Feature / Interviews
Mad The Martian

Words: Scott Wilkinson • September 7, 2014

Mad The Martian
Mad The Martian

Mad the Martian consists of Ron E Raygun (a.k.a. Bob Marsh, lead and rhythm guitars/vocals) and Cap'n Jack (a.k.a. Jack Marsh, keyboards/vocals) along with Ajax Ray O Vaque (a.k.a. Anthony J. Resta, percussion/guitars/keys/vocals). The three originally got together with the idea of writing a single song—that song eventually turned into an album’s worth of material titled Blast Off. Scene Point Blank got together with Bob Marsh to discuss the new record and the band’s future with an animated series coming soon.

Scene Point Blank: What is the back story on you guys? I know from reading your website that you reunited with longtime friend Anthony Resta (producer - Duran Duran, Perry Farrell, Missing Persons, and John Cate to name a few) to do one song. Was it during those recording sessions that you guys just hit it off and decided then and there to form an actual band?

Bob Marsh: We first worked with Anthony in the 1990s. we did the EP with him and Bob St John. We have known each other for quite a long time and we knew it was going to be good, but–after the first few tracks, we realized something special was happening–really good chemistry.

Scene Point Blank: I've listened to "C'mon C'mon C'mon" several times now and from the first chords I am jettisoned back to the ‘80s rock sound. What bands do you list as being the biggest influence?

Bob Marsh: The track was influenced more by early ‘70s–mid ‘70s Elton John (if we must nail it down). But, for sure, I was a kid of my generation: Queen., Aerosmith, the Beach Boys…Zep, Floyd.

Scene Point Blank: Another tidbit I picked up from your site is the band’s commitment to all things analog and the organic sound of older electric guitars from the ‘50s, ‘60s, and ‘70s. Can you explain your feelings and how that shaped the sound of the band?

Bob Marsh: Can anyone explain their feelings? We like what works best, and authentic gear really makes us commit to our sound. Using fantastic gear helps create nectar from fruit, if you know what I mean.

Scene Point Blank: First off, could you give us a bit of a story synopsis of the animated series you have in the works and then update us with whatever new details you're allowed to spill on the progress?

Bob Marsh: Okay. From a far-off galaxy, we came to Earth. Our mission: to save rock ‘n’ roll! It’s basically about nothing, like, “What did you do today? Go to work? Get coffee?” It’s about nothing. But just to “spill” a little, Ronny rips his pants in Episode 3.

Scene Point Blank: The tune "Extraordinary Love" is another great one off of the record, with a beautiful kind of Pernice Brothers meets The Beach Boys feel. When you write a song like that, is there a point in time where you say, “Hey this sounds like ___ and then intentionally move in that direction with the production, or is it organic?

Bob Marsh: Who the flip are the Pernice Brothers??

As far as organic is concerned, sprinkle a teaspoon of Chia seeds on us, you tell me. The sound is definitely influenced by the Beach Boys, specifically Brian Wilson–but on that track, I would say it was more influenced by the band Badfinger.

Scene Point Blank: You don't try to hide the fact that you guys feel that Autotune is the beginning of The End (which I totally agree with) and reports of "artists" just lip syncing. Are there any other of the new common practices you feel the same way about?

Bob Marsh: We are careful to say “autotune abuse” is the culprit–it goes too far when, rather than enhancing the sound, it becomes a sound in itself. But used right it can be a very useful tool.

As far as lip syncing (like the Chili Peppers for the NFL), I totally get where they don’t have time during a 15-minute halftime show to set-up and soundcheck a band, when at the same time they want top product and sound quality.

Mad The Martian
Mad The Martian

Related features

Jumalvauhti

One Question Interviews • March 27, 2025

Kalle (Jumalvauhti – bass) SPB: Who is your favorite band/artist from the 2000-2010 era? Kalle: It's hard to say, but Destiny's Child definitely can't go wrong.  Read more

Bronson Arm

One Question Interviews • March 26, 2025

Black Bickel (Bronson Arm) SPB: What is your favorite stretch of highway to drive in the US? Bickel: My favorite stretch of highway is that bit between Milwaukee and Minneapolis, two cities that Bronson Arm always have a great time playing. So if we are leaving Milwaukee, we are usually … Read more

Unstable Shapes

One Question Interviews • March 25, 2025

Kevin Hurley (Unstable Shapes – bass) SPB: What is your favorite Fugazi record? Hurley: While we can debate the best Fugazi record, a personal favorite of mine is The Argument. It was my entry point for the band. I was admittedly way late to the party on them and as … Read more

Retirement

Bike Shop

Interviews / Don't Quit Your Day Job • March 23, 2025

How an artist spends their time by day will influence the creative process at night. In Don’t Quit Your Day Job, Scene Point Blank looks at how musicians split their time, and how their careers influence their music (or how their music provides escape). In this edition, we chat with … Read more

Let Me Downs

One Question Interviews • March 12, 2025

Paul Levesque (Let Me Downs - bass/vocals) SPB: Has the band ever been in a car/van accident while touring? Levesque: Fortunately, we haven’t! (Knock on wood) We have had our fair share of van issues. Blown tires, A/C going out in an hours-long traffic jam in the Arizona desert in … Read more

Related reviews

Mad The Martian

Blast Off
MtM Records (2014)

All I keep hearing these days is that Rock is dead, the ever popular Gene Simmons schooled us with this factoid in an interview he did with Esquire (Esquire WTF??) last month. Well friends let me assure you Mad the Martian, a band we interviewed here on Scene Point Blank recently, are here to save Rock and Roll. The band … Read more

Advertisement

DCxPC 2025

More from this section

Retirement

Bike Shop

Interviews / Don't Quit Your Day Job • March 23, 2025

How an artist spends their time by day will influence the creative process at night. In Don’t Quit Your Day Job, Scene Point Blank looks at how musicians split their time, and how their careers influence their music (or how their music provides escape). In this edition, we chat with … Read more

Sumu

Individual Coach

Interviews / Don't Quit Your Day Job • February 28, 2025

There are a lot of misconceptions about the life of a musician. Most musicians have day jobs – and not just to pay the bills. Jobs provide new challenges, personal fulfillment and, yes, some rent or gas money. How an artist spends their time by day will influence the creative … Read more

Peter Jesperson

Interviews • February 28, 2025

There is perhaps no bigger music fan than Peter Jesperson. His passion for music translated to jumping feet first and not eschewing situations but embracing them, constantly creating, supporting, and believing in himself and others. Peter's ebullient personality was a touchstone for many who experienced the contact musical highs that … Read more