Blog — Page 237 of 281

The infrequently-updated site blog, featuring a range of content including show reviews, musical musings and off-color ramblings on other varied topics.

MDLSX by MOTUS @ Carriageworks

Posted by T • March 24, 2017

MDLSX by MOTUS

Carriageworks

Sydney AU

March 16, 2017

Interdisciplinary entity MOTUS was founded by Enrico Casagrande and Daniela Nicolò and over the last twenty-five years has established itself firmly on the firmament of performance arts with boundary pushing productions, theatre shows, installations, seminars and workshops focusing on the contradictions of this brave new world, wielding impact that registers on both the physical and emotional Richter scales.

 

Sounds and proves to be a great match for Carriageworks, the large contemporary multi-arts centre in Sydney with its reputation for taking risks and showing unrelenting support when it comes to the artists they host and its immersive programs reflecting social and cultural diversity.

MDLSX is based on Jeffrey Eugenides’ novel Middlesex and the first solo performance of Silvia Calderoni, who carries the hymn to the freedom of becoming and androgyny on her shoulders and sustains it through eighty minutes.

Utilizing the artistic device of blurring reality and fiction by incorporating footage from her own family gatherings and seemingly personal monologues into the performance, it is perfectly accentuated and blended with a carefully selected soundtrack comprised of music by The Smiths, R.E.M., Vampire Weekend, Yeah Yeah Yeahs, Dresden Dolls, Rodriguez et al.

Calderoni presents the story in Italian, which is translated into English via subtitles. While this can be irritating with some performances, it works well with MDLSX as it is a very physical performance with Calderoni using her own body to tell the story and physically exercises the journey the main protagonist goes through.

With this performance the subtitles also help to amplify an effect that performances in the native tongue of the audience would normally not have: While the audience is following the thread of the story via subtitles, the performer has the opportunity to watch the audience, which becomes apparent when performance space is illuminated for brief moments.

The performance maintains a physically intense and experimental level throughout, relying on Calderoni’s charisma, agility, velocity and restless energy – there is hardly a moment when there is no physical element and it is a spectacle to behold as he/she dances, simultaneously operating numerous camera devices and DJing at the same time.

 

A singular performer consisting of multitudes, both literally and figuratively.

 

While at first glance MDLSX might have a very specific focus, the performance raises deeper questions outside the confines of LBGT related issues as far as labeling and the quest for identify is concerned and how it depends on societal, imposed norms and conventions the individual is forced to adhere to rather than choice: The struggle of existence transgressing borders of body, skin, colour, sex, et cetera, which is reflected in the performance’s electrical tension, which is again accentuated by MOTUS’ light and video installations, courtesy of Alessio Spirli, including black light, a laser simulating a surgical procedure in the neither regions and spacey triangular fabric that serves a variety of purposes throughout the performance, which results in quite a trippy, lysergic experience at times.

The switch in perspective towards the end of the performance – no spoilers here – enhances the mindfuck even further and challenging the audience.

A transgressive performance that defies division both in terms of presentation as well as content.

---

Photo from Carriageworks website

T • March 24, 2017

Spiderbait @ Enmore Theatre

Posted by T • March 21, 2017

Spiderbait

Enmore Theatre

Sydney, AU

March 18,2017

In case you are burdened with the mercy of late birth and hence unfamiliar, Spiderbait are an Australian alternative rock band formed in Finley, a small rural town in New South Wales. What made them special and made them the face of Australian rock in the late 1990s was their own brand of heaviness mixing in with experimental and weirder off the beaten track moments, while not lacking the knack for writing a good pop tune.

The show tonight was In celebration of their20th anniversary of their third and most celebrated album, Ivy and the Big Apples, which in 1997 was combining an eclectic mix of sounds and subsequently won the “Best Alternative Release” ARIA Music Award”.

Spiderbait held court in front of an enthusiastic crowd in Sydney's Enmore Theatre, with an audience ready to go on a nostalgia trip to relive their youth and the rite of passage the album represents for them. It can be argued if their oeuvre is comprised of any nuances, yet the crowd lapped it up with gusto, with sing-alongs galore and smiles all around.

Bassist Janet English, Damian Whitty on guitar and the bearded backbone and rudder Kram (aka Mark Maher) blasted through their seminal album and got everyone moving in the process, culminating with their most well known songs –“Calypso” from Heath Ledger’s cult classic flic 10 Things I Hate About You invaded.

All sixteen tracks of the album were renditioned from start to finish including songs that were performed in a live environment for the first time. It was interesting to see the extensive instrumentals of the album performed for the first time, some of which became epic battles of bass vs. guitar vs. drums. Plus a few off their other classics thrown in for good measure.

Spiderbait proved that they are in league with the greats of Australian rock music generation such as Silverchair, Grinspoon, Regurgitator, and Powderfinger, an accomplishment emphasized by the fact that despite hiatuses and side projects, the band has always retained its original line-up.

---

Photos by KAVV

T • March 21, 2017

Taking Back Sunday @ 170 Russell Street

Posted by T • March 21, 2017

Taking Back Sunday

170 Russell Street

Melbourne, AU

March 21, 2017

Taking Back Sunday have come a long way and I don’t necessarily mean the distance between terra australis and Northern America.

Starting out as a melodic hardcore band with a sound akin to a conglomerate of the best moments of bands like Glassjaw, Sunny Day Real Estate and Thursday and seamlessly fitting in with the direction Tony Brummel was taking Victory Records at the dawn of the new millennium, they eventually made the transition into mainstream territory, with all the shebang that comes with it, including Late Night Show appearances and soundtracking teen dramas.

Despite having crossed the rubicon at the peak of the emo explosion along with bands like Fall Out Boy, My Chemical Romance and Panic! At the Disco and with the band’s core oeuvre channeling melodramatic teenage angst, tonight’s audience reflected the range of audience Taking Back Sunday appeals to with teenagers mingling with older folks who seemed to have grown up with the band and reunited with them to relive their follies of youth.

Taking Back Sunday is well-oiled live act - polished but devoid of sterility and pretence.

The fact that they seem to have fun performing, the sense of authenticity they convey and their appreciation for the crowd is reflected in the audience’s engagement.

The earlier heart-on-sleeve material of their catalogue got the warmest reception, which goes to show that it has stood the test of time, with a chunkier version of frontman Lazzara holding court with his swagger intact and microphone swinging antics being the focus of the show. His grittier renditions of songs along with his theatrical mannerisms give the whole affair an additional layer of charm.

It seems like Taking Back Sunday is acutely aware what guns to stick to and they play to their forte – meaty riffs, simples choruses and their own brand of catchiness. While the days of youthful exuberance might be gone, their newer songs with more elaborate guitar parts and driving rhythms give their emissions anthemic qualities, which shines through live.

---

Photos by T

T • March 21, 2017

Chain & the Gang @ Newtown Social Club

Posted by T • March 20, 2017

Chain & the Gang

Newtown Social Club

Sydney, AU

March 15, 2017

It is going to be difficult to keep this review objective as Ian Svenonius’ emissions and incarnations have had a massive influence on your humble narrator during his formative years.

His first band, Nation of Ulysses (and Cupid Car Club later on) was one of the many great, innovative bands from the ever creatively fertile grounds that is the Dischord family and the context of Washington, DC at large.

Iconoclastic in its ways, Ulysses shook up dusty punk rock standards and its stale clichéd rituals by drawing on the energy of 60ies soul performances and infusing their live shows with physicality.

The Make Up rose from Ulysses’ ashes to create an altar to gospel, soul and garage rock’n roll and what the French refer to as yé-yé music: The delightful strand of pop music that influenced France and beyond with its particular camp style throughout the 1960ies.

If you are ever interested in learning where Refused’s Dennis Lyxzen got his moves from and the inspiration for framing “The shape of punk to come” in a socio-political context (and basically the template for The (International) Noise Conspiracy, including fashion style), you might want to check out The Make Up or pretty much any of Svenonius’ projects. There is something to be said for the fact that even the epigones that channeled Svenonius’ swag became at times even more successful than its originator.

2017 – enter Chain and the Gang!

Devoid of unnecessary ideological weight, “Chain”, i.e. Ian, and his “Gang” of three ladies focus on the essence of, hmm, gospel-funk with a big punk heart and the aura of 50s / 60s vocal quartets?

Chain and his Gang call it “crime rock”.

Ian is radiating with charisma and in the flesh executes a rare mélange combining seemingly oxymoronic self-awareness of a host and free-form stream of consciousness performer. It is not too difficult to see shades of a range of great performers in his on stage antics, e.g. Iggy Pop, Nick Cave and pretty much everyone who managed to convincingly shake his hips to 60ies Motown greats.

Chain and the Gang is a fantastic live band. With their matching suits they look like a mod-soul band and present themselves accordingly.

They channel sing-songy tunes, surf guitars, vaudevillian call-and-response, Ray Charles, the grit of garage rock with alluring female back-up vocals.

Chain and The Gang is another one of Svenonius’ subversive endeavours, i.e. tongue firmly placed in cheek and subtly critiquing conventions and standards of “pop and rock music” while at the same time reveling in its essence and having a great time doing it.

The concept behind Chain and the Gang is based on carbohydrates more than protein, i.e. less heavy on ideology and less trying to reinvent the wheel and instead focusing on the groove, charm and personality. Chain’s subversion is its anti-innovative approach.

You dig? Sounds like a great time to experience and check out Chain and his Gang?

It is.

---

Photos by KAVV

 

T • March 20, 2017

Taste of Sydney 2017

Posted by T • March 19, 2017

Taste of Sydney

Centennial Park

Sydney, AU

March 9-12, 2017

Now, who does not love an opportunity to sample vittles and enjoy carefully selected libations? While the common denominators for a willing culinary inclined audience are easily defined, demonstrating creativity and innovation when it comes to offering tasty and interactive experiences and taking consumers on a carefully curated epicurean journeys to uncharted territories in terms of taste, all the while ensuring that the local food and hospitality industry gets exposure and making the visitor’s point of view a priority, is a balance act and no mean feat.

Sydney has established itself as a significant gastronomic tourism destination and in its ninth year, Taste of Sydney has become THE event to get an idea of the status quo, by discovering and indulging over four eventful days with a diverse lineup of pop-up bars, restaurants, chefs, live music courtesy of Australian artists, artisan producers, special menus and hands-on live cooking demonstrations, cook offs and master classes conducted by culinary luminaries.

In a world where most food festivals are in essence merely glorified markets, Taste of Sydney creates a massive village fete atmosphere and an enjoyable day out for free-form followers, descending upon and nestled in Sydney’s green and leafy Centennial Parklands and bringing out a diverse crowd.

The 2017 incarnation of Taste of Sydney food and wine fest had a lot to offer:

A far as restaurant highlights are concerned, authentic flavours of Turkey  – be it the elements of Ottoman court cuisine or the Black Sea Region – found their way to the festival courtesy of Anason; Bouche on Bridge brought their approachable fine dining experience and won the Best in Taste award for their wallaby skewers with spiced cashew sauce; new Latin American bar restaurant Tequila Mockingbird convinced with their pairings and exquisite marriage of fresh Australia produce with a curated beverage list from around the globe – their ceviche taco is was one of the many highlights.

The fish whisperer Josh Niland’s seafood hound Saint Peter proffered his signature Pambula Sea Urchin Crumpet; Four in Hand by Guillaume brought French classics with a twist; Spain was represented by the meat heavy Mercado Restaurant with its signature Berkshire Porchetta; and Poteño stayed true to their motto “barriga llena corazón contento” (i.e. “full belly - happy heart”) with their signature BBQ beef belly with fried Brussels sprouts and won an award for Best Dressed.

David Thompson’s Long Chim presented a Thai cocktail menu to go along with his fiery hot food based simple ingredients with flavours that explode in your mouth, and with Charred rice noodles, chicken yellow beans & Chinese broccoli being one of the faves of your humble narrator.

Wine enthusiasts got to sit in on intimate classes at The Wine Society, while Meat and Livestock Australia hosted their Cooks Corner with the Food Network, where meat mastery was the focus.

An array of artisan producers was on hand to showcase their products in between all of that queuing and eating: 

666 Pure Tasmanian Vodka, the name being an ode to the native Tasmanian Devil, presented their range of velvety smooth, yet distinctively clean tasting purity, which is achieved through a slow, single batch distillation process using copper pot stills, mellowing the spirit with charcoal and a final filtration via activated charcoal, ensuring that all the impurities are removed.

As if that was not pure enough, their emissions are then blended with the world’s purest rain, Cape Grim Water - a water that is fabled to be diluted if you add ice to it.

666 also presented the world’s first natural butter vodka, which might sound odd at first but makes sense with Tasmania having one of the best dairy industries in the world.

It is hand made with a slow fat-wash process using low heat, loads of local butter, giving the resulting vodka a creamy, complex flavour, which is quite an interesting taste experience given that vodka seems to be commonly known for the fact that the more common brands actually lack in taste.

Mexico and tequila was represented by Arette from the "El Llano" distillery - one of the oldest distilleries in the town of Tequila. Arette and other tequilas will get an in-depth review in an upcoming feature on Mexico.

Another discover that had not been on my radar is Verano Cider, which is handcrafted in the Basque region to a recipe known by five generations of the Soroa family. Made with local handpicked apples, sun-ripened and freshly pressed it creates a crisp, sharp, flavoursome cider with a refreshing finish. It proved to be a nice accompaniment to grilled salmon.

Not usually a fan of sweet liquors, RumChata, a blend of Caribbean rum, which is then homogenised with dairy cream from Wisconsin, won me over. It goes exceptionally well with everything from baked goods via ice-cream to your mixed drinks or is delicious simply served over ice.

Botella is a local family operation producing a range of sculptural Mediterranean-style olive oil and balsamic vinegar decanters. Each bottle has two separate chambers, the inner chamber for the balsamic vinegar and the outer chamber for the olive oil. Botella bottles create a visually appealing sensory experience that transforms into an artwork and sits like a glass sculpture on the table or kitchen counter. Elegant, sophisticated and functional.

Jeff de Bruges catered to the ones with a sweet tooth – Belgian artisan chocolate, no matter if you like it intense, fruity, creamy or spicy – Jeff de Bruges kept things simple yet at the same time delicate.

Little Green Kitchen is a bespoke baking business in Drummoyne, Sydney that takes great pride in hand-making products from family recipes. Their natural muesli with oats, almonds, macadamias, sunflower seeds, pepitas, sesame seeds, sultanas, cranberries, cinnamon, ground ginger, apple juice, honey is simply of thing of beauty and ideal to greet the grimmest mornings with.

Henri Abelé champagne offering tastings of their luscious sparkling emissions with honeyed floral aromas, and a toasty, biscuity, full-bodied palate. The mousse is fine and smooth, the finish long, lovely and persistent. Too pretentious? In layman’s terms: A bubbly with character and resonant aftertaste.

One of my fave exhibitors was Pic’s: Pic's Peanut Butter was launched just nine years ago. Devoid of nasty emulsifiers and sugar, they use hardly anything else than 100% Hi Oleic Australian Kingroy nuts, which provide a high dose of protein, good fats, and more fiber than rope.  Once it enters your gob, it is both a sensory and sensual experience tickling your tonsils.

See, saying that I harbour a weak spot for a good slab peanut butter would be an understatement par excellence and I have sampled quite a few on different continents, yet Pic’s takes it to the next level and sampling their range made me an instant convert.

The fact that everything from the labeling to the way the jars are created (including hidden messages) provide a sources of both information and amusement does not hurt either. One does not come too often across such a coherent product and brand. Pic’s will certainly take a prominent position in an upcoming special on peanut butter.

Proceedings of the day were finished off with a pre-mixed Negroni courtesy of East Indian Trading Company. Usually not a big fan of pre-mixed concoctions, EITC’s cocktails provide a sharp edge. A Negroni might look like a simple composition of equal parts gin, vermouth and campari, yet it depends on the quality of ingredients and EITC seems to have it pat down: A clean, navy strength gin strong on the botanicals complementing the forceful finish of the Campari. The perfect palate-cleansing settler for a day filled with culinary adventures and new discoveries.

Taste of Sydney 2017 was another seamlessly organized event with the right mix of newcomers, established old hands and a festive atmosphere.

Gallery: Taste of Sydney 2017 (13 photos)

T • March 19, 2017

Latest news stories

SPB featured stream: Gus Baldwin

Posted in Records on October 30, 2025

Earlier this year Austin, TX based Gus Baldwin & The Sketch released a peppy new wave meets punk rock album simply called The Sketch. Now, lead vocalist and namesake Gus Baldwin is back with a solo, self-titled album too, out as of Oct. 24 on Permanent Teeth label. While The … Read more

Say "Thistle Shifter" three times

Posted in Records on November 15, 2025

Netherlands based musician Pete Barnes' Thistle Shifter has a post-rock Thistle Shifter has a new album in line, Forever The Optimist, coming out on Feb. 6, 2026 on FREIA Music. It is the third album from the cinematic, instrumental project and follows A Spectral Moon (2022) and Circles (2024). While … Read more

badsoma the band

Posted in Records on November 15, 2025

Los Angeles, CA indie band badsoma released their 6-song, self-titled EP yesterday. Formed as a solo project of multi-instrumentalist Armin Fard, it grew into a 6-member outfit similiar in sound to lyric-heavy indie rock such as Decemberists, Mountain Goats, and Bright Eyes. The new EP is a follow-up to Kicking … Read more

Dark Sky Burial and The Sacred Neurotic

Posted in Records on November 13, 2025

Dark Sky Burial, the project led by Shane Embury (Napalm Death) and Carl Stokes (Cancer, The Groundhogs, Current 93), has announced a new full-length next month, The Sacred Neurotic, set for release on Dec. 12 via Consouling Sounds. The latest album is also described as the most collaborative, with Embury … Read more

New from Home Front

Posted in Tours on November 13, 2025

The new Home Front record, Watch It Die, comes out this Friday on La Vida Es Un Mus Discos, as we shared earlier -- but now we're back with a couple of updates. Namely, the band has booked a West coast tour that includes both US and Canada dates. The … Read more

Lost La Peste 1976-1979

Posted in Records on November 13, 2025

Wharf Car Records will release the new compilation I Don't Know Right From Wrong: Lost La Peste 1976-1979 Vol. 1 next year on April 17, 2026. The double LP collects material from the late seventies on a double LP, plus a 30-page book with essary from members of The Cars, … Read more

Cold Waves turns the tide

Posted in Shows on November 11, 2025

The annual Chicago, IL event Cold Waves, long a bastion of darkwave and industrial music, has announced a more progressive and shoegazey tone for its 2026 spinoff, Space Echo, taking place on May 2. Next year's lineup will include Failure, celebrating the thirtieth anniversary of Fantastic Planet, as well as … Read more

Floating Boy from Florida

Posted in Records on November 9, 2025

Formed seven years ago, Sarasota, FL based emo/punk band Floating Boy has announced their debut full-length, a record called Perfect Place, kicking off the new year with a Jan. 1, 2026 release date. The band cites Fugazi and Jeff Rosenstock and inspiration -- a couple of tunes are available now … Read more

Scott McCloud Come(s) Round

Posted in Records on November 8, 2025

Scott McCloud is set to release his solo debut. McCloud's career has included work with Girls Against Boys, Soulside, Paramount Styles, and AGRIO, leading us to the present -- which begins with new single, "Come Round." His debut album is to be called Make It To Forever, out on Jan. … Read more

Shudder To Think of new music

Posted in Records on November 8, 2025

having just wrapped up their first tour in 17 yeras, Shudder To Think has released their first new music in nearly twice as long. The "Thirst Walk/Playback" single, available on 7" from Dischord Records. “The new songs are the first of a trove of new songs we’re working on together, … Read more

Juno Driver shares a new single

Posted in Records on November 8, 2025

Juno Driver, born in Toney, AL and currently based in Portland, OR, has a new record on the way: if u knew me before i found myself, im so sorry is out Dec. 5 via No Gold. A new single came out this week, shared below -- an example of … Read more

The newest from Drunken Sailor

Posted in Labels on November 8, 2025

Drunken Sailor Records just issued two new records on Friday Nov. 7: Fantasma - Phase IV and Wiccans - Quase, bands from New York and Texas, respectively. As they are out now, fans can look 'em up on your preferred streamers and real life record stores. Read more

Orphanage Named Earth present: Slaves and Kings in 2025

Posted in Records on November 8, 2025

Orphanage Named Earth is set to release the group's third album, Slaves and Kings, out "around Nov. 15" from Sanctus Propaganda. The new record features two tracks, each approximately 20 minutes in length, fusing d-beat and post-metal in their established sound. They did a live YouTube premiere of "Kings" last … Read more

Stomp across Canada

Posted in Labels on November 8, 2025

Stomp Records, based in Montreal, QC, has announced a series of shows across Canada to celebrate the label's 30th anniversary. Since forming, the label has nearly 300 releases which have been distributed across more than 190 countries, often leaning into the punk and ska genres. Bands to play at the … Read more

Maudits release instrumental In Situ

Posted in Records on November 8, 2025

Yesterday, Nov. 6, 2025, marked the release date for the debut album from instrumental band Maudits of France. The album began as an EP concept but expanded as it developed. Titled In Situ, the album is described as "a cinematic journey through light, void, and sonic doom" -- par for … Read more

Holiday season with Venamoris

Posted in Bands on November 8, 2025

Venamoris, the duo featuring wife-husband duo Paula and Dave Lombardo, is continuing their tradition of releasing seasonal music with the new winter holiday-minded "Dreaming of You," posted below. “What began as a one-time spark, has become an annual ritual,” Paula Lombardo says in a statement, adding “’Dreaming of You’ drifts … Read more

Raw Brigade with a mini-doc

Posted in Videos on November 8, 2025

Prepping for new album 100%, out Nov. 14 on Flatspot Records, Raw Briage shared a 15-minute documentary that explores the straight edge band's origins and the hardcore scene in their native Columbia, directed by Derek Rathbun. The band will be on tour in the US with Agnostic Front in December. … Read more

Backengrillen is not Refused with saxophone

Posted in Records on November 8, 2025

Following the retirement of Refused, Svart Records has announced the upcoming Jan. 23, 026 release of Backengrillen's self-titled debut. The project features Refused members Dennis Lyxzén, Magnus Flagge and David Sandströn, plus saxophonist Mats Gustafsson , who has played with Peter Brötzmann, Jim O'Rourke, Sonic Youth, and more. Described as … Read more

Fuzzy Fear Elements

Posted in Bands on November 8, 2025

Fear Elements, a new remote project featuring duo MC Cunningham (The Dreaded Laramie) and Scott Brady (Dealbreaker), has announced a new double single, coming out on Nov. 24. The songs are lo-fi indie in nature, described as "frank, vocally-driven impressions of existential frustration." Cunningham explains: Both of these songs were … Read more

Katatonia North American dates

Posted in Tours on November 6, 2025

Fresh off new album Nightmares as Extensions of the Waking State (Napalm), Katatonia has scheduled a run of North American tour dates for spring of 2026. The band will tour Europe and the UK this winter. The band will first play a short run with Opeth, then embark on their … Read more