Blog — Page 228 of 282

The infrequently-updated site blog, featuring a range of content including show reviews, musical musings and off-color ramblings on other varied topics.

Zoo Brew @ Taronga Zoo

Posted by T • July 25, 2017

Zoo Brew

Taronga Zoo

Sydney, AU

July 22, 2017

Tastings that offer a chance to sample hop-and-grain-based beverages are legion. 

They tend to follow the same formula, leaving center stage to the brews and the alcohol.

In essence, Zoo Brew did neither reinvent the wheel nor deviate far from the tested and tried, yet what made it special was its location:

A shady waterfront spot in Taronga Zoo, with a breathtaking view across Sydney harbour, while giraffes nibble at tall branches and elephants frolic under the spray of their own trunks.

The festival featured a variety of local craft brews for the thirsty masses to taste from more than twenty-five local breweries and included admission to the Taronga Centre festival zone, a glass tasting cup, beer samples, and a discount on zoo entry tickets.

Brew-wise, highlights of the weekend included Canberra’s Bent Spoke Brewing Co.’s Crankshaft - a US-inspired "Orange" IPA, which pours a borderline fluorescent bold orange / rust colour with a bold choice of US hops that are lavished upon it: Initially Centennial, Citra, Cascade and Simcoe but evolving to switch out Cascade and bring in fellow Americans Equinox and Mosaic. The result are aromas and flavours that lean heavily towards the citrus, with a touch of resinous pine, all balanced by caramel malts. It wraps up with a quite delicious bitterness.

New Zealand’s Monteith’s Brewing Company convinced with the clarity of their malty Golden Lager: The aroma is quite light, which was a nice change from the myriad of heavier calibers that were on offer, yet it has a surprisingly malty finish.

Gold Coast’s Balter Brewing Company’s XPA might be pale but there is certainly nothing weak about it. Tropical and floral aromatics set off a fruity palette and finish with a refreshing bitterness that makes it the brew of choice for those who enjoy a fully-hopped beer that's still easy to drink.

Based in Melbourne, Two Birds Brewery is the first female owned Australian brewery and their amber ale Sunset is an ode to the red sunsets over the Indian Ocean in their hometown of Perth. Based on blend of nine malts, it produces complexity with a light, roasty finish showing pine, grapefruit and toffee-notes on the way down.

Apart from Byron Bay’s Stone and Wood Brewery’s Pacific Ale, its Lager, with its crisp all-malt Lager made in the German Helles (bright) style, is a subtle showcase of pale malt and noble hops.

It does not necessarily take you anywhere you've never been in terms of flavour, but you're definitely travelling in style. The all-malt base gives it a slightly fuller body than mainstream Lagers, but that does nothing to decrease the refreshment and instead dials up the satisfaction.

Local favourites Young Henrys represented and celebrated the Sydney suburb of Newtown in all its glory.

Its Hop Ale is big, bold and beautiful. Not stout-black, more dark red with crimson hues. Malty richness comes from a mélange of seven malts - Australian and American. Carafa gives it its dark colour, Crystal its red hue, Rye for spiciness and Munich for mouthfeel.

All balanced out with a distinctive resinous flavour from Aussie hops added at all stages of the brewing process.

Not necessarily for the mainstream palate but drinkable indeed.

Young Henrys is not known for shying away from collaborations – be it with special one off special brews for bands or more pressing matters like this time: They teamed up with Rewilding Australia – an organization seeking to support the Australian Government’’s Threatened Species Strategy by working with Rewilding Australia Network partners to improve the trajectory for Australia’s wildlife.

Rewilding Australia advocate a science-based approach to ecosystem restoration projects across Australia and link wildlife academic research with wildlife and landscape management practitioners to identify and implement practical rewilding projects. An example is Rewilding Australia’s own flagship project to reintroduce eastern quolls to mainland Australia.

Drinking for a good cause.

Amen.

Lord Nelson Brewery are somewhat the elder statesmen of the Sydney craft beer scene.

They own both Sydney's oldest continually licensed hotel and Australia's longest running independent microbrewery.

scene.

Their Old Ale is full of rich malty flavours and pleasing alcohol warmth.

One of the personal favourite was Willie Smith’s with their cider range:

Their Organic Cider mixed the best of Tasmanian apples with inspiration from French full-bodies cider and unleashes a microcosm of complex flavours without relying too much on the sweet side.

The big oak body and smooth clean finish that lingers after their Bone Dry cider has touched your palate is reminiscent of the tart and sour notes of the unprocessed juice from the fruit of a small German tree variation known as Speierling  (Sorbus domestica). A nice fruity change of with a bit of a kick to it.

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Photos by KAVV

T • July 25, 2017

Ásgeir @ Enmore Theatre

Posted by T • July 24, 2017

Ásgeir

Enmore Theatre

Sydney, AU

July 21, 2017

 

Iceland is largely an arctic desert punctuated by mountains, glaciers, geysers, hot springs, volcanoes and waterfalls.

It is one of the most beautiful places on this earthround.

A lot of its musical exports seem quite exotic and at times quirky outside of the realms of Snæland.

However, if you have experienced the Republic of Iceland and delved into the context artists like Sigur Ros or Björk emerge from, it makes perfect sense.

From the Icelandic town of Laugarbakki, populated by just 40 people, Ásgeir is every bit as introverted, humble and unassuming as he is gifted. Having left his folk-tinged roots behind, Ásgeir’s incarnation in Sydney was heavy on pure yearning, melancholic and melodic electronica.

Modest, spare and beautiful are adjectives that come to mind: In a live environment, Ásgeir’s performance is intentionally restrained and stripped back with his falsetto voice serving as an extra layer and additional instruments that accentuates the show, framed by strategically placed lightbeams that subtly illuminate the ethereal repertoire, which does not fail to enthrall the sold out crowd.

Ásgeir’s soaring, inimitable vocal deliveries were backed by delicate rhythmic backing and electronic waves and folk piano that rounded out his chord progressions.

Given the immense commercial successes Ásgeir has celebrated throughout recent years, the sincere humbleness with which he holds the audience in the palm of his shy hand is both surprising and appealing. Somehow he manages to get large-scale exposure without sacrificing his individuality or diluting the whimsical DNA of his intriguing oeuvre.

The best moments of the show come when Ásgeir spaces out and builds his elaborate musical sceneries that revel in artificiality with either electronica, samples or beats rubbing themselves against the sweetness and innocence of his earnest persona.

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Photos by KAVV

T • July 24, 2017

Fête/Life magazine

Posted by T • July 23, 2017

Living life well

Fête/Life magazine is an Australian publication that connects with readers in a personal way. Its mission is to inspire them to love the life they have, engage in positive and meaningful relationships with those around them and to make time and space for all the good things around them, for life well-lived. 

What might sound easy on paper is difficult to pull off, the difficulty being identifying the essence of things and focusing on its defining features.

Jane Cameron and Annabelle Kerslake – co-founders of Fête/Life magazine – have set out to be advocated for what has become known as the “simple living” movement, a feat they are aiming to achieve with the creation of their idiosyncratic brand.

“We have taken our ethos back to basics, analysed our core values and considered what is really important to ourselves, our readers and followers.”, they say.

Aesthetics rooted in the realm of monochrome and informed by minimalism serve as the foundation upon which Fête/Life magazine has built a construct that feeds off collaborations with well-curated art, brands and businesses from the Southern Hemisphere.

From the horse’s mouth: “Our simple-living approach is about having the clarity to make good choices in every aspect of life – home, nutrition, health, finances, fashion and family. The process of curating products and stories for print has helped us discover what is truly important and how best to offer it to consumers. Simple-living is more about surrounding ourselves with objects of purpose or meaning, choosing to purchase with thought and care and less about leading a stark, minimalistic life. Only when you learn how to tap into what is truly important can you speak across all platforms in an engaging and captivating voice."

Sounds empowering?

It is.

Fête Magazine is essentially style porn, yet what makes it stand out from the myriad of other related magazines is its distinct laid-back Australian, authentic feel, lack of pretense and the unique lenses of Annabelle Kerslake and Jane Cameron that give all aspect a unique angle.

A coffee table magazine that inspires.

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Photo from magazine website.

T • July 23, 2017

2017 Scandinavian Film Festival - Sydney

Posted by T • July 17, 2017

2017 Scandinavian Film Festival

Sydney

July 11-August 2

 

We are currently in the fourth season of the year in Sydney, which is mild compared to the harsh haunting wintertide that seems to be at home in Nordic countries, so a bit of escapism aka an escape from the chill to the confines of a warm, dark cinema, where you can watch movies from places even colder than here seems like a great proposition.

Returning to Palace Cinemas in Sydney, Melbourne, Canberra, Adelaide, Brisbane, Perth and Hobart, the 2017 incarnation of the Volvo Scandinavian Film Festival showcases the a curated selection of Swedish, Danish, Finnish, Norwegian and Icelandic cinema, from award-winning dramas to esoteric comedies and the very best of Nordic Noir.

Danish Charlotte Sieling, the special guest with kudos from her Swedish /Danish series The Bridge, helped open the proceedings with a speech.

Charlotte Sieling presented the Finnish comedy / drama The Other Side of Hope, which is pervaded by Aki Kaurismäki’s (Drifting Clouds, Le Havre)  deadpan humour and humanistic perspective depicting a current hot topic, i.e. illegal immigration. This joyous new film drolly reflects the modern day experience of one immigrant in Finland, wanting to change his life.

The Other Side of Hope is both sublime and entertaining - a statement providing a melancholic yet optimistic, compassionate vision of a troubled world.

Another highlight of the festival is the biographical Tom of Finland by director Dome Karukoski, one of Finland’s acclaimed directors, Dome Karukoski (Heart of a Lion, Scandi FF 2014).

Karukoski sheds light on the life of the man that ‘Tom of Finland’ is based on, which is not uninteresting as it became a global movement and phenomenon in terms of freedom and libreation of the sexual kind, and thereby creates a well nauanced portrait of a man that became an unorthodox spokesman.

Turbonegro rejoice.

The opening night of the 2017 Scandinavian Film Festival was rounded out and framed by an after-party with Unza, Swing and Balkan Gypsi beats courtesy of Romani ensemble Lovo Lovina, sparkling Elderberry cocktails and smørrebrød proferred by Fika Swedish Kitchen.

The festival in Sydney will continue until 02 August.

T • July 17, 2017

Japandroids @ Factory Theatre

Posted by T • July 16, 2017

Japandroids

Factory Theatre

Sydney, AU

July, 14 2017

Japandroids are a two-piece band from Vancouver, BC, which began in 2006 and consists of Brian King and David Prowse.

One guitar, one set of drums, and two vocalizers sounds minimal on paper but in a live context, Japandroids are maximal in their delivery; a two-piece band sounding like a five- piece band.

A result-oriented performance, as David Lee Roth would have put it – not overly heavy on banter with the music speaking for itself - blisteringly loud, raw, distorted intentionally messy, emotive and laced with explosive power chords and ludicrously tight drums.

Touring on the back of their third album Near to the Wild Heart of Life, emphasis was on showing off newer material, which shows a natural progression from their first two emissions.

New tracks blended in with tested and tried songs containing their trademark choruses with a plethora of big “whoahs” harmonies, adorning the down-but-not-out lyrical nature and themes heavy on self-discovery through alcohol, women and travel, which the attendants frenetically sang along to.

Japandroids thrive on their visceral music and despite the limitations that the combination of electric guitar drums present in terms of sonic diversity, they are able to engage the audience on an emotional level and feed off their energy and visa versa.

Japandroids showed that they are a blindingly powerful live force based on a foundation of elemental rock tropes and evocative songwriting, utter passion and belief in the absorbing qualities of love.

There is a lot of classic rock, a pinch of punk, Hüsker Dü, traces of Springsteen and Tom Petty and while they are not attempting to reinvent the wheel, they are much better at their craft than the dozens of other duos drawing on the same influences.

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Photos by T

T • July 16, 2017

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