Review
Unsanitary Napkin
All Billionaires Are Bastards

AlwaysNeverFun, Limbless, Slimebag (2022) — Dennis

Unsanitary Napkin – All Billionaires Are Bastards cover artwork
Unsanitary Napkin – All Billionaires Are Bastards — AlwaysNeverFun, Limbless, Slimebag, 2022

My favorite Dutch swear words are “natte krant” (wet newspaper), “zak hooi” (bag of hay) while “pannekoek” (pancake) gets an honorable mention. As you can see, these don’t translate very well to English. You could tell me to look to the English for more creative English curses, but to my ears they only sound good if you say them with the right accent, which I don’t have. Along comes a New Zealand band that suggests the best swear word I’ve heard so far: Unsanitary Napkin.

Just for this small fact I am eternally grateful. Another thing that I am grateful for is their album All Billionaires Are Bastards (even though I would have loved a more creative swear word here. I can understand the need for something short and catchy, so I’ll forgive them). This album is something to behold. Every now and then you listen to a band and not just hear something that is good, no, instead you hear something that makes the adrenaline pump through your body like crazy and makes the hair on the back of your neck stand up. All Billionaires Are Bastards is one such album. Once I read a story about a soldier that took all the amphetamine of his entire regiment so he would have enough energy for the task ahead of him. I imagine if that task was to play a punk album dealing with a whole range of issues that pissed him off, the outcome would sound something like this.

This album is incredibly angry and fast. With a name and an album title like this it would be foolish not to expect this amount of rage unleashed upon an unexpecting population, but still, I looked up in surprise when I first listened to the album. All subtlety is left at the door from the first second till the end of the record (not much later). This album gets extra love from me for how incredibly bass driven the album is. In fact, I would say that the bass is, for once, a more important instrument than the guitar. It really drives the album forward. The whole album is as subtle as the lyrics. Which means there’s little subtlety about it. The album deals with a whole range of political and societal topics, ranging from feminism to facism, to trans rights to industrial farming to the evils of captilism. All lyrics are on bandcamp if you are interested. They are all caps locked and if you listen to how they are delivered you can see that that is the right choice.

If you by now think this is mindless rage, I gave you the wrong impression. In all their anger and rage Unsanitary Napkin managed to still focus on the most important weapon of all musical artists: the song. The band knows how to incorporate a legitimate hook into their compositions. And to spice things up include keys in a couple of songs that really add something to the sound.

I was blown away by this album, in case you hadn’t noticed by now. It is one of those albums that I am sure I will return to often and it is already in my most played albums on bandcamp. I highly recommend you give this a try too.

9.0 / 10 — Dennis • April 26, 2022

Unsanitary Napkin – All Billionaires Are Bastards cover artwork
Unsanitary Napkin – All Billionaires Are Bastards — AlwaysNeverFun, Limbless, Slimebag, 2022

Recently-posted album reviews

Haywire 617

I Don't Wanna Say Goodbye
Roadrunner (2026)

How does one describe what differentiates a good hardcore band vs. something special within the space.It's really difficult to explain but Haywire 617 has proven to be something special.When boiled down to base elements Haywire is a hardcore band in the vein of something like latter day Blood For Blood (specifically their more Rock n' Roll/Oi elements with Rob singing). … Read more

super*user

Gutless Wonder
GC Records, Ideas Are Bulletproof Records (2026)

Detroit is famous for bands like the MC5 and The Stooges, White Stripes and of course KISS. Fellow Detroiters super*user may sound nothing like any of those bands but I would have thought it would take some KISS-sized balls to intentionally start your punk record with a riff ripped off from U2’s “Sunday Bloody Sunday”! Maybe that one’s unintentional but … Read more

Nick Soulsby

Born of Struggle, Living in Hope: The Anarcho-Punk Lives of the Centro Ibérico (1971-1983)
PM Press (2026)

Living in Hope , as the subtitle suggests, is a punk-centric history of the Centro Ibérico, an anarcho-punk squat at 421 Harrow Road. It is also the first book-length treatment of the space, which was at the crossroads of far-right fascist violence, police surveillance, housing disputes, and the punk scene. Founded in 1970 by Spanish Civil War veteran Miguel García … Read more