my life where as I'm getting a little older I'm starting to really enjoy punk music more. It seems a bit backwards, but because of that, when I had a friend tell me to check out the new Menzingers album I pretty much fell in love with it instantly. They do a great job with the poppier, catchy side of punk, just writing simple songs with memorable melodies and truthful storytelling.

How will you remember 2012? (In terms of music)

I'd say I'll remember it as a year that really fused the extremities of underground and mainstream music together for me. We played more shows than I've ever played before in a year, and did a pretty extensive tour, so we were listening to tons of local and independent bands, both live and through trading CDs, trying to find people to play and keep in touch with. On the other end of things, we started listening to a ton of pop music to get new ideas for melodies, as I was dealing with the aftermath of my addiction to Deadmau5's "4x4=12." Then the new Two Door Cinema Club record came out and sort of congealed all that together for us in one pretty little package. To top it all off, we spent a few months in the middle of the year writing a ton of songs for our new record, which we wanted to be a salute to our favorite 90's indie bands, but move our sound in general more towards mainstream rock and pop.

What can we look forward to from you in 2013?

Well the big one would definitely be our new album, Colorado. It's going to be released February 12th through Round Kid and Autumn + Colour and we couldn't be more excited about it. We recorded it back in June and are super proud of it, and have gotten a lot of positive feedback from friends and family who have heard it. We're ready to get it out into the world and see what happens. Aside from that, we're hoping to do a lot more touring to support the release. Mostly East Coast and a little Midwest, but I think we'll probably get back out to the West Coast before the year is out. We're also trying to consistently release a lot more small stuff, like bonus tracks, acoustic versions, and other free treats for the people that keep up with us in between music videos and big releases.

What records are you looking forward to most in 2013?

Word on the street is that there's going to be a new Backstreet Boys album. Fingers crossed.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I would be surprised to see fundraising sites turn into a trend that falls off. So many bands have already taken advantage of them in positive (and sometimes negative) ways, and it's really empowering artists to become truly self-contained small businesses. It also encourages and allows artists to connect more frequently and directly with fans, work to build their own fanbase, and then make the fans a part of the process. It seems to be proving that people still care about their favorite artists (and/or friends) on a personal level and want to actively participate in the creation of their art I don't know that the current models for these sites are the most ideal, so they will likely continue to grow and evolve along with the way artists use them. However, they have already had a pretty significant impact on the music business, and the potential for them to stick around is high.

Ben Crew (vocals) In Defence

What is your name and band/label/etc?

My name is BEN CREW. I'm the vocalist for IN DEFENCE and work at PROFANE EXISTENCE RECORDS.

What are your top five albums that were released in 2012? (In order 1-5)

To answer this question honestly I haven't had a top anything list since 1986. Seriously fuck new music. I'm old school and I need to protect my reputation as a jaded curmudgeon. But that said I really like everything that PROFANE EXISTENCE RECORDS put out this year...and they didn't just hand me an envelope filled with cash. Or did they? Who cares. Fuck you I'm punk!

1. DEVIATED INSTINCT - Liberty Crawls LP
2. WAR//PLAGUE - On A Darker Dawn LP
3. OILTANKER / NO TOMORROW split LP
4. WARTORN - Aftermath Of A Severed World LP
5. THE SHAME - The World Is Ours 7"

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

I'll remember 2012 as the year I discovered our lord and savior Jesus Christ. Without him we are nothing but through him we can move mountains. Think about it! Also there is a band from Minneapolis called BRAIN TUMORS. They are the saviors of all things punk and the best part is they don't give a shit. Look em' up. Maybe they'll put something out on Profane. We'll see.

How will you remember 2012? (In terms of music)

This is the year IN DEFENCE still didn't make it big. I figure we'd be playing stadiums by now but we're still playing basements for spare change and broken cigarettes. Some things never change.

What can we look forward to from you in 2013?

PROFANE EXISTENCE is going to release one new 7" each month this year... on various limited edition colored vinyl. The singer from HARD SKIN already signed up to get one of each and you should too. Oi! IN DEFENCE is flying out to Hollywood to play a show with the CRO-MAGS. Maybe I'll get stabbed or maybe we'll get discovered and be in movies who knows. Also I take back that thing about getting stabbed.

What records are you looking forward to most in 2013?

Aside from IN DEFENCE making it big I'm stoked for that PE Limited Edition Singles Series. There are gonna be some real gems in there...on some awesome colors.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

This is a thing?? I want that!

Ben Hendricks (vocals) Annabel

What is your name and band/label/etc?

My name is Ben Hendricks and I sing and play in Annabel.

What are your top five albums that were released in 2012? (In order 1-5)

1. Joie De Vivre - We're All Better Than This
2. Cherry Cola Champions - Cherry Cola Champions
3. Cloud Nothings - Attack On Memory
4. Bat For Lashes - The Haunted Man
5. The Sidekicks - Awkward Breeds

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

I guess you could say I "discovered" them in 2012, even though I had heard them in 2011, but I'm gonna say Dowsing. I really got into the All I Could Find Was You 7" around the time they came to play with us last spring in Akron and then again in Cleveland a couple months later at Weapons of Mass Creation Fest. Then they put out their full-length this summer and we were lucky enough to tour with them down the southeast. Being able to listen to their jams on a nightly basis was pretty perfect. They just have a fun vibe that doesn't really come across in other bands in the genre. I can now say they are good friends of ours and it was a great year having their music in my life.

How will you remember 2012? (In terms of music)

I will remember 2012 as being a great year for the DIY and underground scene. It seems like every single band we've met over the years released a great record and upped their game considerably. I couldn't possibly list all our friends that put out amazing music, it's just that big of a list. I think on the bigger level in terms of music that's more popular with people not involved in our "scene" it was kind of a disappointing year. There weren't many "big" releases that did a whole lot for me this year. But it's nice to know our friends picked up the slack.

What can we look forward to from you in 2013?

We'll be playing plenty of shows in 2013, most notably we're planning a tour over in Europe which is really exciting for us. Hopefully playing lots of Fests and such as well. We plan to put out a split with someone at some point, but we can't divulge much information on that just yet. And if we want get really ambitious, maybe we'll start working on another full-length, who knows!

What records are you looking forward to most in 2013?

I'm looking forward to the new Tin Armor and Signals Midwest records coming out as well as a new Drake album.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I think it will continue to evolve as well as the expectations around it. It's a really tricky platform right now, because there have been some cases where it hasn't worked as well as it was intended to. I don't think it's going to go away any time soon, because who wouldn't want to have other people pay for their own things if they don't have to, ya know? I think it all depends on the artists that choose to use it and approach it in a way that make it a respectable cause. Because, yeah, recording costs money, but you also don't need $10,000 to make an EP. In my opinion, it's on the artist to find ways of recording their own material, because making music is kind of the whole point. It's worth a lot more if you make the sacrifices necessary to make a great record. But not everyone feels that way and that's fine too. As long as people aren't abusing the system, it's a reasonable way to put out records if you have no other avenue to.

BJ Rochinich Ancient Shores, A389

What is your name and band/label/etc?

BJ Rochinich/Ancient Shores/A389

What are your top five albums that were released in 2012? (In order 1-5)

1. Neurosis - Honor Found in Decay 
2. Hans Zimmer - The Dark Knight Rises Score 
3. Burning Love - Rotten Thing to Say 
4. Sleep - Dopesmoker Reissue 
5. Full of Hell / Calm the Fire - Split EP

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Absolutely has to be Thoughts of Ionesco. Seventh Rule Recordings also get the award for deal of the year with the 'Scare is Our Watermark" CD/DVD. The more I read about them, the more intense they seem. They have some of that single note riffing that I was not really into until I heard it in the way they present it. Once I backed up and did not push any expectations on them, I got more into their music as a full collaborative effort. I play guitar so I think my ear gravitates towards the guitar work but for a lot of what I listen to, and our own music, my favorite portions of it will always be something on drums. So there were parts of this bands music I was into and stuff that made me hesitate to keep listening, but the more I listened the better feel I got for what they were doing. There is some live video out there of these guys and they have music on spotify so give them a listen.

How will you remember 2012? (In terms of music)

Very diverse. I refined my ear for old country and folk. I developed preferences for it. In addition, I listened to more minimal music. The great thing about minimal stuff is that it is always very heavy and dense, no matter its sonic characteristics like volume or gain or an acoustic vs an electric guitar. These styles complemented well, music that I was more heavily into at the start of the year.   One thing specifically about 2012 relates to Young Wids. I have a friend that rarely listens to "In and Out..." so to preserve it, but at the same time he knows it so well. It is 1 1/2 years since its release and this is how he still approaches the record. I really enjoy musical appreciation and this resonates that sentiment. If you play this record and drop him into it, he knows right where it is. Such a profound connection. This is how I wanted to approach our music writing in a sense.

What can we look forward to from you in 2013?

A389 (Baltimore) will be releasing a split featuring us and labelmates, Cynarae. Its a 12" with all new music from both bands. Andrew Crenshaw at Broken Press did the artwork based on a concept conceived by a member of Cynarae and it looks amazing.   Low Existence Records (Brooklyn) will be releasing a split 7" with us and Minnesota's Mourner, who released a great record (the Rising End) in early fall of 2012. We have 2 new songs on our side and Mourner has a 5+ minute track on their side.   We are playing Forward Fest in Columbus in April of this year and we would really like to play more fests and play overseas.

What records are you looking forward to most in 2013?

Astronomer 7" and 10" releases. Hopefully a new Bolt Thrower record. Left For Dead collection, new Withdrawal record, and the Ilsa re-issue (all on A389). New Queens of the Stone Age. New Young Widows.  However many releases Full of Hell comes up with. Some new Worms Feed songs would make it a good year.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

Artists have struggled to convince people to buy their music for years now. I think this donation fund approach leads to the same problem, just from the other end of the process. I do not see the difference between trying to get people to donate and trying to get people to buy the record. It is a gamble to donate, really, from a listener standpoint. In addition, just because someone donates to a record fund does not even mean they will listen to it later. It is a nice gesture, BUT it is each band's responsibility to keep their finances under control to be able to fund a new record. You could argue that the money to fund a recording comes from shows we have played or merch we have sold, which have been purchased by people who would might also donate for a new record. Or they might donate to that record fund instead of buying stuff at a show or in an internet store. Reliable arguments.

To me though, asking for a donation to record blurs that aspect of earning it. That is the most clear part of this for me. I appreciate the trust but if every band thinks they must have endure an expensive recording process to make an impact these days, then we should all relax. While recording has become increasingly important due to the saturation of the live show calendar (and thus lower attendance/lower payout/lower merch sales), it is not written in stone that you have to drain your bank account on a recording.

However all of these issues are interrelated and this is merely an answer to the above question. There is no answer or single best approach right now and there are many difficulties in answering this question in a big picture sense.  I like what band camp does for ease of access and their layout is very inviting. I like what Wayne at Toxicbreed is doing by putting out unique comps, releasing new music, and motivating people to listen to music. Dom at A389 is the same way. He links the band camp to the store so that someone can easily listen and then buy a record. The efforts made to get people to listen to music are there and I think listenership is ultimately the goal.

Brent Eyestone Magic Bullet Records, Highness, Bleach Everything

What is your name and band/label/etc?

I run the Magic Bullet Records label and play in new things called Highness and Bleach Everything.  

What are your top five albums that were released in 2012? (In order 1-5)

1. Santigold - Master of My Make-Believe 
2. Silversun Pickups - Neck of the Woods 
3. Sigur Rós - Valtari 
4. Moonrise Kingdom - Original Motion Picture Soundtrack 
5. Drive - Original Motion Picture Soundtrack

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

I royally slept on Santigold when the first record came out years ago. My friend Kelly played me tracks from the new album at a bonfire earlier in the year and I immediately ran out to buy it. I don't know that Santigold impacted my life necessarily... more along the lines of her music accompanying some really cool moments and great times throughout the year.

How will you remember 2012? (In terms of music)

I'll remember 2012 as a year where I was able to orchestrate a scenario whereby I could play music with some of my dearest friends on the planet and collectively pour ourselves into the creation of the albums we've always wanted to make.  

What can we look forward to from you in 2013?

On the label end, we've got more Christie Front Drive reissues, new This Will Destroy You titles, a new Boy Sets Fire album, more from Integrity and affiliates, a reissue of Gehenna's first album (in coordination with the great A389 Recordings), and plenty of great stuff to be announced later.

Personally, the Highness debut album "Hold" will be out in February or March. This is a band I do with Eric Richter from Christie Front Drive, Ryan Parrish (formerly of Darkest Hour, also in Iron Reagan and Suppression), Graham Scala (played with me in Forensics), and Brandon Evans (Ghastly City Sleep, formerly in City of Caterpillar and pg.99). We recorded it with Andrew Schneider in Brooklyn and it's something we're all very happy with. Sonically, expect heavy melody, for lack of a better descriptor. Eric sings most of the songs, so there's an actual silver lining over the top of the sturm and drang that the members of this group typically emit in past works.

After that, we're going to hurl a band called Bleach Everything at the collective sternum of all things musical. That's a super violent and ignorant burst of id that I share with Ryan and Graham (dudes from above) and Kelly Posadas from Jesuit. With that band, they just hand me a microphone and I usually try to kill things with my face.

What records are you looking forward to most in 2013?

I've been listening to demos that This Will Destroy You have been recording throughout the year. The next one is really going to be something great.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

As long as entitled white people keep overpopulating the planet with their entitled white offspring that refuse to mow lawns and wash dishes (because panhandling online apparently doesn't leave side effects of indignity), you're going to continue to see the most embarrassingly entitled shit possible on the internet when it comes to music and the arts. The failure of punk and independent music and the DIY spirit was the propagation of the mantra "anyone can do it." Well, they heard you... and now "independent music" is the room-temperature side of Canadian beef beneath the E. Coli of all these turd bands, staffed by the worst in pig-people.

Bubby Hussy (guitar/vocals) The Hussy, Kind Turkey Records

What is your name and band/label/etc?

My name is Bobby Hussy. I'm one half of the psych-punk duo The Hussy, and I run Kind Turkey Records, a small label focusing on releasing garage/punk/pop music on vinyl and cassette.

What are your top five albums that were released in 2012? (In order 1-5)

1. Thee Oh Sees - Putrifiers II EP (In The Red Records)
2. White Fence - Family Perfume Vols 1 & 2 (Woodsist)
3. Ty Segall Band - Slaughterhaus (In The Red Records)
4. The Barbaras - S/T (Goner Records)
5. The Men - Open Your Heart (Sacred Bones)

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

White Fence. Tim Presley is a genius. That's all I need to say. Great songwriter, super nice dude, total package. He released one of the best double albums of the last decade this year, and that's an incredible feat in and of itself.

How will you remember 2012? (In terms of music)

Ty Segall on Letterman and Conan. Unbelievable. From basement shows to Letterman. INCREDIBLE.

What can we look forward to from you in 2013?

The Hussy has our third LP coming out in April! We'll probably have a new 7" out before then, and hopefully we'll have our fourth LP coming out later on in fall then. We've got some pretty cool touring plans for the year so people all over the states should be able to catch us at some point in the year. Kind Turkey is doing a 7" for Night Beats (which keeps getting pushed back, but will be out soon! I swear!), and probably some other 7"s. I'm really excited for the Mystery Girls reunion show I'm throwing in April. I'm flying Matt out from Canada to reunite the band for a weekend of shows in Wisconsin. It's a big deal to the Wisconsin scene, and I couldn't be happier to be involved. I'll be releasing a cassette of unreleased gems from the band at the shows as well. With The Hussy being so active now, I don't have as much time to focus on the label as I'd like to, but in 2013 I would like to up the output on the label a bit and try to get some new cool shit into the hands of kids!

What records are you looking forward to most in 2013?

Well, in terms of Madison, there is a really good band called Fire Retarded that's up and coming and I hope to see them land a 7" or something this year. I'm going to record em so I'm hoping they come out really great and someone takes notice. They're a really good Coachwhips-y garage/punk band full of 20 year-old kids that Madison really needed. It's nice to see the scene be infiltrated by a bunch of crazy kids. It's the best really. I'm hoping Dharma Dogs put out a new 7" or record next year too. They're a garage punk grunge noise band. They're really loud. They made the kid from Fire Retarded throw up they were so loud once. And yeah that's a good thing. In terms of national acts, I'm ALWAYS curious what John Dwyer and Thee Oh Sees are cooking up! I can never wait for their new shit!

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I don't see myself being a part of that culture at all. I have friends who have had successful campaigns on Kickstarter and more power to 'em. But it's just not for me or The Hussy. I release records for other artists on my own dime all the time through Kind Turkey, and The Hussy has labels that do the same for us. The music industry as a whole isn't broken. There ARE still plenty of labels releasing viable music and distributing it into the hands of kids via online sales or through actual record stores (which still DO exist). I absolutely think it's very very important that bands release their own music (Black Flag and Dischord are the best examples of DIY bands and labels) as DIY culture is really important to a whole slew of people, myself included. But there's something inherently NOT DIY about a kickstarter fund. I can't even call myself DIY as we typically release records via other labels, but in terms of booking and touring we are incredibly DIY and it's just something I love being involved with. I'm sure the fundraiser campaigns will exist for quite some, I just don't see myself ever being involved with it at all, because I see no need to be.

Casey Ory (drums) Titans Eve

What is your name and band/label/etc?

My name is Casey Ory, and I drum in the Vancouver BC, Canada based modern thrash act, Titans Eve.

What are your top five albums that were released in 2012? (In order 1-5)

1. Woods of Ypres - Woods 5: Grey Skies and Electric Light
2. Nachtmystium - Silencing Machine
3. Nile - At the Gate of Sethu
4. Aborted - Global Flatline
5. Corrosion of Conformity - Corrosion of Conformity

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Spent what money I had for albums this year buying new discs from bands I already like, so I have to answer this question as follows: Woods of Ypres. Discovered them several years ago, and have been a massive fan ever since. Their last album, Woods 5: Grey Sky and Electric Light released earlier this year, saw the band reach a new level in their songwriting, writing both deep and sophisticated material, that is at the same time some of their most accessible material to date. Dealing with with dark and depressive lyrical topics of personal demons and pain in a highly intelligent, non-surface level manner. The album hit home further for me due to our touring history with Woods, as well as the tragic passing of Woods mastermind David Gold in late 2011, before the albums release. A huge loss to metal, and music in general.

How will you remember 2012? (In terms of music)

From my bands point of view I will remember 2012 for working hard on our latest album, "Life Apocalypse" which I am extremely proud of, as well as being able to to tour with legendary bands for the first time (Anvil, Arch Enemy, Voivod, Kill Devil Hill) and to tour and play shows in 7 countries over two continents, bringing our music to many new ears, and being appreciated by them. As for other music in general, allot of bands are releasing great albums very carefully walking the line of progressing, yet not so much so as turn off their fans. Either way is fine, for me its important that no matter where a band goes musically is that it is pure, honest and sincere. Some very quality albums released this year, not many 'classics' that have hit my ears, but very solid releases.

What can we look forward to from you in 2013?

2013 will see myself and Titans Eve spend allot of the year touring in support of our latest album, while simultaneously writing for our next album, and fleshing that out. Should be much touring in North America, and hopefully a return to Europe as well. Studio is a decent likelihood in 2013, but not until closer to the end of the year.

What records are you looking forward to most in 2013?

Looking forward to most, new releases from: Satyricon, Voivod, Black Sabbath, Anvil, My Dying Bride, Metallica and Motorhead.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I think this approach will continue. Any way for independent artists to raise funds and gain valuable exposure will always catch on if it works. Any way to gain these things either cheaply, or for free will always catch on and be popular. Its very hard and expensive being in a highly active, indie band. Any new promotional or fundraising tools, and new technologies and mediums will always and wisely be adopted by young hungry artists to get themselves out there.

Chris Mason (owner) Dirt Cult Records, Low Culture

What is your name and band/label/etc?

Chris Mason - Low Culture/Dirt Cult Records

What are your top five albums that were released in 2012? (In order 1-5)

1. Frozen Teens - S/T LP
2. Toys That Kill - Fambly 42
3. White Wires - WWIII LP
4. Swearin' - Swearin' LP
5. Mind Spiders - Meltdown LP

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Frozen Teens was easily the best new band I've heard this year. It's not that often that a band puts out a record that I can listen to over and over again and not get sick of. But their S/T LP is perfect, scrappy, DIY, "pop" punk, just like I like it. Honerable mentions go to Swearin' and Terrible Feelings.

How will you remember 2012? (In terms of music)

2012 was the year I went broke (and crazy) putting out more records than ever before. It's also a year that saw the release of some simply incredibly records. Putting together the top 5 above was grueling. So much good stuff was left off!

What can we look forward to from you in 2013?

Tons of new full lengths from Big Dick, Rumspringer, Sundowners, and probably more. A 7" from VVHILE and definitely more. Tapes from Rumspringer and Fear of Lipstick and probably more.

What records are you looking forward to most in 2013?

Is it selfish to say that I'm looking forward to Low Culture - Screens LP coming out on Dirtnap on January 9th? I'm just super excited that my band is releasing a record on pretty much my favorite current label. Other than that and my own label's stuff, I don't really know what's coming up. I guess I'm out of the loop...oh wait...Toys that Kill/Future Virgins - Split 7" on Drunken Sailor, a new Steve Adamyk Band LP on Dirtnap, a new Dead Dog LP on Dead Broke...and probably a million more that I've forgotten or don't know about yet.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I've never used Kickstarter and have actually never actually donated, but I could see that changing. Perhaps I've held a sort of old school sort of approach where I've believed that bands and labels should save their pennies and do it themselves, but these days I suppose I've decided that if the incentives are appealing enough and people are willing to donate then more power to them. In fact, Dirt Cult somewhat of a kickstarter approach to releasing the recent Dan Padilla LP, Sports Fans, by assuring people who donated a certain amount for a pay what you will download on Bandcamp received a physical copy, and that worked out wonderfully. I like the idea of finding new and innovative ways to promote records, and Kickstarter certainly appears to be one of them. I don't think it will be going anywhere anytime soon and, if used properly, I don't necessarily think that's a bad thing.

Cory von Bohlen (owner) Halo of Flies / Protestant

What is your name and band/label/etc?

Cory von Bohlen - HALO OF FLIES RECORDS / PROTESTANT

What are your top five albums that were released in 2012? (In order 1-5)

1. NOT ON TOUR - All this Time LP
2. PLANKS - Funeral Mouth LP
3. DIREWOLVES - Me From Myself, to Banish LP
4. TOUNDRA - III LP
5. TERRIBLE FEELINGS - Shadows LP

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

CRUSADES. They put out an amazing LP in 2011, and i just happened upon them. So so good melodic punk from Ottawa, thats both dark and uplifting.

How will you remember 2012? (In terms of music)

Too much to keep track of, too much to buy, too much i want(ed) to put out. Incredible stuff from all corners of the globe. also, the splitting of the DIY scene into "fake big/scion av/showcase" vs actual DIY camps in a more obvious way. Rock'n'roll bullshit marketing (admittedly we're all a part of it to some extent) taking root in even the most obscure "markets."

What can we look forward to from you in 2013?

My label (Halo of Flies) will release a slew of records, notably a new Cloud Rat LP, an LP from scene vets in a new band, Multiple Truths, a new Momentum LP, a new Light Bearer DLP, an LP from a young band from germany called Amber, as well as a Hungry Lungs/Hexis split 7", another Northless DLP, a Heartless LP, and more i cant even think about now. Protestant will likely write and record another LP and hopefully tour somewhere awesome.

What records are you looking forward to most in 2013?

The new Light Bearer should be interesting andI cant wait to hear it, I hope Jeniferever puts out something in 2013. A new Celeste record would be nice. I'm sure there's more waiting to happen than I am even ready for.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I'm not aware of its breadth to be honest. I think working a shit (or good) job, being a decent band and making some decent friends is a better business plan than begging for money. I do preorders and try to give people a reason to order, but if we need a new van, you can bet I'm not gonna ask our "fans" for help buying it. C'mon.

Daryl Gussin Razorcake, God Equals Genocide, Margin Mouth

What is your name and band/label/etc?

Daryl Gussin / Razorcake / Spokenest / God Equals Genocide / Margin Mouth / Sigh On

What are your top five albums that were released in 2012? (In order 1-5)

1. Toys That Kill - Fambly 42
2. Summer Vacation - Condition
3. Young Guv & the Scuzz - A Love Too Strong
4. Tenement - Blind Wink
5. Grabass Charlestons - Dale & the Careeners

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

In The Red's vinyl re-issue of The Consumers' All My Friends Are Dead came out of nowhere and gave a massive amount of historical context for a band that had been well overlooked for far too long. The quality of the songs and the recordings all coming out of late '70s Phoenix, AZ by art- damaged weirdos is absolutely astonishing. Highly suggested for everyone, mandatory listening for fans of '70s punk.

How will you remember 2012? (In terms of music)

Seeing Red Dons twice in two days was such a treat! I saw a lot of my favorite bands this summer, but there's no doubt in my mind who put on the best show of the year: Red Dons.

What can we look forward to from you in 2013?

Spokenest will be recording for a self-released 12", as well a Big Boys tribute compilation. Hopefully once the record is out we'll be hitting the road on a regular basis. Check out the Facebook page for any updates. Razorcake will continue to be Razorcake: more records, more issues, more podcasts, we have a couple crazy ideas we're working on, hopefully they'll actually happen. We'll also be celebrating our 75th issue release sometime in the summer. Which will entail a big fun show somewhere in Los Angeles, and maybe some other shows around the country. Probably nothing from GEG, Margin Mouth, or Sigh On.

What records are you looking forward to most in 2013?

For 2013 I'm looking forward to the new Tim Version, Violent Change (who features members of Abi Yoyos, Sopors, and The Ovens), Wreck Of The Zephyr, Libyans, Synthetic ID, Neighborhood Brats, Divers, Criminal Code, and way too many more.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

It's hard for me to say, I don't pay attention to any of these sites. The only one I've ever donated to was for my roommate's mother who was terminally ill. I do know that in the coming months Spokenest will be funding the release of our own record and we are able to afford this because we've saved up the money and have sacrificed other expenses. I believe it's a trend, just because the idea will eventually seem stagnant to the people who are helping contribute funding. And then people will move on to some other website format, as they have been for the last decade and a half.

Dave Drobach (bass) Grabass Charlestons

What is your name and band/label/etc?

Dave Drobach : Grabass Charlestons- Bass / No Idea Records - Production Manager

What are your top five albums that were released in 2012? (In order 1-5)

1. Mean Jeans - Life On Mars
2. Classics Of Love - S/T LP
3. Chris Wollard And The Ship Thieves - Canyons
4. Treasure Fleet - Cocamotion
5. Smith Street Band - Technology and Sunshine

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Crusades - Perfect blend of aggression and musical ability, combined with the rare gift to craft an enjoyable song.

How will you remember 2012? (In terms of music)

Grabass recorded and saw the release of an album of which we are quite proud. Another year of keeping the FM airwaves in Gainesville in the hands of the people on WGOT. I got to sit down with great bands and discuss classic records for an archiving project here.

What can we look forward to from you in 2013?

In 2013, Grabass Charlestons will operate as The Careeners. Don't freak out, same line up, fresh name. Expect a new EP in the first few months.

What records are you looking forward to most in 2013?

I'm looking forward to new records by Big Eyes and The Tim Version.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

Kickstarter has always fascinated me. People are in bands for themselves. Touring is a selfish act. I've never thought about using Kickstarter for any project I've handled. It's honestly easier for me to pick up shifts doing roofing than it is for me to beg people to send me money for a record that doesn't exist yet. It seems a little selfish to beg for money for your own band. When I am begging for money, it's for non-profits where I volunteer. There are so many places that provide community services that are in need of $1,000. My band is full of employed, healthy people in our 30s. Please donate money to shelters of people and animals, or shelters of ideas (alternative libraries / low-power radio stations). That said, bands do need to hustle however they can to get money to record, rent a van, get gas. The internet is a crazy place where you can find people to send you money. I know absolutely nothing about Indiegogo, so none of these comments are directed to them or their users.

Davey Quinn (guitar/vocals) Tiltwheel, Too Many Daves, Dan Padilla, International Dipshit

What is your name and band/label/etc?

Davey - Tiltwheel, Too Many Daves, Dan Padilla, International Dipshit - ADD Records

What are your top five albums that were released in 2012? (In order 1-5)

I tried to get brewmaster and certified cicerone Derek Freese from Mexico City Rollers, formerly Spazboy to answer these questions for me but even he got stumped on this. So here's a general list of random 2012isms. As usual, nothing is in order

• Fuck me everything GBV/POLLARD related makes the list. It's been a great year for HEY WHATYA KNOW GUESS WHO JUST CAME ON THE JUKEBOX JUST NOW? people who love rock'n'roll.
• TERRY MALTS - KILLING TIME. I admit I had not been exposed to this wonderful dood/band before this year when I got called in to do sound for this guy. I fell in love at the first chorus of "Not Far from It." No shit, great stuff
• I'm a big fan of Cheap Chinese Android based media devices like the Pivos Xios DS and the MK802. I spent most of my free time pissing around with these. I have this dream of being a walking talking karaoke on demand dood with the mk802. All i need is cargo shorts and a few pints in me.
• AWESOMEFEST 666 and FEST are the bookends to the best time of the year for me. All the bands, friends, and new friends.
• I like having Steve Adamyk Band's records with me at home and when I make DJ sounds. Super fun. As much as I hate it sometimes, I'm really happy to be able to DJ on Thursdays. I make vegan food in a crockpot, play records, get drunk, watch movies and do on demand karaoke.

2012 is the year of fucking off. Working and planning what the fuck to do now that everyone is having babies.

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Lipstick Homicide and Zipppers to Nowhere get added to that yearly ammunition that I acquire to defend the thing I love most against fashionites and "punk is dead" crowd. Sounds high school, but you really do gotta slap the smug out of lazy, good for nothing squares sometimes. Oh, and I put all my New Bomb Turks and Lazy Cowgirls records on mp3 so I can dance at work.

How will you remember 2012? (In terms of music)

It's no differnt than the previous 4000 years I've been alive. Bands make me happy, keep me young, new music and new freinds and new bands a plenty, and it isn't going to stop anytime soon.

What can we look forward to from you in 2013?

Writing songs, frustrating timelines, some European and Japanese touring. Possibly some Canadian shows. Dunnno, maybe start a new band. I ain't gonna do shit but play Fest and sit on my ass lookin' at nerd stuff. Let's get real.

What records are you looking forward to most in 2013?

Have no idea! Bring it on!

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

The good, it's voluntary. If you are willing to spend money on potential vapor then, by all means, that's great and i'ts getting involved. The downside is, it could be the equivalient of pay to play comps and records and no one wants to wait for some shitty band of future rockstars to finish pressing their punk furniture while we wait for good homespun releases to get waxed. Collective vs. capital.

Denver Whipple (bass) Edge of Attack, Spread the Metal Records

What is your name and band/label/etc?

Denver Whipple (Bassist) , Edge of Attack, Spread the Metal Records

What are your top five albums that were released in 2012? (In order 1-5)

1. ‘Bringer of Light’ -- Damnation Angels
2. ‘Welcome 2 My Nightmare’ -- Alice Cooper
3. ‘Stalingrad’ -- Accept
4. ‘The Power Within’ -- Dragonforce
5. ‘Kobra and the Lotus’ -- Kobra and the Lotus

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

The band that had the largest impact on me upon discovery in 2012 would be Damnation Angels. They are significant solely because of their incredible ability to produce beautiful and powerful music. As soon as I listened to ‘Bringer of Light’ all the way through I was hooked. Since discovery of the band I’ve also developed a close friendship with their bassist, Stephen, making them all the more significant.

How will you remember 2012? (In terms of music)

2012 will always be a special year in terms of music for me because this was the year I truly became a part of the music scene. Keep in mind I’ve always been an admirer of music, but this was the year I had the opportunity to create and really pay attention to what others around me were doing. I’ve had the opportunity to meet several bands and become inspired by them which is truly a memorable experience.

What can we look forward to from you in 2013?

You can expect a lot from Edge of Attack in 2013. To kick off the year we will be releasing our long awaited album which shall be followed by touring.

What records are you looking forward to most in 2013?

The first album that comes to mind would be Holy Grail’s ‘Ride the Void’. I’ve loved the band since ‘Crisis in Utopia’ and I’ve been patiently waiting for another release.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I think fundraising sites like Kickstarter and Indiegogo definitely are a positive for artists and I think that it has quite the potential to shape how artists produce their material. It opens a lot of doors for artists that may not be able to fund their own work, which is incredible. I have yet to use either site, but I know of people who have and several amazing things have been produced because of it.

Dimitri Gervais & Mathieu St-Amour Chariots of the Gods

What is your name and band/label/etc?

Dimitri Gervais & Mathieu St-Amour from Chariots of the Gods (band)

What are your top five albums that were released in 2012? (In order 1-5)

Accept- stalingrad, As I Lay Dying- Awakened, War of Ages - Return to Life, Ex Deo - Caligula, Testament - Dark Roots of Earth

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Was listening to Trivium in the past, got back to them 'cause ''In Waves'', their latest record, just sounds fuckin amazing. They also build this album by relying more on making good songs than shred-show off, which is a motto we live by as a band also. They havent released anything in 2012 so to speak, but I rediscover 'em in that time nonetheless!

How will you remember 2012? (In terms of music)

A big step into the future

What can we look forward to from you in 2013?

A killer album release, and lots of good gigs to promote it!

What records are you looking forward to most in 2013?

Annihilator are supposed to get something out in 2013

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

Might be a trend, who knows, but a trend that brings something good to the people and the music, no matter how long it lasts, is always a good thing.

Domenic Romeo (owner) A389 Recordings

What is your name and band/label/etc?

Domenic Romeo/A389 Recordings

What are your top five albums that were released in 2012? (In order 1-5)

Anything on A389 or related. Our bands were pretty much all I listened to this year..A lot of KISS and Pentagram as well.

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

ASTAROTH: Super brutal/barbaric late 80's death metal from Columbia. I've never heard anything like it. Also been digging CHAPEL from Canada a whole lot.

How will you remember 2012? (In terms of music)

Busiest year for A389 yet. 2013 is going to be even bigger and better.

What can we look forward to from you in 2013?

I've still got some tricks up my sleeve. We'll have to see if they pan out.

What records are you looking forward to most in 2013?

Manpig LP on Deep Six and Charles Manson - Water on Magic Bullet.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I think it ultimately comes across as the band not believing in themselves. If they don't believe in themselves, then why should anyone else?

Eddie Gobbo (vocals) Jar'd Loose

What is your name and band/label/etc?

Eddie Gobbo, vocalist of Jar'd Loose.

What are your top five albums that were released in 2012? (In order 1-5)

1. Down - Purple EP
2. Black God - II
3. Encrust - From Birth To Soil
4. Fight Amp - Birth Control
5. Fear Factory - The Industrialist

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Discovered these guys back a few years back, but one band that really made an impression on me this year was KEN Mode. I got tosee them 3 times this year on Chicago soil, which shows how much theytour, considering they're from Canada. Total road dogs. Tighter every time you see them. Good song writing that comes across well live.Inspiring.

How will you remember 2012? (In terms of music)

Good for live shows. Saw a lot of good live sets this year. Ok for releases. I'll remember it being significant for Jar'd Loose because we released ourfirst record. Also, the tail end of the year having everyone 3 wayargue which is better, the new Converge, Neurosis, or Pig Destroyerwas productive.

What can we look forward to from you in 2013?

Us touring on our first record, which we just released, starting with an East Coast tourin January, and hopefully us finding legit label home for our second release, which we plan on recording in the second half of 2013.

What records are you looking forward to most in 2013?

New Entombed and hopefully a new Lykke Li.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

Sadly, I don't see fundraising sites as a trend that will go away. Fundraising for the recording or pressing of records should be doneinternally among the members of the project and a label, if one islucky enough to be involved. Not your grandmother. When I recorded forthe first time about a decade ago, my band mates and I had to all chip in our own money, which I probably made jerking off animals, to paysome lame ass engineer to grace us with his presence all day. We didit with a smile because we all believed in what we were creating. Nowa days, half the bands out there believe in what they're doing as long it comes without sacrifice. Fundraising sites coddle said people. Whatif someone came up to you and said, "Hey dude, I'm having a party.It's gonna be awesome. But the thing is I need everyone to chip in $5 for the party in advance in order for me to have it." Would you go tothat party?

Frank Turner

What is your name and band/label/etc?

Frank Turner, Xtra Mile Recordings.

What are your top five albums that were released in 2012? (In order 1-5)

1. Jim Lockey & The Solemn Sun - Death
2. Tim Barry - 40 Miler
3. Godspeed You Black Emperor - Allelujah! Don't Bend! Ascend!
4. Converge - All That We Love We Leave Behind
5. Franz Nicolay - Do The Struggle

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

The National. Amazing band.

How will you remember 2012? (In terms of music)

I don't really think of music in years like that.

What can we look forward to from you in 2013?

New album and much touring.

What records are you looking forward to most in 2013?

Apart from mine (haha), the new Frightened Rabbit record.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I have no idea.

Franz Nicolay

What is your name and band/label/etc?

Franz Nicolay (Xtra Mile Recordings, Sabot Productions)

What are your top five albums that were released in 2012? (In order 1-5)

1. Kepi Ghoulie - I Bleed Rock N Roll
2. Todd Snider - Agnostic Hymns & Stoner Fables
3. Future Of The Left - The Plot Against Common Sense
4. Hop Along - Get Disowned
5. Morning Glory - Poets Were My Heroes

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Hop Along was a real revelation, feral and intense with lyrics that are opaque enough that you put some work in to try and get at what makes them seem, still, meaningful. Kepi Ghoulie made the great reptile-brain rock record of the year, with caveman beats, three chords, and sentiments straight from the Chuck Berry/Ramones/Johnny Thunders platonic core of the rock redwood; the kind of songs that sound easy to do until you try. And (this record is older) I'd never really cottoned to Smog, but Bill Callahan's "Sometimes I Wish We Were An Eagle" I found fascinating. Songwriting, for the most part, isn't really poetry - at its best, it sometimes approaches prose poems - but something about a couple of these songs I'd read as legitimately poetic language.

How will you remember 2012? (In terms of music)

I was on the road so much this year that I wasn't as dutiful about discovering music that wasn't right in front of my eyes, either by tourmates like Kepi Ghoulie, labelmates like Future Of The Left, friends like Morning Glory and The Cut Ups, or people I already knew I liked like Todd Snider and Bob Dylan. And aside from Scott Walker, there was nothing particularly off the wall: just smart, articulate, aggressive music with a passionate point to make.

What can we look forward to from you in 2013?

An EP of outtakes from Do The Struggle called Bad Advice, and my book based on my touring in China and the former Soviet bloc.

What records are you looking forward to most in 2013?

The best are the ones I don't expect. Ben Marwood.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

Every artist is a hustler, and at the end of the day is going to beg, borrow, or steal what they can't earn to make the thing they want to make; so I don't think we can afford to scorn any tool out of a misplaced sense of impropriety or dignity. I've written that there are basically two time-honored historical models, broadly speaking, for making a living as a musician: as a sing-for-your-supper troubadour, or as a client of a patron. Crowd-funding is essentially making a many-headed hydra patron in lieu of one rich benefactor. I've also written elsewhere that if we want Spotify and torrents and $2.98 Amazon album specials, we have to consider accepting the NPR model: the idea that indie rock may come to be subsidized in the same way that we accept that jazz and classical music are subsidized by various (private and state) entities as a valuable piece of American culture that can't be fully supported by the market.

Gil Markle (producer)

What is your name and band/label/etc?

Gil Markle, former owner of the Long View Farm recording studio

What are your top five albums that were released in 2012? (In order 1-5)

1. ZONKARAZ "Zonkaraz at the Hanover Theatre" Double DVD set. Desert Dreams Records. Edited and produced by Studiowner.com. 
2. DICK WAGNER "Full Meltdown" CD. Desert Dreams Records. Mastered by Studiowner.com. 
3. PRIVATE LIGHTNING "Physical Speed" and "Song of the Kite". The two 1978 regional hits by the popular Boston-based band, mastered by Studiowner.com. Release not anticipated.

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

STUFF "STUFF: Live at Mikell's" CD. A 1978 archival recording made at the famous New York City nightclub. Restored and mastered by Studiowner.com. Release pending in Japan. The first, eponymously entitled STUFF LP was recorded at Long View Farm in 1976, and mixed by Gil Markle.

How will you remember 2012? (In terms of music)

The loudness war. Artists and labels alike are increasingly eager to sacrifice dynamic range and clarity in mastered recordings in exchange for apparent volume. This is an unsettling development for the audio purist.

What can we look forward to from you in 2013?

THE MUGSHOTS "Love Lust and Revenge" CD. Italy's Number One horror punk rock band, recently recorded and produced by Dick Wagner, and mastered by Studiowner.com. TATTOO ME  Print release of excerpts from Markle's book about The Rolling Stones, edited by Sean Egan and appearing in the Chicago Review Press volume "Keith Richards on Keith Richards".

What records are you looking forward to most in 2013?

WALTER CROCKETT  Release: late September, early October 2013 Tentative title: This Old Heart Band: Walter Crockett and the Wannabee Wabbits [note the spelling "Wannabee"] Type of music: Americana Background: Valerie & Walter Crockett and the Oxymorons performed for 13 years in New England coffeehouses and concert halls, including three appearances at the Boston Folk Festival. After Valerie Crockett's death in 2009, Walter has reformed and expanded the band. The CD will include Walter's new and previously unrecorded songs. Personnel: Walter Crockett, lead acoustic guitar; Duke Levine, electric guitar; Dave Dick, banjo and electric guitar; Bob Dick, acoustic bass, Fran McConville, mandolin; Mark Manuel, keyboards; Bill MacGillivray, drums; Matt Cassell, percussion.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

A trend it is, allowing music to be recorded that would not have been recorded otherwise. However, with all production decisions in the hands of the artists themselves, often unaided by professionals, the system lacks the rigor of the conventional record label selection process, which is not all bad. Also, insufficient thought is often given to the eventual distribution of the recorded material, either in CD or internet file sharing format, with the result that the music gets recorded, but not heard.

Graham Scala (guitar) Highness, Bleach Everything

What is your name and band/label/etc?

Graham Scala, guitarist for Highness and Bleach Everything.

What are your top five albums that were released in 2012? (In order 1-5)

1. Neurosis - Honor Found In Decay
2. Slow Machete - Evening Dust Choir
3. Pallbearer - Sorrow And Extinction
4. Beastmilk - Use Your Delusion 
5. Sun Araw/The Congos - FRKWYS Vol. 9

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Slow Machete's probably the most affecting new thing I've found.  Field recordings from Haiti turned into striking, hazy ambient pop.  Deeply fractured but beautiful, electronic yet humanized, isolated yet attuned to a larger cultural vibration.

How will you remember 2012? (In terms of music)

It was the year of basement thrash metal from '85, transgendered protopunk, ribald pre-war blues, literararily-inclined Southern rappers, mysterious arena crust, existentialist death metal, apocalyptic loner country, desert psychedelia, and absolutely no pop punk.

What can we look forward to from you in 2013?

Hopefully some fucking records.  2012 has been the first year in a decade or so where I haven't released something.

What records are you looking forward to most in 2013?

Phil Lynott's comeback album.  Backed by Pig Champion and Max Roach.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

It's definitely a trend.  Whether it proves a lasting one remains to be seen.  If it's funding a legitimately cool project that would not otherwise, under any circumstances, exist then great.  Unfortunately I've seen maybe one that meets that criterion.

J. Wang (Owner) Fast Crowd Records, Dan Padilla

What is your name and band/label/etc?

J. Wang. I play in the band Dan Padilla and lazily run Fast Crowd Records.

What are your top five albums that were released in 2012? (In order 1-5)

1. Muhamid Ali - s/t LP
2. Bob Mould - Silver Age
3. Divers - 7" EP
4. Cheap Girls - Giant Orange
5. Toys That Kill - Fambly 42

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

I would have to say Divers. I'm a huge fan of Harrison's music and have some history with his old band Drunken Boat. That band was so great and I was waiting to hear something from some of those members. Divers have Harrison and his brother who also played in Drunken Boat towards the end. I love music so much and the emotions it causes inside of me. I know it's different for everyone. There are so many things that go into it for me. A lot of people just like the way it sounds, but for me there is more to it. The message and lyrics and the truth behind the people writing it. I have the conversation a lot with people about something that comes out and you just can't get enough of it. Like a cd or tape that you get and put in your car and can't take out. You just listen to it over and over for like a month straight. That is one of my most cherished things in life. Divers did that for me with only 2 songs. I anticipated seeing them at Awesome Fest 6 in San Diego and they were 20 times better than I ever thought they could be. It was my definite high light of the festival. They have a full length coming out, and I can't wait to listen to it for a month straight.

How will you remember 2012? (In terms of music)

I think for me 2012 was the year that I was always waiting for. That being the time when younger bands coming out of Southern California finally happened. There was a long lull where it seemed like there wasn't any new bands filling in where the old ones dropped off. Now there are so many great bands coming out of southern California like Summer Vacation, American Lies, The Bertos, Joyce Manor, and Horror Squad to name a few. All these bands have been around for a while, but I think it was just my awakening. I remember having tons of conversations with people asking when it would happen, and I think if finally did.

What can we look forward to from you in 2013?

Dan Padilla's new Album Sports Fans should be out by the turn of the new year. I'm really stoked on all the songs and the recording. I feel like it's the best thing we've ever done and I don't usually feel good when we're done recording so that makes me happy. Fast Crowd will probably release 1 full length LP over 2013. I've been writing a lot of different stuff lately so Matty Bloodbath and myself are probably going to start something different with a complete instrumentation overhaul.

What records are you looking forward to most in 2013?

Divers full length, Rumspringer full length, and Low Culture's new full length on Dirt Nap.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I think the digital format will always be dynamic and things will change as people become more clever. I remember when Fast Crowd decided to go digital and I knew nothing about it, so I actually asked Todd Congelliere from Recess Records, which we respected as a great label, what he thought about it and how he handled it, and that's literally how we made the decision of what we were going to do. Dan Padilla has done donation based stuff for a long time to raise money to put out releases. Not in the same format as kickstarter but the same idea, just remove the corporation. If you create stuff that people like they are going to find a way to help you if they find value in what you're doing. If you play shitty music nobody is going to give you any money anyways.

Jacob Lentner

What is your name and band/label/etc?

Jacob Lentner - Lentner

What are your top five albums that were released in 2012? (In order 1-5)

Hmmm this is a tough one!

1. Apacolyptic Love- Slash ft. Myles Kennedy
2. All I Was - Tremonti
3. Resolution - Lamb of God
4. The Road- Aaron Lewis
5. Some Nights - fun.

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Well that has to be Myles Kennedy and Slash, but didn't really know they were playing together till this year. I am a huge fan of Alter Bridge, and Slash great of course too, so their album together is the best thing I’ve recently discovered

How will you remember 2012? (In terms of music)

Well I’ll remember it in a different sort of way. I've been noticing the decline of local music, mostly because of the economy, so I'll remember this year as a year when local music was struggling to survive. However, when down, the only way to go is up!!

What can we look forward to from you in 2013?

2013 will hopefully be a great year for us. We were recently able to pick up a booking agent, and now are networking is starting to show some results. We've been opening for more national acts, and hope to play out more than ever next year! If possible, it would also be great to record a full length album

What records are you looking forward to most in 2013?

This one is easy. Metallica. I have been a Metallica fan since I was 11, (22 now), and cannot wait to see what they've been up to since their release of "Death Magnetic"!!

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

Sites like Kickstarter to me, are variable. They have worked out great in the past, and I have known bands that have gone on tour because of their success on a fundraiser site. However, for other bands, they may not have the fan base or fans that are able to contribute to the group at the time, or the band simply cannot get their fans to follow up to the fundraiser site. So, I think those sites will stay for a while, but I don't think they'll become more powerful for bands then regular shows, or other social networking sites, like facebook, twitter, youtube, etc.

Jake Lang Sweet Weapons

What is your name and band/label/etc?

Jake Lang - Sweet Weapons

What are your top five albums that were released in 2012? (In order 1-5)

1. Foo Fighters - Wasting Light
2. Title Fight - Floral Green
3. Sharks - No Gods
4. Whirr - Pipe Dreams
5. Bad Liar - Yours Truly

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Pianos Become the Teeth. I had heard about this band for some time but had failed to check them out until this year. Aside from being some of the best people I've ever met, they are one of the most impressive live bands I have seen. The raw emotion they display and musical talent each member possesses is truly chill.

How will you remember 2012? (In terms of music)

I recently had the privilege of touring the country as a tour manager with some of the most dedicated and inspiring people I have ever met. Seeing their hard work pay off in a huge way every night left me hyped. It's great to see this day and age that kids still care about their music scene and are willing to show support in every way they can.

What can we look forward to from you in 2013?

We, Sweet Weapons, will be releasing a full length on Escapist Records entitled All of My Best Friends Are Dogs. Check it out in early Spring.

What records are you looking forward to most in 2013?

Broadway Calls, Balance And Composure/Braid split, Big Sean, and I'm sure a bunch of others.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I honestly kind of hope it's a trend. I love that people are supporting artists however I think the approach of e-begging isn't something that should be respected.

Jay Cross (drums) Mortor, Accursed Spawn

What is your name and band/label/etc?

Jay Cross, from Mortor and Accursed Spawn!

What are your top five albums that were released in 2012? (In order 1-5)

1. Cattle Decapitation – Monolith of Inhumanity 
2. Gojira – L’enfant Sauvage 
3. Cryptopsy – Cryptopsy 
4. Dying Fetus – Reign Supreme
5. Testament – Dark Roots of Earth

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

To be honest, I’d say Cattle Decap. I’d heard them before but was never a big fan and then when I heard Monolith my mind was blown. God damn those dudes can play!  I love the experience of re-finding a band that you weren’t hugely into before – it really empthasizes the fact that you should never write anyone off, ‘cause you never know when they’ll come out with something that blows your mind.  Plus playing drums to this album is damn fun. 

How will you remember 2012? (In terms of music)

I’ll remember it as a great year for music – since 2010 we’ve had tons of stellar releases, so it’s been a year that’s kept that tradition, which has been really cool.

What can we look forward to from you in 2013?

2013 is going to see Mortor on the road more than ever before. We’re writing new material so we’ll take some time to perfect new tunes, but our biggest goal is to get Shoot ‘em Up out there to as many people as possible.

What records are you looking forward to most in 2013?

Tons of stuff! New tunes from Exhumed, Rotten Sound, Voidvod, Alice in Chains, Deeds of Flesh, Suffocation, Obituary, and of course the legendary Black Sabbath is supposed to put something out, so, I mean, who could possible not be stoked for that?!?!

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I don’t think it’s a trend – though it’ll probably get less popular. I’ve heard people with comments on both sides of the fence… some say it’s a great way to get your music (or related goods) out to people given the current context of the music industry… other people say that it’s b/s to see bands asking their parents and friends to pay for their stuff without putting in the hard work to earn money for recording time, a van, etc.  Personally I don’t really have an opinion on it one way or the other… if it helps people get their music out, I’m for it though I suppose. It’s sort of like downloading music, it has positive and negative consequences y’know.

Jennifer Shagawat (drums) Shellshag, Starcleaner Records

What is your name and band/label/etc?

Jen. Shellshag. Record labels: Starcleaner / Don Giovanni / / Mauled by tigers / We are busy bodies / Thrillhouse / Plan it X South

What are your top five albums that were released in 2012? (In order 1-5)

arguably.. these 5 off the top of my head:

1. Screaming Females - Ugly
2. Toys That Kill - Fambly 42
3. Black Wine - Hollow Earth
4. Swearin' - Swearin'
5. Delay - Rushing Ceremony

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Mike Watt and the Missingmen -- I love the focused passion of Mike Watt and his friends. They live life and play music hard with complete and utter passion and focus. Very inspiring.

How will you remember 2012? (In terms of music)

Personally it will be the year I finally saw the Marked Men live at Awesome Fest in San Diego! Incredible band.

What can we look forward to from you in 2013?

A new Shellshag full-length, a split 7" with Apogee Sound Club, 2 shows in Hawaii, and a US tour.

What records are you looking forward to most in 2013?

Kreamy Lectric Santa, Future Virgins, Screaming Females, Dark Rides, Black Rainbow, Street Eaters, Vacation, Nuclear Santa Claust, actually, lots of bands...too many to name.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

No trend, it seems it will continue especially in the states where artists are underpaid and quite often broke. For putting out a record it seems smart. It is pre-ordering an abum for the fan and it helps the band release it themselves, which is great. I think it will stay as long as the companies that run them keep their cuts reasonable. I dunno... we have never done a campaign but we have donated to them, and I know that part is real easy and it feels good and just when you forgot you did it, you get a record in the mail. Nice!

Jihad M. Rabah (Owner) Twelve Gauge Records

What is your name and band/label/etc?

Jihad M. Rabah, Twelve Gauge Records.

What are your top five albums that were released in 2012? (In order 1-5)

1. Downstaaiirs - Beach Dungeon
2. Nick Waterhouse - Time's All Gone
3. Converge - All We Love We Leave Behind
4. Pig Destroyer - Book Burner
5. Black Breath - Sentences To Life

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Without sounding too much like a fan boy, my girlfriend showed me the Nick Waterhouse record amongst many others, and took me to see him perform live at Bimbos 365 in San Francisco. His new record and live performance were inspiring, and such a change of pace for me (made pretty obvious looking at my top 5). Anyway, she has turned me onto a lot of great music, and it just so happens that the Nick Waterhouse record came out in 2012. I choose him.

How will you remember 2012? (In terms of music)

As I grow older, I've been noticing a trend in listening to older music. Not "old people music," but music that was released before my time. You could say my palette is expanding, but it's really just me maturing as a person with both my outlook on life and my interests in music. 2012, for me, brought a lot of new music into my life: some old motown, some soul, country, while expanding on my already existing interests in the heavier side of music. Bands like Converge are continuing to play aggressive music that speaks loud and clear to me, but it's nice to also listen to a new record from my buddies in Downstaaiirs and feel just as inspired by it. So how will I remember 2012, in terms of music? As another year that introduced me to more music that I would have been uncomfortable to listen to, and admit I liked, when I was 16.

What can we look forward to from you in 2013?

I'd like to begin to refine my label's reach and narrow down on some new artists that are doing something different. If you look at the 30+ releases on Twelve Gauge, you'll notice all sorts of different bands and sounds, but they are all part of the same scene(-ish...). I'd like to narrow down on a niche, get comfortable, and make others interested in it as well. I don't think that means I'll be releasing synth-pop, but I will try and focus on active bands, doing something new in their domain, while staying true to the ideals I set forth when I started the label -- helping hard working independent underdogs.

What records are you looking forward to most in 2013?

Let's see what Youth Attack releases -- those records are always fun, ha. Also eager to hear the upcoming Deafheaven record. Not sure what else because I don't really know what's coming in 2013 from me, or others.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I'm not sure how I feel about these fundraising sites with regards to record labels using them to afford releasing new music. On one hand, they are reaching out to their fanbase, making a commitment to release a record, and delivering on it if enough people are interested. On the other hand, it takes away the challenge of releasing music. I don't want to give my sad story of how I started a label, but I bussed nasty tables at Outback Steakhouse for a few years to save up enough money to waste on putting out my first few releases and each dirty glass and plate had a hand in putting those records out. What did they do?

Jim Blaha (guitar/vocals) The Blind Shake

What is your name and band/label/etc?

Jim Blaha from the Blind Shake.

What are your top five albums that were released in 2012? (In order 1-5)

1. Goat - World Music
2. Lamps - Under the Water, Under the Ground
3. Evening Meetings - self titled
4. Sic Alps - self titled
5. Lee Hazelwood - The LHI Years

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Destruction Unit...they reminded me how great a live band can be...and how contagious energy is...

How will you remember 2012? (In terms of music)

We toured a lot in 2012 so most of the music I engaged with was in the live setting. I will remember 2012 for so many fantastic bands I would have never heard of had we not gotten out on the road...being blown away by a band that's brand new to you is one of the best feelings. That happened several times this year.

What can we look forward to from you in 2013?

We have a 7" record coming out on Sweet Rot, hopefully a full-length record and more...

What records are you looking forward to most in 2013?

That one band that sort of comes out of nowhere and makes me re-think everything. I don't know who they are yet.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

Computer sites like those will always come and go, but asking for money will never go out of style.

Joe Mullen (drums) Odium

What is your name and band/label/etc?

Joe Mullen - Drummer for Odium

What are your top five albums that were released in 2012? (In order 1-5)

• Gojira – L’enfant Sauvage
• Lamb of God – Resolution
• WhiteChapel – Whitechapel
• Veil of Maya – Eclipse
• Katatonia – Dead Kings

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

The band that I discovered this year was Gojira. A friend recommended them to me and I was immediately hooked. The riffs are unlike anything I have heard before and the drum production is impeccable. Very happy to be a fan of Gojira I must say.

How will you remember 2012? (In terms of music)

I would say in general, I will remember the message from these 2012 releases. It has and continues to be one of healing, enlightenment, and searching for a higher purpose. All in tandem with where our universe is headed. Coincidence…I think not.

What can we look forward to from you in 2013?

Most likely a new record!

What records are you looking forward to most in 2013?

Mutiny Within – Synchronicity Hatebreed – The divinity of Purpose

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I believe it is a continuation of the ever-evolving creative consciousness. The Internet has made pretty much anything possible. It’s an incredible tool for any artist as is really does away with any geography issues. An artist can learn all about making records online, can buy all the equipment online, and then can both release the material and sell the material online. Definitely a great time in history to be a musician!!

Joesph Steinhardt (owner) Don Giovanni Records

What is your name and band/label/etc?

Don Giovanni Records

What are your top five albums that were released in 2012? (In order 1-5)

1. Earth - Angels of Darkness, Demons of Light II
2. M. Akers - Tough To Kill
3. Lana Del Rey - Born to Die
4. Grabass Charlestons - Dale and The Careeners
5. Spits - V

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

As far as a personal impact on my life, we got to work on some records with the label this year of a caliber I never thought we would ever get to.

How will you remember 2012? (In terms of music)

The year of Lana Del Rey.

What can we look forward to from you in 2013?

Expect new releases in early 2013 from Waxahatchee, Hilly Eye, Shellshag, Screaming Females, Laura Stevenson, Nuclear Santa Claust and more. All in the first few months of the year, and all heavy hitters. Next year is also our tenth year as a label which is really exciting, and were going to be doing the first proper release of a record that has been a huge part of my life for almost 13 years from a local New Brunswick band called Stormshadow. We started the label with the goal of someday being able to release it and ten years later we are. Personally, I've also spent the last 6 years writing a solo record which should be out by the end of 2013.

What records are you looking forward to most in 2013?

Other than our own, I'm not really sure whats coming out. I've heard rumors of a second Lou Reed/Metallica record. That would be cool.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I don't think I've ever bought a record funded that way nor do I see myself funding a record that way. Seems good for the types of people that play in coffee shops and at open mic nights I guess, though.

John Cate (singer/songwriter)

What is your name and band/label/etc?

John Cate & the van Gogh Brothers / American Music Partners

What are your top five albums that were released in 2012? (In order 1-5)

As in 2011, I did not listen to many new artists this year. I listened to songwriters Hillary Lindsey, Janis Ian, Gordie Sampson and local Antje Duvekot 

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Songwriters Hillary Lindsey, Gordie Sampson and Janis Ian. Unbelievable melodic craftspeople and lyricists. Janis wrote the best song of 2012 in 2012, and perhaps one of the best contemporary songs ever written in my opinion, "I'm Still Standing" 

How will you remember 2012? (In terms of music)

Songwriters rule, and it's ultimately all about the craft of songwriting.

What can we look forward to from you in 2013?

A completion of my EP, "Changeable Skies", into an LP, and hopefully lots more film and TV placements!

What records are you looking forward to most in 2013?

Changeable Skies- long play!

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I think these sites are an unfortunate sign of the times which reflect the demise of the recorded music business. "New-school patronage" will continue until its determined how copyrights will be fairly administered on the internet.

Jonathan McMaster (bass) Stickup Kid

What is your name and band/label/etc?

My name is Jonathan McMaster and I play bass in Stickup Kid.

What are your top five albums that were released in 2012? (In order 1-5)

I'm only going to go with a top 3, and I'm sure I will change my mind on the order everyday, haha:

1. Menzingers - On The Impossible Past
2. Such Gold - Misadventures
3. No Trigger - Tycoon

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

I saw the Menzingers play at Chain Reaction last year, and again in the spring while in Michigan. I heard On The Impossible Past a few times in my friends van on the road and I thought that it was cool, but nothing remarkable. A few months back my friend Adam was talking about the record, which I had almost totally forgotten about, and I remembered a few of the songs being catchy. I went to check them out again and every song just hit me way harder than the first time. The record is a classic and has a timeless feel to it that truly transcends most modern punk records. It's just a great record, regardless of what you call it.

How will you remember 2012? (In terms of music)

I will remember 2012 as the year of my/our first Fest! Going to the Fest was insane, playing the Fest was an insane privilege I thought I would never get.

What can we look forward to from you in 2013?

We will have a new record out before summer hits and we are going to be traveling across the states playing as many shows as we can once its done!

What records are you looking forward to most in 2013?

Wilhelm Scream, Wilhelm Scream, Wilhelm Scream, Wilhelm Scream, aaaaaaaaan Wilhelm Scream.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

There are two sides to that coin. Artists trying to connect directly with their audience and working together with them to subvert the evil labels they have been scorned by is cool, bands taking advantage of eager fans for profit is not cool. For a very long time labels/managers/guys in suits had everyone convinced that they were the only way to get things done/become a successful band, and now that power has been taken away from a lot of them and they can't do for bands what they used to be able to do. Bands are learning "Hey, I can make my own merch, hey I can press my own music, hey I can book my own shows, heyIi can get my own name out there". The old school hardcore DIY mentality has spread into every type of independent band and, like most things in life, it has its pros and cons. As much as it gives power to honest bands trying to live life as a band, it gives equal power to scummy dudes in "bands" who need money. I don't think its going anywhere, but I hope some people wise up about where their money goes

Jordan Baker Pastepunk

What is your name and band/label/etc?

Pastepunk.com – (RIP 11/2012)

What are your top five albums that were released in 2012? (In order 1-5)

1. White Lung – Sorry
2. Make Do and Mend – Everything You Ever Loved
3. Converge – All We Love We Leave Behind
4. Strife – Witness A Rebirth
5. Hot Water Music – Exister

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

WHITE LUNG was new to me... the guitar riffing and sticky, snarling style of the melodic vocals took me totally surprise. They reminded me a bit of early BAD RELIGION with songs between 1-2 minutes and not a pause for anything that was a waste of time. Short. Fast. Loud. And memorable. Can't argue with that.

How will you remember 2012? (In terms of music)

Tough question. I will be in somewhat muted agony for while in deciding to end Pastepunk after more than 14 years of it being a significant part of my teenage and adult life, and my identity. I will think of 2012 as the year that when my priorities of a being a good father and husband, as well as achieving my goals in my professional career finally overwhelmed the energy and spirit that kept my dear hobby ticking. More direct to the question – I will recall 2012 as being the year that streaming music services won me over; when I used Rdio for more hours each day than iTunes, and for the bizarre fact that somehow Ronnie Radke became some kind of mystical music figure. I don't get it, and I'm glad that I won't be thinking about it any further.

What can we look forward to from you in 2013?

A whole lot of nuthin', though I am keeping the @pastepunk twitter account active and I will still be talking about music through that format. I'm done procreating, and I also encourage bands and labels to get their trademark issues in order before releasing music!

What records are you looking forward to most in 2013?

Bad Religion, Transit, Shai Hulud, Light Years, Plow United, and if a boy can dream, a new Ignite record.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

There are so many variables that come into play when determining whether a Kickstarter makes sense for a band or other entity, and I think one of the largest barriers to it is that it only works if the cause worth supporting already has an established wellspring of support to tap. So for Saves The Day, I can see it working, for an obscure paper zine project that wants to reissue a CD put out in the mid '90s to all of 1200 kids in Midwest? Maybe not so much. I don't see the availability of such a funding model going away, but it just continuing to have a limited role in the overall production of music-related projects.

Joseph D. Rowland (bass) Pallbearer

What is your name and band/label/etc?

Joseph D. Rowland (Pallbearer)

What are your top five albums that were released in 2012? (In order 1-5)

• Pinkish Black - S/T
• Samothrace - Reverence to Stone
• Crippled Black Phoenix - (Mankind) The Crafty Ape
• Anhedonist -Netherwards

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

That's a bit of a difficult question. It's been a turbulent year with a lot of ups and downs for me personally and I'm not sure I've had the opportunity to really let a band into my life to affect it like some tend to do. That said, for whatever reason Rush has really been a constant presence for me moreso than before. I've always been a fan but I've found their songs stuck in my head more often than ever, which usually results in me listening to an album or three.

How will you remember 2012? (In terms of music)

This was Pallbearer's first year to consistently play out of our general territory, so I will remember 2012's music mostly from an experience standpoint.

What can we look forward to from you in 2013?

Pallbearer is going to have a busy year, we'll be touring a lot more, and we also have our second full-length in the works, we'll undoubtedly be recording that at some point, along with some other small releases. I think a few of us have other projects brewing that might manifest at some point 2013.

What records are you looking forward to most in 2013?

I'd love to hear a new Camel record, new Cruciamentum, and the second Pinkish Black full length.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I think it varies from project to project. There have definitely been a few that have come to my attention that seemed fueled out of laziness, but also more than a few than seemed really compelling and, in a way, opening up new avenues for unique interaction between artists and fans with some of the exclusive content created. So yes to both, I suppose.

Josh Lyford (vocals) Foxfires

What is your name and band/label/etc?

Josh Lyford, I sing for Foxfires.

What are your top five albums that were released in 2012? (In order 1-5)

1. Mountain Man - Two
2. Powertrip - Powertrip
3. Hot Water Music - Exister
4. Title Fight - Floral Green
5. No Trigger - Tycoon

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Skirting the question here since they have been one of my favorite bands for a decade, but Hot Water Music releasing a really awesome record this many years into their career was awesome to see in 2012.

How will you remember 2012? (In terms of music)

2012 has been amazing. I got to travel to a bunch of cool festivals and saw more shows than I have in years. It has been awesome watching Central Massachusetts hardcore shows start to gain momentum again and I can't wait to see what's in store in 2013.

What can we look forward to from you in 2013?

Plenty of shows, a new record out on Escapist that we couldn't be more stoked, and getting out on the road.

What records are you looking forward to most in 2013?

That is a good question. Aside from friends' bands, I try to float along and scoop up what comes through. I like being surprised by music; I can't wait to see what comes along!

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I think, to some extent, it is a trend. People have been self-releasing music forever and it seems pretty easy to abuse. If you are going about it the right way then great, but I feel like you see too many bands asking for extravagant amounts of money for recording and the whole thing seems a little backwards to me. With that being said, if people want to pay for it, party on.

Kathleen Stubelek (bass) Circle Takes the Square

What is your name and band/label/etc?

Kathleen Stubelek, Bassist and vocals for Circle Takes the Square, we self release on the newly formed Gatepost Recordings.

What are your top five albums that were released in 2012? (In order 1-5)

1. Hot Water Music - Exister
2. Propagandhi - Failed States
3. Torche - Harmonicraft
4. The Cranberries - Roses
5. Godspeed You! Black Emperor - Allelujah! Don't bend! Acsend!

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Eyedea & Abilites. I wish I had paid attention to them much sooner. By the Throat is a great record, and everything I've heard Eyedea on is incredible. RIP Mikey Larsen

How will you remember 2012? (In terms of music)

In terms of music, I spent a lot of this year with blinders on. With the exception of a European tour, we've been working on our record for virtually two years straight. I will try to be more aware next year. Good new years resolution.

What can we look forward to from you in 2013?

Our full length, Decompositions, will be released in entirety, digitally on Dec 21st, physically in the new year. So look for us on the road!

What records are you looking forward to most in 2013?

Bad Religion, they've just been one of my favorites for the last 20 years. And I think our buddies Kylesa will have a new one next year. I'm not sure who else has plans to release (see question 4!), so I better get on that!

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

We used Kickstarter to fund our new record and it was much more successful than we expected. I think online fundraising is beneficial for some bands, but might not a good idea for everyone. You have to be careful not to abuse the generosity of people. But for us it turned out to be so helpful, not just financially but emotionally as well. We discovered that even though we'd been off the map for quite a while, a lot of people still wanted to hear from us. That was rewarding, and hopefully will be rewarding for them when they hear what they helped create in a way. This type of group fundraising will most likely evolve as folks realize the pros and cons, but the idea is planted, and the infrastructure is in place, so it could go in any direction now.

Kevin Gan Yuen (guitar) Sutekh Hexen

What is your name and band/label/etc?

Kevin Gan Yuen and I play guitar and contribute to the following projects:   Sutekh Hexen, OGHAM, Fermentæ, Circle of Eyes and a new project named NVLL.

What are your top five albums that were released in 2012? (In order 1-5)

• Anthony Pateras "Errors of the Human Body OST" 2xLP Editions Mego
• Vatican Shadow "September Cell" LP, Bed of Nails
• Aluk Todolo "Occult Rock" 2xLP, The Ajna Offensive
• High aura'd "Sanguine Future's" LP, Bathetic Records
• Wreathes "S/T" LP, Pesanta Urfolk 

Worthy mentions: 

• Teitanblood "Woven Black Arteries" CD, Norma Evangelium Diaboli
• KTL "V" 2xLP, Editions Mego
• Burial Hex "Eschatology II" CS, Brave Mysteries
• Alan Lamb, Garry Bradburry, David, Burraston, Oren Ambarchi & Robin Fox "Wired Open Day 2009" 2xLP, Taiga
• Converge "All We Love We Leave Behind" CD, Epitaph

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

These days, I am all about (re)discoveries, you know... classics and through classics and  not actively seeking out new bands, etc. There is so much music out there already!!

How will you remember 2012? (In terms of music)

Sutekh Hexen's first US tour and all of the great people that we shared time with across the States

What can we look forward to from you in 2013?

Lots of things: in Autumn of 2013 we are looking to tour Scandinavia into Central Europe and hopefully hit London in support of the new record. It will be good to play for the new audience. Sutekh Hexen will be finishing our new 2xC10 titled "Monument of Decay" for Black Horizons, this will be the return to the cassette format. Around the second-quarter, we will see the LP edition of the now OOP "Become" material, which was originally released by Auris Apothecary on 1/4" tape!! (such an obscure format these days). Also, weeks from typing this, we will begin writing and recording for our 2xLP, the next proper album titled "Light & Matter" with some incredible collaborators in-tow. I am still wrapping up the  first and final FERMENTÆ full-length LP; as to when this solo-effort sees release is questionable, but some folks have expressed interest in releasing it. The first OGHAM release, my collaboration with Thomas Ekelund (SWE) will be coming out on cassette shortly through Merz Tapes too. That is pretty exciting, we are very happy with this one and it has been a long-time coming!! As for the rest... We Shall See.

What records are you looking forward to most in 2013?

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Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

  Sure, I believe they are a great resource for creatives. The fact of the matter is: when it is all said and done, there is little to no-profit for the artists involved, because the funds channel directly back into the work: production costs for recording or pressing new records, printing posters/promotional ephemera, gas money and other necessities that are modest requirements.  This is the nature of creative publication. What I do know from personal experience is that these fundraisers involve a group of people agreeing to want to directly help support their favorite artists, friends or colleagues and the ability to see results. It exposes the flaws and shortcomings that various industries have failed to deliver on. At the same time, these pledge-platforms demonstrate a sense of great community on a larger scale, that otherwise exists, city to city, but this is huge and needs to be recognized as a legitimate model for sincere creatives who really believe that their work needs to be available to the world. If you are reading this, Thank You for supporting.

Mars Project Mars

What is your name and band/label/etc?

Mars on behalf of independent band Project Mars.

What are your top five albums that were released in 2012? (In order 1-5)

1. King Animal by Soundgarden
2. Apocalyptic Love by Slash
3. Clockwork Angels by Rush
4. Dead Silence by Billy Talent
5. Don't hold back by Project Mars (of course!)

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Riding Shotgun from Toronto, Canada. They gave us the opportunity to tour Canada with them as their supporting act for the 2012 Buckle Up Tour which was an amazing experience personally and professionally.

How will you remember 2012? (In terms of music)

With the release of our debut EP Don't Hold Back, a major tour to support it and our involvement in supporting the MS Society of Canada, an organization whose goal is to fund research to end multiple sclerosis.www.mssociety.ca

What can we look forward to from you in 2013?

The release of a follow-up album and hitting the road to promote it. Lots of live shows, festivals and special events all the while continuing our efforts to raise funds and awareness for the MS Society.

What records are you looking forward to most in 2013?

Aside from our own album, we're looking forward to the new Black Sabbath, scheduled for an April release. And it would be really nice if Tool finally dropped a 5th studio album.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

Not so much a trend but a new way of approaching and solving one of the biggest problem that artists face these days which isn't about finding inspiration or good ideas but about being financially able to realize their goals. However, like everthing else, you need to pick and choose what will work best for your projects. Ultimately, Kickstarter and Indiegogo seem like low risk options for what could possibly be beneficial to artists.

Matt Copeland (drums) Adrenechrome

What is your name and band/label/etc?

My name is Matt Copeland, and I play drums in Adrenechrome from Orillia, Ontario, Canada.

What are your top five albums that were released in 2012? (In order 1-5)

My top 5 albums of 2012 would have to be:

• Converge - All We Love We Leave Behind
• Deftones - Koi No Yoken
• Wintersun - Time I
• Torche - Harmonicraft
• Baroness - Yellow & Green.

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

The band I discovered in 2012 was Genesis. Specifically the early Peter Gabriel albums. When I heard the album Foxtrot for the first time I couldn't get enough. I became obsessed with all the early stuff and still am. It really changed the way I listened to music and thought about arrangments, lyrical importance and how amazing those 5 individuals played music together.

How will you remember 2012? (In terms of music)

2012 was a great year for music. Lots of classic bands released new albums that were outstanding. Even for some of the bands that have only been out for a few years released some of their best material to date. I was extremely happy with all the new albums from the bands I enjoy this year.

What can we look forward to from you in 2013?

In 2013 we're planning on doing lots of shows and hopefully a couple tours as well to eastern and western Canada. We'll also be recording our new album which we hope to release by the summer of 2013.

What records are you looking forward to most in 2013?

The records I'm most looking forward to in 2013 would have to be the new Tool record and the new Tomahawk record as well.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I bellieve if anything, it will help bands ( especially new ones) in the way they're produce and release material.

Matt Fox Shai Hulud

What is your name and band/label/etc?

My name is Matt Fox. I did not star in Lost, nor have I ever seen an episode, but that handsome guy with my name had something to do with it. I humbly share some of my thoughts and ideas in the band Shai Hulud.

What are your top five albums that were released in 2012? (In order 1-5)

1. Propagandhi - Failed States
2. Testament - Dark Roots Of Earth
3. Accept - Stalingrad
4. NOFX - Self Entitled
5. Classics Of Love - Classics Of Love

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

As silly as it may sound, I'd have to say Enya - I guess she's an artist, not necessarily a band; I hope that still counts. Of course, I've known who she is for over a decade, and I always knew what her music sounded like - I even liked everything I had heard, but I first began exploring her catalog this year, and it definitely made an impact. Though my first musical loves will always be Metal, Punk, and Hardcore, I can't listen to anything remotely aggressive when I'm feeling overly stressed. Enya calmly fills those stressful gaps nicely, stabilizing my mood so I can jump right back into listening to Death and Cryptic Slaughter again.

How will you remember 2012? (In terms of music)

Well, I'll never forget 2012 because I spent 6 + weeks in sunny California recording Shai Hulud's new album with Chad Gilbert. Recording is always a momentous occasion for Shai Hulud, as it's so seldom. And returning to the studio with Chad Gilbert (now as an adult!), for the first time in over ten years, that's something I won't soon forget. In terms of music, this experience largely defines 2012 for me.

What can we look forward to from you in 2013?

Why, Shai Hulud's new album "Reach Beyond The Sun," of course. February 19th, in fact. In addition to that, we'll be touring as much of the world as possible in support of it. It should be a busy year for Shai Hulud, with quite a few tours already lined up - incredibly, with some of our favorite bands of all time. Outside of Shai Hulud, I'll be working on a couple other musical projects I am pretty excited about. now, just to find the time.

What records are you looking forward to most in 2013?

Thus far I'm very excited for Bad Religion's new album, and "Unkind" by After The Fall. From what I've already heard, both are sure to  rip.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

It seems to be happening often enough of late to call it a trend. Then again, that may just be the state of "the industry" - its financial aspects and funding more sparse than of the yesteryears. The DIY mentality has always been maintained, it will never go away. These fundraising sites, essentially, make it easier to indeed "do it yourself," but in using them, though technically "doing it yourself," it's not really all that DIY, at least not in the way I got to know DIY.  All things considered, I'm not entirely sure how I feel about the matter. Not every project warrants fundraising, and these sites give opportunities to both worthwhile projects, and let's be honest… bullshit. All in all, people will always create. If someone is creating something of true value, I tend to think it will be funded by something, someone, somewhere: label, publisher, or layman. Said sites can be great and useful tools to really help someone or something take flight that otherwise might not have the chance. It's definitely up to those funding these projects to be discerning and not just throw money at bullshit to receive a 10 minute Skype conversation with the "artist." Ultimately, but of course with some circumstantial exceptions, I don't think people who are truly creating for the always nebulous "right reasons" will make much use of fundraising sites. These sites can, and probably already are to some degree, shaping the landscape of "art" for those with nothing artistic to offer to make a quick buck without really giving anything substantial in return. Not even the project needing funding.

Matthew Donlon (guitar) Lunaire

What is your name and band/label/etc?

Matthew Donlon from Lunaire.

What are your top five albums that were released in 2012? (In order 1-5)

1. Mount Eerie – Ocean Roar
2. Ancient's – Star Showers On The Euphrates
3. Les Discrets – Ariettes Oubliees...
4. TK from Ling tosite sigure solo album – Flowering
5. Ahab – The Giant

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Early this year I was looking through blogspots searching for Shibuya Kei artists when Istumbled upon Dylan Mondegreen's While I Walk You Home. Later that night I listened tothat gorgeous pop album continuously.

How will you remember 2012? (In terms of music)

My memory is usually judged by the passing of time between concerts. Two Boris showswere the standouts at the beginning of the year and Sigure Ros towards the end.Those performances were phenomenal and I'll always remember just how emotional andintense their music was live.

What can we look forward to from you in 2013?

2013 will be a very big year for Lunaire. We will produce our first mighty full length alongwith a catchy single, and another independent ep with some sort of tour.

What records are you looking forward to most in 2013?

I'm looking out for the new Mew album. They always surprise me and I'm curious to seewhat they deliver next.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I think fundraising sites like Kickstarter are a great idea but they need to do something toprevent scams. It also seems great for already established artists who have fans willing todonate, but for lesser known artists the likelihood of reaching a large sum doesn't seem aspossible.

Matthew Wade (singer/songwriter) My Silent Bravery

What is your name and band/label/etc?

Matthew Wade singer/songwriter - My Silent Bravery

What are your top five albums that were released in 2012? (In order 1-5)

• Red Hot Chili Peppers – I’m With You
• John Mayer – Born and Raised
• Dave Matthew Band – Away from the World
• The Script - #3
• Drake – Take Care

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Although she had been around for years, I really got into the Adele 21 album this year and how good an organic sounding record should be. It’s timeless, her voice is incredible, and its great songwriting.

How will you remember 2012? (In terms of music)

Spotify. More people switching to streaming.

What can we look forward to from you in 2013?

New My Silent Bravery album “Diamond from Coal” to be released in early 2013!

What records are you looking forward to most in 2013?

New Eminem album

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I think that if these types of sites help artists release more music then they are positive, trend or not.

Matty J ("bass moose") Psychostick

What is your name and band/label/etc?

Matty J (the bass moose) from Psychostick!!!

What are your top five albums that were released in 2012? (In order 1-5)

1. Meshuggah - "Koloss" 
2. Animals As Leaders - "Weightless" 
3. Periphery - "Periphery II: This Time Its Personal" 
4. Tenacious D - "Rize of the Fenix" 
5. The Mars Volta - "Noctourniquet"

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

We did a tour with Black Light Burns and their performances just blew me away every night.  Wes Borland (also the guitarist of Limp Bizkit) looks like a crazy man on stage but after listening to the records you realize how creative the dude really is on vocals.  I spent my adolescence idolizing this Borland's guitar style only to see him sing with this BLB and make me a fan all over again!  Rock n Roll as ART!!! BRILLIANT!

How will you remember 2012? (In terms of music)

2012 was a crazy year for all sorts of reasons but for music it will be the year Pussy Riot got arrested in Russia for speaking out against Putin, Randy Blythe got arrested and detained in the Czech Republic for accidently killing a guy, and the year that PSYCHOSTICK went international!

What can we look forward to from you in 2013?

Look forward to the dumbest dumb anyone has ever dumbed! A vigorous touring schedule, a new album, some awesome new videos on YouTube, and we plan on being the first band to mine asteroids for SPACE METAL! \,,/ (I'm not sure how we're gonna pull off that last one but we'll try!)

What records are you looking forward to most in 2013?

TOOL, Slipknot, Rage Against the Machine, motherbleepin PRIMUS, and I'm not positive but I heard rumors about Sikth getting back together! That would be killer!

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I honestly think this is the first wave of a whole new approach to the music industry.  Imagine going to work everyday and at the end of the month your bosses take 80+% of your paycheck.  Now imagine instead of getting cents on the dollar and the EVIL CORPORATE LABELS (*hisssss*) taking everything else, fans directly interact financially thus allowing the artists to be more adventurous and industrious on their own terms.  Add social media and internet jukeboxes and radio stations in the mix and we have ourselves a musical revolution!  HUZZAH!

Michael Phillips (owner) Escapist Records

What is your name and band/label/etc?

Michael Phillips; I am the owner of Escapist Records.

What are your top five albums that were released in 2012? (In order 1-5)

1. Deftones - Koi No Yokan
2. The Gaslight Anthem - Handwritten
3. Xibalba - Hasta La Muerte
4. Title Fight - Floral Green
5. Neurosis - Honor Found In Decay

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

I happened upon a female vocalist named Elizaveta Khripounova; she's an American born songwriter that was raised in Russia and trained in opera and piano, which she incorporates into her sound, but with a pop twist. Her music is really intriguing, haunting, and absolutely beautiful.

How will you remember 2012? (In terms of music)

2012 was a revival year for the label, something that began at the tail end of 2011 with the decision to work on the Light Years EP. There was a point prior where I had essentially given up and all but decided to call it day. But working with the guys in Light Years on their EP and all the support that went along with it rekindled my excitement for the label. This eventually led to working with Territory on their LP and the arrangements for the projects we will be releasing in 2013.

What can we look forward to from you in 2013?

I have a busy first quarter of the year planned for the label. Things kick off with the new Foxfires 7". The new 12" LPs from Light Years and Sweet Weapons should follow shortly thereafter in early Spring. And we have the Know the Score 7" in the works as well. There are a few other projects shaping up, which will be announced in due time. Basically, just continuing to build on the growth of 2012. I'm very excited for what is to come in the future.

What records are you looking forward to most in 2013?

There will probably be a lot of records I never anticipated to be released, as is the case with each year, but I'd say off the top of my head I am excited for the new Jimmy Eat World, Withdrawal, Celeste, Tegan And Sara, and Dillinger Escape Plan albums to come out.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I'm not a fan of Kickstarter and its peers, per se, but I feel there is a more appropriate way to use these sites to help release your music. Unfortunately the majority of the individuals using these sites for musical endeavors are abusing them. I'll leave it up to you to figure out which ones those are; it shouldn't be too difficult to assess.

Miguel Chen (bass) Teenage Bottlerocket

What is your name and band/label/etc?

My name is Miguel Chen and I play bass in Teenage Bottlerocket, a punk band from Wyoming. We are on Fat Wreck Chords and we love it!

What are your top five albums that were released in 2012? (In order 1-5)

1. NOFX - Self Entitled
2. Masked Intruder - s/t
3. The Hextalls - Rock You To Sleep
4. The Vindictives - Mono Flexi EP
5. Toys That Kill - Fambly 42

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

The Punchlines from Minneapolis, Minnesota. The whole premise is taking bad jokes and turning them into pop punk songs. For example one song will start with the verse "what did the Buddhist say to the hotdog vendor" and the chorus will be "Make me one with everything." Probably our most listened to record in the van this year.

How will you remember 2012? (In terms of music)

I will remember 2012 as TBR's best year yet. We had a new record Freak Out released in July and a ton of tour dates with so many great bands. We were lucky enough to play shows and your with NOFX, Dropkick Murphys, Smoke or Fire, Toys That Kill, Masked Intruder, Less Than Jake, Bouncing Souls and so many others!

What can we look forward to from you in 2013?

We are setting up a lot of tours for the upcoming year, both in the US and overseas. We're looking forward to coming back to a lot of our favorite countries and cities as well as travelling to some new places!

What records are you looking forward to most in 2013?

I hear Masked Intruder is working on a new record, that will rule. Also new Alkaline Trio.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

We don't really have any personal experience with those sites so it's hard for me to say. I will say that we all love music so much that we would do just about anything to keep doing it. It seems as if kickstarter provides some bands the opportunity to keep playing and making music so that's a big plus. There is also the issue of hard work though. I think bands that really work hard can use those sites to advance their careers, but some might just be trying to skip the hard work part and use kickstarter as a short cut to success. Music is just like any other business, there aren't really any short cuts unless you're Bieber or some other hack. For the rest of us hard work is a must.

Mike Browne (vocals) Son of Man

What is your name and band/label/etc?

My name is Mike Browne. I sing in the band Son of Man. Suck me.

What are your top five albums that were released in 2012? (In order 1-5)

Don't know if there were 5 I really liked.

1. Neurosis - Honor Found In Decay 
2. Manhattan Murder Mystery 
3. Sleep - Dopesmoker reissue 
4. Turbonegro - Sexual Harassment

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

The exotica sounds of Arthur Lyman and Martin Denny. Paired with a Mai tai and you have pure escapism.

How will you remember 2012? (In terms of music)

Nothing too memorable. Rock and Roll needs another savior. The Stone Roses are back.

What can we look forward to from you in 2013?

Son of Man is about to wrap up a recording session so more music on that front. Hopefully a couple of releases.

What records are you looking forward to most in 2013?

Another Noel Gallagher record.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

Not a big fan of this approach. Who knows if it will stick around or not. I will never ask fans for their money in order for me to record or whatever. I'm getting kind of sick of people starting up online funds and asking people to donate to trivial shit.

Mike Cheese Gehenna

What is your name and band/label/etc?

My name is Mike. Myself and a few friends commit crimes under the name GEHENNA. I'm also involved in musical projects like PARALLEL HELLS, LESSER KEY, SANGRAAL, M.F.T.S., and a few others.

What are your top five albums that were released in 2012? (In order 1-5)

1. INTEGRITY / GEHENNA split 7" (Yup. I said it. Best record to be released in 2012. No joke. Buy it and find out.)
2. SEAN PRICE - Mic Tyson
3. DON TRIP - Guerilla Mixtape
4. MAGIC WANDS - Aloha Moon LP
5. 100s - Ice Cold Perm

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

I got a chance to see PSYCHIC LIMB when we were in Brooklyn. They're a fucking brilliant band. Even though their record came out in 2011 I didn't get a chance to see them or hear the LP until 2012. Everything about the band is amazing. From the over the top 1 sided record to the explosive live show. More hardcore bands should be this ballsy. I was stoked on seeing MURDERESS live too. They smoke! RAT DAMAGE from Sacramento are fucking killer as well!

How will you remember 2012? (In terms of music)

 NEGATIVE APPROACH 2 times in 1 night. Thanks Joe McKay!

What can we look forward to from you in 2013?

A new album from GEHENNA (finally), as well as a rerelease of our long out of print "Negotium..." album, more crime, more partying, more touring and I'll be turning 40 years old. The PARALLEL HELLS demo is on the way and LESSER KEY demo is on the way.

What records are you looking forward to most in 2013?

I'm excited to hear the new BLIND TO FAITH, and I'm still waiting on the PENETRATION PANTHERS LP. Most of all I'm anxious to hear the MERCURY QUASAR MORRIS (@BFgoodritch) joints.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

That shit sucks. I wish there were less people releasing records anyway because the vast majority of records being released are fucking terrible. I don't really involve myself with any of these clowns though so, who cares?

Mike Park (owner) Asian Man Records

What is your name and band/label/etc?

MIKE PARK/ASIAN MAN RECORDS

What are your top five albums that were released in 2012? (In order 1-5)

1. Classics of Love - S/T (I tried desperately not to mention any Asian Man releases, but I truly feel this is the best record of the year)
2. The Sidekicks - Awkward Breeds
3. Masked Intruder - Masked Intruder
4. Cheap Girls - Giant Orange
5. Jeff Rosenstock - I Look Like Shit

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Cheap Girls. Great songs, great melodies, great guys. Makes me smile when I listen to them.

How will you remember 2012? (In terms of music)

Ahhhh... not sure. I'll probably have a better answer a year from now, but I guess I'll remember Tom Gabel/Laura Jane Grace story the most. I think it was an important happening in punk.

What can we look forward to from you in 2013?

More music. Hopefully lots to be honest. Been doing a lot of writing and a lot of fun silly side stuff, so we'll see.

What records are you looking forward to most in 2013?

Jason Clackley's new band the Exquisites and All People from New Orleans.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I'm not sure to be honest. We used kickstarter for the first time this year to fund a photo book and it worked beautifully.

Mike Riley Firestarter Records, Toxic Pop Records, Paper Dragons

What is your name and band/label/etc?

Firestarter Records/Toxic Pop Records/Paper Dragons

What are your top five albums that were released in 2012? (In order 1-5)

• The Capitalist Kids - Lessons on Love, Sharing, and Hygiene 
• Like Bats - Midwest Nothing 
• Boston Strangler - Primitive 
• Sickoids - s/t 
• Toys That Kill - Fambly 42

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

The Capitalist Kids from Austin, TX sent me their previous album and their new recording out of the blue to see if I'd be interested in releasing their new record. I'd never heard of the band before that and it's pretty rare that I get something unsolicited that blows me away, but by the 3rd song I was hooked. Great catchy pop punk like The Mr. T Experience with intelligent lyrics about more than just girls. So refreshing and so freakin' good. Expect great things from them in the future.

How will you remember 2012? (In terms of music)

The year Pulling Teeth played it's final and most amazing show. The year Paper Dragons started playing together again (after a five year hiatus). The year I got to see Dag Nasty live with Shawn singing. The year I got tickets to see Quicksand and Texas Is the Reason in early 2013.

What can we look forward to from you in 2013?

The Paper Dragons - Die To Please LP will be out in late January on Firestarter. Toxic Pop will be releasing records for Highway Cross, Industrial Park, The Capitalist Kids, Dead Mechanical, Idle Hands, Tenement, and more.

What records are you looking forward to most in 2013?

A local Baltimore band called Pure Junk, featuring Nolen from Double Dagger, should be releasing something. They rule.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I don't know if it's a trend or not but I'm not sure how much longer people are going to be willing to fork over their hard-earned cash to help release something that other bands are working for by touring and earning it.

Nick 13 Tiger Army

What is your name and band/label/etc?

Nick 13 – I perform both as a solo artist and in the band Tiger Army.

What are your top five albums that were released in 2012? (In order 1-5)

1. Marty Stuart - Nashville, Vol. 1: Tear The Woodpile Down [Sugar Hill]
2. Dwight Yoakam - 3 Pears [Warner Bros]
3. Jim Lauderdale - Carolina Moonrise [Sky Crunch/Compass]
4. Calexico - Algiers [ANTI-]
5. Blaqk Audio - Bright Black Heaven [Big Death/Superball Music]

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

I heard The Escalators for the first time. They were a short-lived band from early '80s Britain with Nigel Lewis – after he left The Meteors and before he started Tall Boys. They were rare on vinyl and finally saw a CD release. Not psychobilly exactly, kind of exploring the areas between psycho and post-punk, with a real melodic element in some songs. Similar in some ways to where my head was at with the last Tiger Army album Music From Regions Beyond. Kind of mindblowing where their musical thinking was almost 30 years ago. It definitely makes me excited to write new Tiger Army stuff when I hear it.

How will you remember 2012? (In terms of music)

For me, Americana music (or traditional or neotraditional country if you prefer) was responsible for much of the year's best music. Sure, there was psychobilly, punk, and even electronic music that I dug, but this year was mostly about the roots. I feel a groundswell is building as people tire of prefabricated music of all genres and yearn for the authentic. It makes me excited for what the coming year will bring! While I didn't cut any new music, the success of the video for my song "Carry My Body Down" on CMT Pure was exciting and gratifying.

What can we look forward to from you in 2013?

Tiger Army is doing our 2nd annual "Spring Forward" shows in late March – playing San Diego, Ventura, and Las Vegas with some great bands; but this year the main focus is still on my solo stuff (it's Americana/country music for those not familiar). I released my debut solo album in mid-2011 and I'm coming down the homestretch writing-wise for the followup. I'm hoping to begin the studio process soon and release my second solo record in 2013. I'll also be appearing solo live at the Stagecoach Festival on April 27th with Dwight Yoakam, Marty Stuart and many other greats.

What records are you looking forward to most in 2013?

Honestly, my own! I can't wait to take these songs from my head to vinyl. I'm also looking forward to the new Mavericks album. I'm a little too busy to keep track of what's in the pipeline for most artists; I tend to become aware of stuff right when it comes out.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

There's no question that some labels want a lot for a little and unless they're providing something that the artist can't, or at the very least bringing a real passion for the project that's going to last more than five minutes, then you'll continue to see the old models change and new ones emerge. Whether this is where it lands for or things continue to evolve, who knows?

Nick Harris (guitar) Luther

What is your name and band/label/etc?

Nick Harris / LUTHER

What are your top five albums that were released in 2012? (In order 1-5)

1. Father John Misty - Fear Fun
2. The Sidekicks - Awkward Breeds
3. Guides By Voices - Let's Go Eat The Factory
4. Ceremony - Zoo
5. Glocca Morra - Just Married

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

I got really in to Pink Floyd this year. I know, it's a really important band to kind of leave overlooked for so long, but I don't think I was ready until now. The album Meddle has been a pretty consistent soundtrack to this year for me. Just so much diverse material on that record, a really great ebb and flow to it.

How will you remember 2012? (In terms of music)

Touring. We spent more than half the year playing shows, did like five U.S. tours and a Canadian tour. So we were pretty immersed in music this year. It was a great year!

What can we look forward to from you in 2013?

Well we're finally getting over to Europe. As far as releasing anything goes, we don't have anything set in stone, but we're always writing and working on new ideas.

What records are you looking forward to most in 2013?

Can't wait for the new Restorations record!

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I really hope this approach is a trend. I think that if you're an active band and asking people for money, you should just stop being an active band. What weeds out the bands that need to do this from the bands that want to do this is the drive to be self sufficient.

Pat Kennedy (guitar/vocals) Light Years

What is your name and band/label/etc?

My name is Pat Kennedy. I play in a band called Light Years.

What are your top five albums that were released in 2012? (In order 1-5)?

1. Title Fight - Floral Green
2. Hostage Calm - Please Remain Calm
3. The Menzingers - On The Impossible Past
4. Daylight - The Difference Between Good And Bad Dreams
5. Taylor Swift - Red

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

A band that I really enjoyed that I found in 2012 is the band Souvenirs from Santa Barbara, California. We were lucky enough to play a few shows with them at the beginning of last year and became good friends. They released a 7" called Tired Of Defending You on 6131 Records this year and I suggest everyone check that out. Anyone who is a fan of bands like Knapsack or Mineral will love them. They tour constantly and are probably playing near you soon.

How will you remember 2012? (In terms of music)

I have a lot to look back on in terms of music during 2012. Light Years did a substantial amount of touring and I got the chance to see a ton of bands that I never would have gotten to see. I also like the way bands have been able to market themselves and be heard without having to rely on some sort of "hype label." With good songs and the internet, bands are finding success on their own or with a small label.

What can we look forward to from you in 2013?

In 2013, Light Years is going to release our first ever full-length on Escapist Records. We are currently recording it right now with the one and only Will Yip at Studio 4 in PA. We have a couple tours planned, one with Real Friends after Christmas, and then some more that isn't announced yet next year.

What records are you looking forward to most in 2013?

Personally I am looking forward to the new Citizen and Turnover records. Those bands are some of our closest friends and I'm excited to see what they are working on. I also hear rumors of a new Blink-182 full-length next year which, even if it sucks, will be my favorite record next year.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I don't really agree with Kickstarter and Kickstarter-ish websites. I feel that when you decide to wreck your life and start a band and try and tour and record you have to do it on your own. I have no problem giving a band I enjoy money for a t-shirt or a record to help them out, but when a band is asking for money so they can record a demo?? Give me a break. I saw a band that had a Kickstarter to help fund them to go on tour and that they needed the money to compensate for the time they would miss from their jobs. Yeaaaah right! Everyone I know who is in a full-time touring band has sacrificed so much to be able to do it that seeing people ask for handouts is frustrating.

R. Loren (owner) Handmade Birds/Pyramids

What is your name and band/label/etc?

Pyramids / Handmade Birds Records

What are your top five albums that were released in 2012? (In order 1-5)

1. Locrian And Christoph Heemann - S/T
2. Pinkish Black - S/T
3. Fiona Apple-  The Idler Wheel Is Wiser Than...
4. Blut Aus Nord - 777 Cosmosophy
5. King Dude - Burning Daylight

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

There is a Denton duo called Vulgar Fashion that has been working on an album for almost two years. I finally saw them live in a very intimate setting and they blew my mind. I am ecstatic to be releasing their album in 2013; what they are doing is very honest and raw and really catchy at the same time. Also seeing A Silver Mt. Zion live was a spiritual experience. Lastly, the Ramleh 8xCD box set rekindled my spirit.

How will you remember 2012? (In terms of music)

I will remember it as the year Pinkish Black began taking over the world, the year Blut Aus Nord completed the brilliant trilogy with a new strain of vocal work that is incredibly effective, and the year I saw Fiona Apple perform live which further solidified my long time appreciation for her music.

What can we look forward to from you in 2013?

A new Pyramids proper full -ength is in the works. It will be only the second proper full-length outside of the various collaborations we have been involved with these past couple years. The Handmade Birds output will be extremely strong for 2013, with special releases from both new and iconic artists.

What records are you looking forward to most in 2013?

Right now most of my excitement stems from the stuff I will be putting out on Handmade Birds next year. In the past I have gone out of my way to stay clear of bias when discussing year end lists or upcoming releases as relative to my own roster, but the truth of the matter is I believe what we are doing, at least right now, is so incredibly special and exciting, that I can't help but prioritize it in terms of personal anticipation.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I think it will continue to grow, but it definitely rubs me wrong to see the new wave of celebrities using it to fund projects. The idea, at least in my mind, is not for people already incredibly wealthy from their own respective careers or bloodline, utilizing the site for new projects (like Charlie Kaufman and Colin Hanks), because that is going to create a diluting of what people can do with their money.

Rennie Resmini (vocals) Starkweather

What is your name and band/label/etc?

Rennie Resmini, vocalist of Starkweather.

What are your top five albums that were released in 2012? (In order 1-5)

• Dodecahedron - s/t
• Obsidian Kingdom - mantiis: an agony in fourteen bites
• Latitudes - Individuation
• Vaura - Selenelion
• Necro deathmort - the colonial script

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Obsidian Kingdom.  The Mantiis release crept up on me. It has a wide variety of influences and textures. To me the band harnesses the fever dream qualities of mods carve... Thought Industry, avant black metal aesthetic of <Code>, the free form nature of Kayo Dot. They are an act where onecan listen to their earlier efforts and hear a marked progression in all facets of the band.

How will you remember 2012? (In terms of music)

A lot of significant losses. The passing of Steeve Hurdle (Negativa, Gorguts, etc), Szymon Czech (Nyia, studio X producer/engineer) andclassical composers Elliot Carter, Horatio Radelescu, Hans Werner Henze. Yet another great year for Malignant Records, Autarkeia and Profound Lore. And there were a number of great releases in addition to those in my top five: Gaza, Black Sheep Wall, the Mars Volta, Desolate Shrine, Dysrhythmia, to quickly name others.

What can we look forward to from you in 2013?

 To finally release the 2 song full-length we started a couple years back. Get everything wrapped up with the most recent material. It has takena bit more time than anticipated as we're incorporating additional members. I'm expecting to do additional vocal work with Pristina and a collaboration with Anthony Couri (Minsk, Cedars of Lebanon, US Christmas), Andre Foisy (Locrian) and members of Sun Splitter that's been brewing over the Summer of 2012. Anthony has dubbed the project Khamsin.

What records are you looking forward to most in 2013?

Voivod - Target Earth, new recordings from Gorguts, Aosoth, Blindead, Pharmakon, Baring Teeth, Ulcerate, Sinistro, Anacrusis, <Code>, Rosetta, Moloken, Pyrrhon, hopefully something from Rose Kemp. 

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

This is probably going to be a continuing trend. In a sense it weeds out the middle men: the record labels and distributors. Those finding success with this model won't be beholden to the whims of record labels. Hopefully it doesn't spell the end of physical copy. I'm still a sucker for paging through layouts and artwork.

Roo Pescod (guitar/vocals) Bangers

What is your name and band/label/etc?

I'm Roo Pescod. Amongst other more boring things, I play guitar and sing in Bangers.

What are your top five albums that were released in 2012? (In order 1-5)

1. Muncie Girls – Revolution Summer
2. Joyce Manor – Of All Things I Will Soon Grow Tired
3. Attack!! Vipers!! – Deadbeat Revival
4. Sundials – When I Couldn't Breathe
5. The Cut Ups – Building Bridges, Starting Here

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

I don't want to sound like a real tool, but I started listening to Charles Mingus a lot this year.

How will you remember 2012? (In terms of music)

2012 is going to be the year that I bought a piano and a cornet and played them both really badly. Fingers crossed for learning to play in 2013.

What can we look forward to from you in 2013?

Bangers are currently mid-way through writing a new album and having a blast. We're re-pressing Small Pleasures and releasing Dude Trips on 12" for the first time, and hopefully planning to tour a bunch later in the year as 2012 has seemed a little real-life heavy. Also I recorded a 12-inch with Giles Bidder from Great Cynics and (the) Kelly Kemp which is currently at press and will be out early next year, so we'll be touring that in January with El Morgan and Sam Russo. It's going to be fun fun fun.

What records are you looking forward to most in 2013?

Even though I know it's already out on Red Scare, I'm really excited about Russo's album coming out on vinyl in January. I hope he becomes a superstar and remembers to book himself some tours. Also the new Lemuria album is going to be out, and the new Great Cynics record, and the new Computers soul record. I think it's going to be a year to remember.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I think this statement is kind of daft in a world where you can home-record an album for the cost of a decent microphone and stream it on Bandcamp in the evening. Anybody in a punk band should be able to tell you that releasing music doesn't have to be difficult or expensive, and that you shouldn't need public approval to the scale of a Kickstarter campaign in order to think it's a good idea to make your record. I guess my answer is the same as it was about "downloading is destroying the music industry," which is that I really don't care. The industry can fall apart, the public can vote for their favourite songs to make the new One Direction album, and friends will still be getting together in filthy practise rooms and making music that I want to listen to.

Ryan Bram (guitar) Territory

What is your name and band/label/etc?

My name is Ryan Bram and I play in Territory.

What are your top five albums that were released in 2012? (In order 1-5)

1. Tragedy - Darker Days Ahead
2. The Secret - Agnus Dei
3. Deathspell Omega - Drought
4. Gaza - No Absolutes In Human Suffering
5. Pig Destroyer - Book Burner

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

There weren't any new bands this year that really did it for me, but I did sort of have a re-discovery with Blut Aus Nord. I heard The Work Which Transforms God for the first time and was blown away. That record has inspired me to push myself more as a songwriter.

How will you remember 2012? (In terms of music)

A little underwhelming. Any year that Converge releases a new record sort of sets the tone for music that year, at least for me. On a local level our scene has died down a lot and not many new people seem to be making bands. Hopefully next year kids will be more interested in making music than just buying merchandise.

What can we look forward to from you in 2013?

Lots a writing and recording with Territory. I've been pretty busy with my recording studio, and I've gotten to work with some great bands. Luckily that doesn't seem like it'll be slowing down with the New Year. I also play bass in another band called Step Aside, and we're working out some dates with Mindset for next spring right now.

What records are you looking forward to most in 2013?

A new Territory record, Rotten Sound, Steel Nation, Weekend Nachos...

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I hope it's a trend. Pandering to your fans to pay to produce your record just seems pathetic to me. Not only that, but it continues to lessen the role of labels.

Sam Russo

What is your name and band/label/etc?

I'm Sam Russo, I just put out an album called Storm on Red Scare Industries.

What are your top five albums that were released in 2012? (In order 1-5)

1. Patterson Hood - Heat Lightning Rumbles in the Distance
2. Joe Pug - The Great Despiser
3. Lucero - Women and Work
4. The Gaslight Anthem - Handwritten
5. Apologies, I Have None - London

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

I really got into the Rolling Stones this year. You basically can't be alive and not know who the Stones are, and I was already a fan, but I really got into the back catalogue and they've totally blown my mind. As a kid I used to see the big lips and tongue logo everywhere in our house and I didn't make the connection until years later, then when I finally got around to really exploring their music properly I fell totally in love. I used to always put Beast of Burden on the juke box and now I'll put the whole of Exile on and everyone in the bar just sits there hating me. I think "Plundered My Soul" might be the greatest rock and roll song ever written. In fact I'm sure of it.

How will you remember 2012? (In terms of music)

2012 for me will always be about country music radio. When I drove across the states in October me and my girlfriend just listened to HOURS of amazing country on digital stations shouting 'TRUCK YEA!' And 'She's like a Sunday morning, FULL OF GRACE AND FULL OF JESUS!' - obviously pretty memorable.

What can we look forward to from you in 2013?

In 2013 I'm going to tour ALOT, finish my novel, write a new record and hopefully quit working 70 hour weeks in a warehouse. Maybe cut down to 60 hours in fast food, y'know, just for a change.

What records are you looking forward to most in 2013?

I'm looking forward to a new Jason Isbell album, supporting a sold out ZEKE UK arena tour (not happening), a new Lawrence Arms record (optimist) and a whole lot more country music radio.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I have mixed feelings about musical kickstarters because I see it as my responsibility to stand on my own two feet when it comes to financing my music, and part of me sees it as a little lazy. On the other hand I love that Jim White had a kickstarter for Where It Hits You where he was giving away sculptures and old car parts and all sorts - so there's obviously room for really creative ways of giving back, I just find it a bit uncomfortable to see bands all cap in hand because they can't or just won't fund their own recording. It's a tricky one, but I don't actually care either way, I think musicians should and will do whatever they feel is right for them.

Seth Gile (vocals/guitar) Arms Aloft

What is your name and band/label/etc?

Seth from Arms Aloft.

What are your top five albums that were released in 2012? (In order 1-5)

1. Propagandhi - Failed States
2. Lucida Console Presents - Dog Days Audio Zine
3. Worthwhile Way - Love Is All
4. Wonder Girls - "Like This" Single
5. John K. Samson - Provincial

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Superchunk. Our other guitar player Alex plays a lot of indie stuff in the van that I usually just nap through, 'cause it doesn't do anything for me. Pavement and Sebadoh and stuff. Well, actually Sebadoh rules. I just hate goddamn Pavement. Anyway, Superchunk was the first band he put on that I immediately was like, "Whoa. What the fuck is this?!". They're the best fucking band. Best songs. Punker ethics than most punk bands, too. I feel like a dipshit for not knowing that before now.

How will you remember 2012? (In terms of music)

I did a really bad job of keeping up with new bands this year. We toured a shitload, and spent the whole time listening to Fastball and Built To Spill. And Motown. And Taylor Swift. I don't know. So I guess rather than records or whatever, I'll remember this year for all the rad shows we got to play and bands we got to see along the way.

What can we look forward to from you in 2013?

Not sure yet. Hopefully we'll write some more songs soon and record 'em. Our LP came out this year, but we wrote most of it over the last two years. So we're pretty into putting together some new stuff.

What records are you looking forward to most in 2013?

Shit, I don't know. Hopefully good, new ska? 2012 wasn't very rude. Hopefully Calvinball will finally put an LP together, too. That'll be my favorite album, if it happens. Mostly just always excited to see what my friends write and release.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I could go on forever about this. Short answer: I think crowd-funded releases are a great idea, and maybe the best way for bands and supporters to connect directly, without any gate-keeper-types. Be it label people, or bullshit blog-hype or whatever. So I hope it shapes the way things move forward. I think it has a real potential to help bands that are out there on the road, busting their butts for a basement full of kids a night.

Steve (guitar) Valerian Swing

What is your name and band/label/etc?

I'm Steve, i play guitar in Valerian Swing, we are from Italy.   We released our first record in the US last year thanks to Magic Bullet Records.  

What are your top five albums that were released in 2012? (In order 1-5)

• Pg.Lost - Key
• Time Columns - Mana
• Ufomammut - Oro
• Baroness - Yellow and Green
• Sigur Ros - Valtari

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

And So I Watch You From Afar from Ireland. I knew the band before but i saw them live for the first time at SXSW in Austin this year. I was so impress by their performance and their attitude on stage, it was one of most intense show that i've seen this year.  

How will you remember 2012? (In terms of music)

Musically It has been a great year for our band, probably the best year so far, we were able to tour the US for the first time, play a lot of shows around the world and had the chance to meet a lot of new people that got really involved in our music.

What can we look forward to from you in 2013?

We're working on a new album and we hope to release it in the second half of 2013.

What records are you looking forward to most in 2013?

I hope that some bands that i loved over the last few years will release new material in 2013, to name a few: Adebisi Shank, Native, This Will Destroy You, This Town Needs Guns.   And I would say also that i'm looking forward to our new record because i'm really curious in what we can come up with, compare to what we have done in the last few years.  

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I don't know if it's just a trend but surely is a smart way (especially for small bands) to produce your album without using money from your pocket. The music industry chance dramatically, labels are not important like in the past, and it's hard for them to invest money in a band and have these money back in terms of sales.   Fundraising sites could be an answer to all that, but i don't know if i will ever try to do a fundraising campaign with my band, i still have the feeling to ask for charity also if you give something in exchange to the people

Steven Hess Locrian

What is your name and band/label/etc?

Locrian

What are your top five albums that were released in 2012? (In order 1-5)

• Godspeed You! Black Emperor - Allelujah! Don’t Bend! Ascend! (Constellation)
• Horseback - Half Blood (Relapse Records) 
• Brian Eno - Lux (Warp)
• Loscil - Sketches from New Brighton (Kranky)
• Swans - The Seer (Young God)

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Raime (Blackest Ever Black).  Minimal, dark, beautiful and eerie sounds all in one package. With their newest release "Quarter Turns Over a Living Line" they stick with the same musical aesthetic but with more organic sounds. Amazing duo, and I highly recommend you check them out if you haven't heard them.

How will you remember 2012? (In terms of music)

Busy

What can we look forward to from you in 2013?

A new Locrian record, "Return to Annihilation" on Relapse. A new Pan American release on Kranky due out in Feb 2013, and the debut release of a new band called Innode (w/Stefan Nemeth and Bernhard Breuer). I'm looking forward to playing/touring/traveling in 2013, and also stepping back a bit to do some other non-musical activities.

What records are you looking forward to most in 2013?

Hard to say. A couple that I can think of right now, are: William Basinski + Richard Chartier (LINE), and Death Blues (Taiga). I'm hoping there will be a new Asva release, and a new Fennesz record in 2013 as well.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I hope it's just a trend. Personally, I find Kickstarter to be the equivalent of begging for money to release a record, fund a tour, getting shirts made, etc.. If your going to go that route, apply for a grant (or two), or get funding/backing elsewhere, as in a label, publisher, or maybe you have some rich parents/relatives. Best yet... get a job, work hard, save your money, and do it yourself.   

Steven Williams (owner) Init Records

What is your name and band/label/etc?

Steven Williams. Init Records.

What are your top five albums that were released in 2012? (In order 1-5)

1. Amenra - Mass V
2. Mountain Goats - Transcendental Youth
3. Cursive - I Am Gemini
4. Gifts From Enola - A Healthy Fear
5. Propagandhi - Failed States

Probably forgot something crucial. #6 would be the Blue Letter - Love Is Not Control CD/LP released on my label.

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Probably Khann. My friend Aaron Horkey introduced them to me, and then I realized it was the new bassist for KEN Mode's other band. Their latest album, Erode, pretty much picks up where bands like Transistor Transistor and other Level Plane Records bands pick up.

How will you remember 2012? (In terms of music)

I will remember some awesome reissues (Moss Icon, Everyone Asked About You), seeing some great shows (Refused), and incurring large(r) amounts of debt for my label.

What can we look forward to from you in 2013?

Just a few things planned for now. A live Amenra CD, the debut full-length from Roman Ships (ex-Sinking Steps Rising Eyes), a split 7" between Wolvhammer and Atlas Moth for Record Store Day, and a few other surprises in the works (hopefully)!

What records are you looking forward to most in 2013?

I'm really looking forward to the new Cult Of Luna and KEN Mode albums.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I hope this is just a trend. I have always been under the belief that if you truly believe in the art you are producing, you should put your own money and time into it. Maybe the joke is on me, as I rack up debt and interest and accumulate a basement full of unsold CDs and vinyl, but I think it's a lame way to fund your release. If you put out a quality product and promote yourself, your fans are going to buy it regardless, whether you have 10 fans or 10,000 fans. Don't exploit them by asking for a handout.

T (vocals) StIth Panzer

What is your name and band/label/etc?

(Vegas / StIth Panzer)

What are your top five albums that were released in 2012? (In order 1-5)

• Van Halen - A different kind of truth
• Turbonegro - Sexual Harassment 
• Die Ärzte - Auch

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

Steel Panther

How will you remember 2012? (In terms of music)

Alright!

What can we look forward to from you in 2013?

Random acts of senseless beauty.

What records are you looking forward to most in 2013?

New Integrity, new Die Fantastischen Vier, Lady Gaga "ARTpop"

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

No

Terence Locrian / Land of Decay

What is your name and band/label/etc?

Locrian / Land of Decay

What are your top five albums that were released in 2012? (In order 1-5)

1. Trepaneringsritualen "Deathward to the Womb" 10" (Release the Bats)
2. Sutekh Hexen "Behind the Throne" LP (Magic Bullet Records) 
3. Deathspell Omega "Drought" CD (Season of Mist)
4. Andy Stott "Luxury Problems" CD (Modern Love) 
5. Swans "The Seer" 3xLP (Young God)

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

I was really excited to get Günter Schickert's Überfällig on Bureau B, a gem of the classic German experimental rock scene.  Forward thinking, interesting textures, weird rhythms.  Just an interesting listen and a deep cut into what only proves to be one of the most fertile music periods in history.

How will you remember 2012? (In terms of music)

How little music I actually saw live yet how much I made.  I guess that is a pleasant imbalance.  Having two kids seriously makes you a daytime person, even if your best intentions are to get out.   

What can we look forward to from you in 2013?

New Locrian full length Return to Annihilation on Relapse Records.  Land of Decay will be releasing tapes from Oko, Oikos, Vomir, Skin Graft and Dead World (YES!!!).  Also, part two of my art newspaper and solo cassette series, Dread Majesty put out by Accidental Guest Recordings, as well as parts 3-5 and a box set at the end.  Also, an art book of my paintings and collages from Kiddiepunk in France, and solo LP and zine from Shelter Press in Belgium.

What records are you looking forward to most in 2013?

Voivod Target Earth, Esben and the Witch Wash the Sins Not Only the Face, IceageYou're Nothing, Low The Invisible Way, and a new Locrian being out that isn't a repress or collaboration.

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I don't think about it.  I've seen it really help interesting projects, make big turds and allow great projects to go overlooked even after the so called benefits of social media.  So essentially the same as any label can do I guess.  It is just an option, not a revolution.  Everyone needs to calm down.

Tobias Jeg (owner) Red Scare Industries

What is your name and band/label/etc?

Tobias Jeg from the Chicago-based punk label, Red Scare.

What are your top five albums that were released in 2012? (In order 1-5)

Hmmm, really putting me on the spot. Here's a list minus any Red Scare releases, which are obviously the year's best, duh...

1. Jimmy Cliff - Rebirth
2.  The Menzingers - On The Impossible Past
3. Teenage Bottlerocket - Freak Out!
4. White Lung - Sorry
5. Classics Of Love - S/T

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

I'd say Masked Intruder. Even though I technically "discovered" them in 2011, it wasn't until this year that we introduced them to the world by putting out their debut record. They've blown up faster than any other band we've worked with and it's cool to know that we can still share good music with lots of other people. It's really fun to see a band catch fire like they have; it's kinda why we do this.

How will you remember 2012? (In terms of music)

More distro woes for the label, but we still managed to have our biggest and best year yet. Not to sound like a vain asshole, but I really didn't get into much new music because I spent so much time listening to Red Scare releases. We had a great and diverse output this year, so I'm content listening to all my friends' records. I went to both Riot Fest and Gainesville Fest this year and had a blast, so it was a good year for carousing at festivals too. Let's see, what else... I guess "the industry" rewarded renowned dipshit and woman-beater, Chris Brown, with a Grammy. That was nice.

What can we look forward to from you in 2013?

Me and some friends have been working on a site for Static Age, which was a TV show we did briefly in Chicago. Not that the world needs another crummy website, but it should be a fun challenge and new experience. Masked Intruder will probably be doing a new record too, so it'll be exciting to see what they do next after the immediate success of their debut. I'm also hoping to roll out a bunch or vinyl represses from our more popular Red Scare titles that have been outta print for a while. That should make some nerds happy.

What records are you looking forward to most in 2013?

I hear that The Lawrence Arms are doing a new album, so that should be interesting. I love Swingin' Utters, so I'll definitely check their new one out. An Off With Their Heads album from Blasting Room sounds intriguing. Does Game of Thrones count as a record? How about watching the Seahawks in the Super Bowl? Man, 2013 is gonna be rad...

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I have no idea bacause I've never worked with a band that ever used crowd funding. It seems that most bands of my generation or our niche find it weird or undignifying to ask for money from fans. Maybe that'll change? We just do things the old-fashioned way: bankroll the recording, sell the music, pay the bands. It may be outmoded in 2012, so I am fully prepared to hang it up when the scene deems us unnecessary. The sooner it happens the sooner I can get back to playing Dungeons & Dragons.

Wes (drums) Comadre

What is your name and band/label/etc?

My name is Wes and I play drums in Comadre.

What are your top five albums that were released in 2012? (In order 1-5)

1. Goatwhore - "Blood for the Master." So many awesome riffs in every song. 
2. The Sword - "Apocryphon." I like to think this is what Led Zeppelin and Black Sabbath must have sounded like to our parents back in the day.
3. Ghostlimb - "Confluence." Fuck yes, this record rules. Hella pissed off. 
4. Joyce Manor - "Of All Things I Will Soon Grow Tired." One of the few pop punk bands I'm into. Good times.
5. Tommy Guerrero - "No Man's Land." I love everything this guy puts out. Its simple, but very groovy.

What band did you discover in 2012 (can be a brand new band or an older band) that had an impact on your life? What made them significant?

I have always known about Judas Priest and knew their hit radio songs, but I discovered the album "Painkiller" this year, and have been hooked on it. That album is so progressive for that time of metal. Especially the drumming, it made me go out and buy a double pedal. Also I discovered the band St. Vincent. That lady has a really good voice and an awesome guitar sound. Very unique. Made me interested in trying out new things when it comes to writing songs.

How will you remember 2012? (In terms of music)

I will remember 2012 as the year bands got back together to make money. Ha!

What can we look forward to from you in 2013?

For 2013 you can look forward to a new Comadre full length out in January, and a few tours in the summer

What records are you looking forward to most in 2013?

Hopefully a new release from Pianos Become the Teeth! I heard Bad Religion has a record coming out. Also a new Iron Maiden record!

Fundraising sites like Kickstarter and Indiegogo have made a strong impact on the ability of artists to release music. Do you think this approach is a trend, or will it continue to shape how artists produce their material?

I think sites like Kickstarter and Indiegogo are pretty cool. If people want to donate money to a band or some other project they want to see brought to fruition, then that's awesome. I definitely think that sites such as those are going to be more utilized by bands. Especially in this economy.