Review
RASHŌMON
Nin-Gen EP

Iron Lung (2022) Loren

RASHŌMON – Nin-Gen EP cover artwork
RASHŌMON – Nin-Gen EP — Iron Lung, 2022

Laypeople who don’t listen to heavy music often lump it all together, even while those of us who dedicate our time to the cause can pick up the difference between death metal, thrash and hardcore in seconds.

RASHŌMON are one of those bands that would have people in fits right away, likely calling it metal even though there are few similarities. It’s loud, angry and super heavy. The guitars are blistering, the drums relentless, the vocals unforgiving. But this is hardcore, through and through. There are no solos, the vocals are equal parts shout and snarl, and the songs barely crash the 2-minute mark. Metal wallows in the misery. Hardcore plows through it.

“Tokyo via DC hardcore,” (per Iron Lung’s description) is a great starting point, as it checks many of the boxes I know from my limited knowledge of that scene. While the music itself is relentless and furious, it’s more polished than your typical American hardcore and with less bravado. It’s heart-on-sleeve and no nonsense, like the broader genre, but there’s a spastic energy that feels less formulaic even if the surface sound is rather familiar.

On this 6-song record the band covers a wide range in a short period of time. Drums often steal the show, as in “愛国者 Patriot,” while metallic flourishes in the guitars appear throughout, just without the showy excess. “Death Factory” is a good example of that, which also features a nice little breakdown in the middle of the 3rd of 6th songs and effectively serves as a reset for the EP. After that, “Resume Operation” is just heavy, more plodding than pummeling, while “ムシャムシャ! Musha Musha!” brings buzzsaw guitars and harsh, yet rhythmic, vocals that sometimes bark but, more so, snarl and spit. It’s a really big song that I think stands out the most here, though it has some serious competition in the closer, “Pigs in Blue,” which at one point hints at a marching order drum pattern before it devolves into haunting chaos, perfectly matching the finer lyrical point to the song.

The EP as a whole is super fast and super heavy. It feels like barely contained chaos but a closer listen reveals that it’s intricately composed, which it why it masterfully captures so many deeper emotions all shrouded underneath a dark, brooding storm cloud on the horizon.

8.0 / 10Loren • September 6, 2022

RASHŌMON – Nin-Gen EP cover artwork
RASHŌMON – Nin-Gen EP — Iron Lung, 2022

Recently-posted album reviews

Lethal Limits

Elevate EP
GhettoBlaster Productions (2025)

The archival hunt for the "missing links" of first-wave California punk usually leads through a trail of grainy handbill Xeroxes and tape traders' overdubbed copies. But with The Flyboys, the story has always been a bit more elegant—and a lot more colourful. Long before they were swept into the gravity of the Hollywood scene, frontman John Curry was already performing … Read more

The S.E.T.

Self Evident Truth
Flatspot Records (2026)

Hardcore doesn’t need reinventing; just needs conviction. On Self Evident Truth, Baltimore’s The S.E.T. come out swinging with a debut EP that’s built on exactly that. It’s got groove, urgency, and a clear sense of purpose. Clocking in at around fifteen minutes, the EP wastes no time establishing its identity. From the opening moments of “This Chain,” it’s all forward … Read more

Dashed

Self Titled
Independent (2026)

When a band describes themselves as surf punk, it usually conjures a certain image. Reverb drenched guitars, sunburnt melodies, maybe even a sense of looseness that leans more carefree than chaotic. Dashed doesn’t really fit that mold. On their self-titled LP, they take those familiar elements and run them through something colder, sharper, and far less predictable. Across eleven tracks, … Read more