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The infrequently-updated site blog, featuring a range of content including show reviews, musical musings and off-color ramblings on other varied topics.

Anselm Kiefer: Notebooks Volume 1

Posted by T • April 12, 2018

Anselm Kiefer

Notebooks, Volume 1, 1998-99

Seagull Books

 

Now truth be told – I am in awe of Anselm Kiefer. I have traveled far and wide to see his artworks in person and his emissions have yet to disappoint. While art critics have their way of putting into words what Kiefer accomplishes, I prefer to no reduce it to labels as it has a profound effect on me that transcends stylistic categories. Kiefer works with a myriad of materials and media and often incorporates texts and words into his artworks. While this is common practice, him writing per se is not a common occurrence as he focuses more on literally carving out poetry in physical manifestations.

The nearly 400 pages of his Notebooks (Volume 1: 1998-1999), offer unique, personal insights on Anselm’s thoughts, reflections, work processes but also mundane day-today occurrences in an open form stream-of-consciousness manner, peppered with digressive interludes galore and coloured by Kiefer’s faible for contradictions and alienation as he prefers to write in the second person to create distance for himself and the reader.

Kiefer’s notes are pervaded by honesty and openness, which creates a sense of intimacy and serves as an antipode to the Unnahbarkeit of his art.

While translating personal notes into a foreign language always bears the risk of meaning getting lost in the transition, the translator Tess Davies aligns with Kiefer’s style and the result is masterfully annotated which culminates in a cohesive whole rather than fractioned entries.

I’d recommend this book to anyone interested in Anselm Kiefer as it is a meaningful extension and addition that adds a new dimension to his oeuvre and creative process and the way Kiefer values and uses language as a medium.

T • April 12, 2018

Lodestars Anthology - Issue 9

Posted by T • April 10, 2018

Lodestars Anthology

Issue 9 – France

 

Traveling is never without an appeal. For the downtime between my excursions when time allows, I indulge in paper and ink. While literature on travel is not necessarily high on the agenda, Lodestars Anthology travel magazine is a welcome exception. Beautifully illustrated and crafted, with a myriad of subtle details, the magazine, named after a direction giving star for travelers, Lodestars Anthology sets its focus on countries and fills its pages with observations, stories, interviews, photos, essays and recommendations.

What Lodestars Anthology does is bringing more than the mere listings of sights and places to be – it endeavours to give the reader a feel of the place and conveys its charms and splendors well, putting oil onto the embers of your wanderlust.

Established in 2014, the current issue features France, a country I have recently spent some time in. The fact that after perusing this issue of Lodestars Anthology, I feel like turning on the heel and returning is testament to its quality – it not only covers the stereotypical French selling points but zeros in on places off the beaten track, finding often overlooked relicts of the past as well as contemporary marvels, while accommodating a wide range of readers not limited to the well heeled ones.

A creative and information publication of beauty that is worth getting swept up in.

Print is not dead long live Lodestars Anthology!

T • April 10, 2018

Juan Montoya

Posted by T • April 9, 2018

Juan Montoya

The Monacelli Press

 

Juan Montoya made a name for himself by pushing boundaries and exerting a dominant influence on design in the contemporary world– a feat that he achieved with attention to details and his idiosyncratic play with abutment and the use of seemingly opposite or adverse components from the realms of proportion, chromaticity and the use of materials whose significance find themselves firmly ingrained in cultural contexts, e.g. combining open spaces with neatly designed entryways which adds dimension to the way they unfold and greet the visitor.

The tome is testament to Montoya’s flexibility and versatility, and while his background in architecture certainly helps, he is not subscribed to a particular style that is informed by a thorough understanding of how to use spaces and the aimful placement of objects therein.

A beautiful book that illustrates Montoya’s interior design across a range of contexts, from the usual houses and apartments via floating devices to commercial projects in the United States and Europe.
 
No matter if you are an expert when it comes to interior design, it is hard to argue that his carefully calibrated emissions and custom designs are inspirational and lend themselves perfectly to either live or work in them a major contributing factor to his work is the use of geometry and how he can make it work for the project he is working on.

What makes Montoya’s work exciting is that he does not seem to discriminate between commercial and residential projects and his approach to start each from scratch, not accepting any given circumstances.

A beautiful book for anyone with a general interest in design.

T • April 9, 2018

High Adventure in the Great Outdoors - Nopeet

Posted by T • April 8, 2018

High Adventure in the Great Outdoors - Nopeet

 

Suomi.

Finland.

Nokia.

Plywood.

Free people.

Free education.

A region where you can drive for hours without encountering a signle soul.

A national mentality that resonates with me.

Outworn stereotypical approaches to the country label its people as reserved and taciturn lot – which is immensely appealing as the Finnish DNA seems to be diametrically opposed to the light, meaningless chit-chat folks in the new world are accustomed to.

I was lucky enough to recently spend some time in Helsinki with some gracious hosts who led me the Artek HQ.

Being a bona fide Bauhaus aficionado it was a welcome excursion as Artek’s focus rests firmly on the quality of materials and technology rather than indulging in frivolous ornamentation, which could be seen as the epitome of the Finnish national character. The fact that they proffered spruce resin ice cream—created to capture the taste of their architecture—only enhanced the experience.

Another highlight was the visit of the Steven Holl-designed Kiasma museum, where we  felt particularly safe under the watchful gaze of Carl Gustaf Emil Mannerheim, who rested on a horse ready to attack.

Another Finnish creation that appeared on my radar is nopeet – maybe because of the fact that it sticks out of the Finnish design landscape.

Nopeet is a Finnish venture that focuses on shades.

Shades from the cold and dark neither regions of Finland?

Yes, sire, you heard right. Get with the program,

Rumour has that nopeet’s shades were originally inspired by the emissions of over-the-top South African sunglasses that were being sold at local markets.

Not a stretch by any means as the exotic inspiration is something one can see manifested in nopeet’s futuristic designs.

With their sassy and snappy marketing, nopeet has proved to be an intriguing brand whose shades are designed to fit both and non-binary genders no matter the size or shape of their heads with the length of the temples being adjustable.

I mainly use my nopeets for running or riding my bike as the soft padding for the nose and forehead assures there will be no chafing and with the lenses being made from PC material available and with the 100% UVA/UVB protection, they prove to be ideal for exercise beneath Australian’s harsh sun.

The shades come accompanied by a 666XYZ microfibre pouch and ship in a technical print 150g paper boxes.

While they intentionally look futuristic and not unlike something Ion Tiriac would have dreamed up courtside to distract himself from Boris Becker trying to give cohesive interviews, they are surprisingly comfortable and practical.

---

Photos from Nopeet website

T • April 8, 2018

Thus, let us drink beer! – Australian special

Posted by T • April 6, 2018

Australian Beer Special

Thus, Let Us Drink Beer! Part 2

 

The people behind Kaiju! Beer love their hops.

As in, they like to wade in it knee deep and max it out when it comes to brewing their beers.

As the name “Kaiju” suggests, they also harbour a weak spot for Japanese popular culture, i.e. movies, and, if you would like to consult the accompanying picture gallery depicting the designs of their bottles and cans, monsters.

Their beers have amassed accolades from International Beer and other Craft Beer Awards, first still under the banner of Monster Mash before an energy drink company put its foot down and demanded their moniker to change.

The aforementioned designs stem from New York based artist Mikey Burton, who takes Kaiju brewers’ concepts and translates them into appealing and intricate artwork, thematically heavily inspired by Japanese movies and with monsters, with detailed features and intricate allusions, being the main protagonists and an underlying bigger, ever evolving narrative.

East 9th Brewing is another brewery you want to check out if you are remotely interested in quality brews and related products.

Their lager Doss Blockos has its focus laser-like aimed at the essentials: Pale malt and cascade hops. Natural in character and with well-calibrated bitterness – the result is that with its crispness, it goes down quite easily.

Lick Pier is East 9th Brewing dry alcoholic Ginger Beer.

Yup, alcoholic Ginger Beer, you’ve read that right -- it was a first for me as well.

With 4.0% ABV, it is at the lower end of the alcoholic spectrum and meant to be as it was designed to be a warm-weather drink.

Fog City is East 9th Brewing’s cider, a bittersweet yet fruity and cloudy one at that mixing apples and pears with 6.0% ABV.

Fog City clean Red Sangria has a distinctive vigor and is made from the ripest of red wine grapes and blended with natural citrus fruit flavours.

Future Memoirs Of A Root Beer is an exercise in employing of casting the gaze forward to reminisce the present and past. Another alcoholic root beer, this time incorporating more exotic flavour notes like sassafras, vanilla and cinnamon. Not an uninteresting alternative to regular beers.

Enter Dainton Brewing:

Family owned, awards decorated and a living and breathing ode to passionate beer brewing.

Dainton Brewing’s limited emissions are liquid things of beauty, starting with the intricately designed, quirky and often sinister artwork that adorns the cans, which are based on close collaborations with local artists, via the names to their at times daringly exotic brews.

Let’s have a look at some of the ones we sampled:

The American Pale Ale is their take on the classic APA. 5.2% alcohol with a hoppy, full of flavour with great citrus notes dominating nuances of bitterness and malt.

The insane Uncle IPA is as interesting as it sounds: The underpinning idea is that the aroma is meant to be reminiscent of the pungent smell the creepy behaviour of your uncle emits. It is quite something…copper in colour, ABV of 6.0% with citrus flavours prominent amidst a dank stank.

A personal favourite is their pilsner, the Classic Draught, which is something that would be welcomed with open arms in German Bierzelten with subtle flavours of malt an extremely drinkable brew.

The Saffron in My Rye Belgian IPA is a play on a spicy Belgian strain of yeast, notes of pepper derived from the rye component and a hint of gloves and bubblegum as well as coriander seeds that enter a nice mélange with hoppy citrus notes.

Fluorescent in colour, this one is as exciting as the description of the flavour notes suggest.

The whopper of Dainton’s brews that have been sampled is the Rum-Soaked Belgian Quad. As the name hints at, it is a quadruple style Belgian ale with a whopping 11.2% ABV.

This one is something you can spend a good portion of an evening with as indulging in the prominent dark fruit and caramel notes that are flanked by the complexity of raisins that have been soaked in rum.

Sounds exquisite? You have no idea...

Rebellion Brewing

Making a virtue out of a necessity: After founder John O’Brien of the operation discovered he had coeliac disease in 1998, which would have put an abrupt end to his relationship with beer, and his quest for a gluten-free variety not being crowned with success, he started brewing his own all-natural gluten free beer, with no colourings or preservatives.

Fast forward to 2005 after a stint of trials and errors, along with finding an investor, and O’Brien Beer, a gluten free beer is born and an Australian first at that. The operation morphed two years later into Rebellion Brewing – a nod to its Ballarat roots.

The brewery is specially fitted with customised equipment, some expertly designed externally to enable the seamless production of quality gluten free brews:

My favourite of the range is the full-bodied, naturally craft-brewed, premium lager with its nice aroma that is accentuated by floral notes, not lacking the bitterness that transitions to a clean crisp finish.

O’Brien’s Pale Ale offers an abundance of citrus flavours, fruit notes of the tropical kind on a basis of not overwhelming sweetness.

O’Brien’s Brown Ale established itself in the tradition of a European dark ale with hints of chocolate and caramel kept in check with opposing spicey roasty flavours.

Australian Brewery

A telling name, the Hunter Valley based microbrewery has its priorities firmly established: Purity, freshness and Australian ingredients.

Australian Brewery’s New World Pilsener is a with an ABV of 4.8% is a brew in the tradition of the pilsners of Germany with their crispiness yet comes with the added twist that the spicy hops from New Zealand and the citrus aroma of American hops add to the mix.

Seis Hermanos Lager is a refreshing lager in the Mexican tradition brewed with liberty hops and maize, which gives it a clean, light palate that is rounded out with lemony and citrusy notes.

AB’s Australian Pale Ale with an ABV of 4.8% is inspired by the Australian pacific pale ale style enriched with aromas of citrus and passionfruit derived from galaxy hops.

The All Star Session IPA is on the light side in terms of alcohol content yet an over-the-top exhibition of American hops in a beer that is borderline imposing, yet sessionable in the extreme.

Australian Brewery also does cider: Their Fresh Press Cider with an ABV of 4.7% could have been brewed in England’s West Country, with its fine balance of sweet apple and crisp dryness, the locally sourced Australian apples being fermented just hours after pressing, providing a fresh and aromatic flavour experience.

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Read Part 1 of Thus, Let Us Drink Beer! -- Belgian special here

T • April 6, 2018

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