Review / Multiple Authors
Sinai Beach
When Breath Escapes

Facedown (2003) — Shane, Sean, Zed

Sinai Beach – When Breath Escapes cover artwork
Sinai Beach – When Breath Escapes — Facedown, 2003

Decent record. Just sounds like everything else. Not that that is a bad thing I just didn't see myself saying "Oh I like that," or "That is pretty cool" once during the record. Definite potential and hopefully they can mature with future releases. If you like hardcore in the vein of Between the Buried and Me then you will like this.

Originality and innovation are two things this record lacks, but if those two things are extremely important to you, you probably shouldn't be listening to hardcore. Sinai Beach is definitely one of the better new school hardcore bands around today. Plenty of the fast paced hardcore stuff that gets kids broken noses on the dance floors these days, some crunching guitars, and not to mention, for the wussy kid in you, some melodic singing. The screaming vocals are nothing spectacular, but they don't make me cringe like a great deal of them does, and the melodic parts are nothing to brag about. They're not doing anything new, but they are doing something well, because this record definitely caught my ear. If you're not into hardcore, you probably won't be into this CD, but it's still worth at least hearing a couple tracks.

I first heard about this band from an associate that doesn't like metalcore, but for the most part, strictly hardcore. So here I am, expecting something new, something that doesn't sound like the rest of the metalcore! After the ten second intro sample in "Candice", I was quickly disappointed. This first song sums up the whole album pretty much. This summary includes lots of metallic riffage, a moshing breakdown, an "emo" melodic singing part, and a lot more metal. The whole singing thing on this album doesn't work for me, sounds too forced. If you are going to have pretty singing, have it be pretty, don't have singing just to have singing. The same goes with screaming, which happens throughout the whole album, but it fits the music very well, so that is ok. My favorite track on this, "True/False", coincidentally has no stupid "emo" singing part. Keep that shitty "emo" crap to Drive-Thru records, thank you. Anyway, my favorite song has the phattest breakdown beginning at 0:39 with a great build up. The talking part right before it hits gets me in the mood, then the drums get all slow and there is lots of "jud jud". The same song has another breakdown later with this super sweet metal riffage layering over it! I lied, there is some singing in it at the end, but I just fast forward through that suckage. There is a full track with some noisy horror sample, which is the whole track titled "Awakening Of The Forgotten", what a fancy title for a boring "song". No. Don't buy this in anticipation of something new, but instead, decent cliché metalcore.

6.0 / 10 — Zed

Sinai Beach – When Breath Escapes cover artwork
Sinai Beach – When Breath Escapes — Facedown, 2003

Average score across three writers

6.3 / 10 — Shane, Sean, Zed • February 25, 2004

Recently-posted album reviews

Nick Soulsby

Born of Struggle, Living in Hope: The Anarcho-Punk Lives of the Centro Ibérico (1971-1983)
PM Press (2026)

Living in Hope , as the subtitle suggests, is a punk-centric history of the Centro Ibérico, an anarcho-punk squat at 421 Harrow Road. It is also the first book-length treatment of the space, which was at the crossroads of far-right fascist violence, police surveillance, housing disputes, and the punk scene. Founded in 1970 by Spanish Civil War veteran Miguel García … Read more

Roky Erickson And The Aliens

The Evil One (deluxe edition)
Fire Records (2026)

I feel very fortunate to have seen Roky Erickson perform live at SXSW backed by Okkervil River in 2010 or 2011. Erickson passed away in 2019 at the age of 71. For those of you who aren’t already disciples, Roky Erickson was the lead vocalist of legendary Texas psych rockers 13th Floor Elevators. Recorded after the breakup of the Elevators … Read more

Mike D

Thank You
Capitol (2026)

Beastie Boys were a huge part of my transition from teenager into adulthood. An album for every stage of their growth musically matched the many chapters of my own personal development. Ad-Rock, MCA, and Mike D were like cherished friends for my earholes. The world mourned together when we lost Adam Yauch to cancer in 2012 and were heartbroken knowing … Read more