Editors
Violence
PIAS (2018)
Editors first appeared as part of the British indie music scene in 2003, when there was a swell of guitar bands dominating the charts. They released their Mercury-nominated debut album The Back Room in 2005, which has endured over the years thanks to its anthemic songs and dark lyrics, and since then their albums have traversed genres and attracted an … Read more
Elway
For the Sake of the Bit
Red Scare Industries (2018)
Elway kick off their latest with “Inches,” a middle finger at those of us listening to and writing about their music. So, well, I’m not the type to throw fuel on the fire so I’ll leave it at that. They’re entitled to their opinions. Tim Browne even shared some great points in an SPB guest column. The notable point in “Inches” … Read more
Emma Ruth Rundle
On Dark Horses
Sargent House (2018)
Where 2016's Marked for Death battled with Emma Ruth Rundle’s mortality and medical history, and allowed the artist to work through feelings of hopelessness and pain, On Dark Horses tries to take control of the shadows found in life. Instead of succumbing to the darkness, Rundle is now finding a path out of despair and using her music to piece together how that might … Read more
Era Bleak
Demo 2018
Dirt Cult (2018)
Dirt Cult is one of the labels where I’ll check out a band based solely on the label’s history of releasing quality stuff that’s in my wheelhouse. I don’t know a lot about Era Bleak, and they’re a hair outside of the style I generally associate with the label. That said, they’re also blowing me away with the release of … Read more
Exitmusic
The Recognitions
Felte Records (2018)
What gathered my eyes about Exitmusic’s newest album The Recognitions was not any previous knowledge about the group, but a shared name of a favorite book by William Gaddis. Gaddis’s book borrows heavily from religious text, poetry, opera; even the name borrows from the Clementine Recognitions: a religiously gnostic narrative featuring the Apostle Peter told through one Clement.In the Clementine Recognitions, after defending a … Read more
Fashionism
Smash Singles LP
Drunken Sailor (2018)
Smash Singles collects all previous releases of Fashionism. Four singles to be precise (released between 2015 and 2017): Smash The State (With Your Face), Quit Looking At The Time, Suicide and Back In The Day. As a bonus the tracks "Weekend" and "Baby She's Gone" are included here as well. That last song is also the b-side of Come On … Read more
Father Murphy
Rising: A Requiem for Father Murphy
Avant! Records (2018)
The mysterious figure of Father Murphy appeared as a spectre in the early '00s. Formed by, as the band claims, its children Freddie Murphy and Chiara Lee, the Italy based band has created a mystique around their musical investigations. Through the years, the figure of Father Murphy has remained elusive. Through the different records and EPs various facades have been … Read more
Feed The Cat
Never Press Rewind, Except...
Independent (2018)
Feed The Cat is skatepunk band from Toulouse, France. Never Press Rewind, Except… is their second release after the EP Kick The Fat. Their sound is undeniably skatepunk. For some reason I'm reminded of Smartbomb. Not the most well known of all skatepunk bands, but Feed The Cat has the same vibe. Musically it's slightly different though. Skatepunk in my mind is about short, raging … Read more
Fórn
Rites of Despair
Gilead Media (2018)
Boston’s Fórn have been making slow, emotional music that rips your heart to pieces since 2012 and in that time the band have progressed into an entity that can make a simple guitar phrase induce introspection on a massive scale. “Manifestations of the Divine Root,” the first track after album intro “涂地,” places gorgeously fluid guitar lines alongside Chris P’s … Read more
Four Fists
6666
Doomtree (2018)
Four sixes, four fists, two rappers and some punchy production that’s equally space age and heavy hitting. It’s my own interpretation here, but the group name is more a reference to solidarity and kinship between rappers P.O.S and Astronautalis than it’s a statement of anger or frustration. The group is built on the fluid, and often laid-back raps of Astronautalis … Read more
Future Girls
Motivation Problems
Dirt Cult (2018)
Future Girls’ debut full-length is one I’m going to have a tough time describing. Motivation Problems fits well within the Dirt Cult Records catalog. It’s punky, but there’s more going on. It’s melodic in focus with some rough-around-the-edges touches, both musically and in the recording. Twelve songs race past in just 27 minutes, but it feels diverse even within that … Read more
Future Virgins
Doomsday Raga
Let’s Pretend Records/Recess Records (2018)
I was excited about this record 3 seconds in. To put it directly, I’m a big fan of everything Future Virgins has done so I was expecting it. Doomsday Raga fits their catalog well, but it also fits in with the gradual progression from coarse DIY to well-rounded, crisp melodies.There’s a lot to like about the band, but for me it’s really … Read more
Gaz Coombes
World’s Strongest Man
Caroline (2018)
It’s ironic that an album entitled World’s Strongest Man should show Gaz Coombes at his most vulnerable, but that’s precisely the point. Subverting expectations as both an artist and a man is a theme that runs throughout. It should then come as no surprise to hear that the album is said to be partly inspired by Frank Ocean’s Blonde - … Read more
Geld
Perfect Texture
Iron Lung (2018)
Geld’s Perfect Texture is 11 tracks, 23 minutes, 41 seconds: walloping wallaby! I feel like I’m back in my initial stomping grounds of Lethbridge, Alberta, a place that must exist in Geld's stomping grounds of Melbourne, Australia. Back in Canada’s Loyal Order of the Moose community hall, standing in an awkward half circle, ceiling too high, among their powerful nasty noise exuding … Read more
Gulch
Burning Desire to Draw Last Breath
Independent (2018)
Here we go, something horribly maniacal approaches. An out of focus haunt looking like a Goya sketch funnels all the screaming souls from hell at the threat of a Gatling gun and an itchy trigger finger. In their place we as Listener fall into the gap. Each song features a compendium of heavy drum beats, variations of style and groove, … Read more
High Priests
Spinning
Triple Eye Industries (2018)
When I first saw High Priests 3 or 4 years ago, I would have labeled them as stoner punk. While their press photos certainly still hit on that imagery, I’m not so sure that Spinning matches that descriptor in any sense. As for additional semi-relevant background info, the band has some recognizable faces from the punk scene: members and ex-members of The Brokedowns, Wide … Read more
Hop Along
Bark Off Your Head, Dog
Saddle Creek (2018)
Hop Along have been on a tear since the release of their 2012 debut, Get Disowned and came to proper prominence with 2015’s Painted Shut, a showcase of a young band coming into their own, and placing the extraordinary voice of singer/guitarist Frances Quinlan center stage. It’s a low-key classic in it’s own right, so the release of Bark Off Your Head, Dog … Read more
Hot Snakes
Jericho Sirens
Sub Pop (2018)
Hot Snakes first formed in 1999 and ran until 2005. They re-formed in 2011 for some tours and finally bring the rock in the new album Jericho Sirens, released in early 2018. For those unfamiliar with the group, members also play in Rocket From the Crypt, Drive Like Jehu, Obits, The Night Marchers, and more. There’s a familiar overlap in style between all these groups, … Read more
