Cheap Tissue
Cheap Tissue
Lolipop Records (2018)
LA’s Cheap Tissue bill themselves as rough around the edges garage punk, namedropping melodic yet understated groups like Radioactivity. While the general sound isn’t too far off the mark, the band’s take on high energy garage-fueled punk is more brash and spit-shined, showing more in common with acts like The Hives and New York Dolls. There’s more flash and posturing than working class grittiness … Read more
Chiller
Chiller
Dirt Cult (2018)
I’ll admit to coming into this one with a clean slate. I don’t know Feral Trash, who predate Chiller and share members Ilisha and Eric. The duo recruited Erin (Black Tower) and Tim (Mother’s Children) and, as the press release says, so began “what has rightly been deemed as a continuation of Feral Trash.”So that’s the history lesson. Because I haven’t … Read more
Cliff and Ivy
American Saints
Independent (2018)
Every now and then I come home from the supermarket and think to myself, while unpacking: I should not have gone there while being hungry. It is empirically proven that sending me out to get some food while being hungry is not a tried and tested, best in class inventory management solution. I think this should be recognisable for you … Read more
Cloud
Plays With Fire
Audio Antihero (2018)
Following on from Zen Summer in 2015 and 2013s Comfort Songs, Cloud’s Plays With Fire moves Tyler Taormina’s sound firmly into the assured category. Where his debut was weighed down with a little too much padding, Plays With Fire takes a somewhat sprightlier turn into sadness, reducing the runtime by thirty minutes yet still packing a hefty emotional punch. Taormina’s strength lies in melancholy and simplicity and Plays … Read more
Clown Sounds
Preacher Maker
Recess (2018)
I was going to review this when it came out, but I like my statements to be accurate, so I went to the source and interviewed Todd Congelliere first. As the tweetbots like to say: BREAKING--an interview will publish here soon.Preacher Maker is the first album under the name of Clown Sounds, fronted by Todd Congelliere, though he also has released … Read more
Converge
Beautiful Ruin
Epitaph\Deathwish Inc (2018)
Converge—Nietzsche’s pissed off nephew, Rilke’s furious friend—achieves a glimmering consummation in a mishmash of fourness (which, in numerology, symbolizes spiritual wholeness). They went from thrash titans to sonic gods; now they flirt with the nasty nebula they came from, dumping what we might consider B-sides, smacking a healthy appetite, and a bitter jaded cheek, awake. Seemingly, they can do no … Read more
Courtney Barnett
Tell Me How You Really Feel
Mom + Pop (2018)
Courtney Barnett’s output is usually a sure thing – which is why it’s strange her latest, Tell Me How You Really Feel is weirdly disappointing. It’s not bad, it just lacks the punch found on 2015’s Sometimes I Sit And Think, And Sometimes I Just Sit. “Hopefulessness” is a strange, dissonant opener that casts a bit of a pall over the record, while … Read more
Damon Eliza Palermo
Beacon of Maracaibo
Johnkôôl Records (2018)
Contemplative and calming, “Delacorta” kicks off Damon Eliza Palermo's Beacon of Maracaibo release with flowing piano and bubbling electronic tones playing under a pleasant, naturalistic bed of chirping birds. Slightly glitchy but undeniably relaxing even when it introduces a cymbal-heavy beat late in the going, the opener transitions into a lengthy title track awash in sweeping synths, seesawing vocal tones and airy … Read more
Dark Oz
Alligators
Independent (2018)
A few years removed from 2015's ¡Piratas!, a record I found singularly outstanding, Portland, Oregon band Dark Oz returned with a second EP entitled Alligators. Unsurprisingly given circumstances affecting the Dark Oz project around the time of Piratas' release, namely, the death of drummer Lorien Bourne (a.k.a. Styx) while on tour, Alligators has quite a different sound from that heard on the prior album, with … Read more
Dark/Light
Dark Slash Light
Dirt Cult (2018)
Portland’s Dark/Light pronounces their name phonetically, including the punctuation. They’re doubling down on that element by naming this 7”, released this past June, Dark Slash Light. SPB had the pleasure of hosting their earlier LP, Kill Some Time.As for this 4-song, 9-minute release, it keeps going in that tradition of gritty and to-the-point punk that pulls from ‘80s punk roots but has … Read more
Dead Can Dance
Dionysus
PIAS (2018)
During the 80s and the rise of darkwave, Dead Can Dance was one of the visionary acts that begun experimenting with the darker sound of gothic rock. Built around two magnificent vocalists, Brendan Perry and Lisa Gerrard, the project evolved from its darkwave roots into something much more potent and unique. In their first phase, Dead Can Dance took on … Read more
Deafheaven
Ordinary Corrupt Human Love
Anti (2018)
When I first heard that Deafheaven had released a new record, I was skeptical. The thing is, I’m not entirely sure why because the band has more than proven themselves with their past records Sunbather and New Bermuda. Both records killed, but with a band that has already explored the ins and outs of metal, I questioned how they could push themselves further … Read more
Dean Ween Group
Rock 2
Schnitzel Records (2018)
I generally shy away from track-by-track reviews, because they get long, boring and kind of miss the point of an album as a whole anyway. That said, whenever I write about Ween and related projects, the disparity from song to song is a little more difficult. There are 11 songs on this 38-minute record and they range from classic rock wankery to … Read more
Death Valley Girls
Darkness Rains
Suicide Squeeze (2018)
Of all the phrases ever used to describe Ramones, “re-inventing the wheel” was most certainly not one of them. Some took this as disparaging, but what they did was take the design of the wheel and perfected it. There’s nothing wrong with this. We need bands like Ramones, and in this case, Death Valley Girls to provide that firm foundation of … Read more
DeeCracks
Sonic Delusions
Pirates Press (2018)
DeeCracks don’t reinvent anything, but they don’t regurgitate it either. There’s a lot of Ramones behind the experienced Austrian band, but they utilize familiar techniques like harmonies, solos, and even a surf instrumental to mix it up. It’s the kind of music that many bands try to pull off, but fail. It doesn’t sound like they’re aping their predecessors, but paying homage … Read more
Dimmu Borgir
Eonian
Nuclear Blast (2018)
For Dimmu Borgir, who haven’t released a full length album in over seven years, Eonian marks a shift for a band that have kind of been the butt of many black metal jokes for the best part of a decade. Dimmu Borgir make no apologies for their bombastic sound and on Eonian they fully embrace their theatrical side. Still, the Norwegian’s are making some … Read more
Dödsrit
Spirit Crusher
Prosthetic (2018)
2017 saw the release of Dödsrits' self titled debut album. I was impressed by the quality that I discovered on that album. Had I found it earlier it would have made my yearlist, no doubt. It is also an album with staying value. I still come back to it on a regular basis. I could not be happier to hear … Read more
Duvel
Attempts at Speech
Fysisk Format (2018)
Welcome to Duvel’s childlike fantasy, their ruminations inspired by Norwegian life. The bleak echoing of whatever neurosis such a wonderfully Scandinavian culture produces, other than seasonal depression and too much equality, speaks through them in musical duality. This album is so childlike, oftentimes aloof, stumbling upon pure goodness as if by accident. They are Parsifal, before he got his name, stumbling … Read more
