Review
Pembroke
All The Brightest Pictures

HANDSTAND RECORDS (2022) Rizkan A.M.

Pembroke – All The Brightest Pictures cover artwork
Pembroke – All The Brightest Pictures — HANDSTAND RECORDS, 2022

Let's say this is my first assignment at Scene Point Blank and this time I'll do a review for a hardcore punk album. It's an album by Pembroke entitled All The Brightest Pictures. Well, it's a quite rare thing for me to review hardcore punk records these days but at least I was an intense listener of this kind of music. One of the interesting points on the assignment is that Pembroke is made up of members of bands like SupertouchOff Minor, and Saetia. Yes, Saetia got my attention for digging more into the band.

The album All The Brightest Pictures is an initial record by the band released on a Virginia-based record label, Handstand Records. And I would say it's a record that needs a lot of "repair" from so many aspects. The band features a different kind of approach in songwriting but still, in my opinion, some parts featured need to be improved. And then its recording quality also becomes one of the aspects that need improvements. Many parts of the guitarwork don't sound very detailed, leading to voids on the lead guitar that needs to get filled in.

Let's start with the first track, entitled "I'll Be Free". The track starts with a postrock-ish vibe intro which seems fitting, but it has a kind of bad transition as the verse part comes along. And the lead guitar part at the end of the song, which I can say that it's not a good part to be put into the song.

The next highlight song is "Take A Nap". It starts with In-Your-Face hardcore guitar work. I don't think it's a bad part but it's too mediocre. It’s too familiar or similar to many other hardcore bands. And surprisingly, the band put out a reggae part on this song. Still, this doesn't lift the quality of the material.

Moving to the next song entitled "Happy Hour". The song starts with emotive guitar work. I can hear some Rites of Spring vibe. It's just an okay song, as the lead guitar in the middle is one of the lamest part overall. The next highlight song is entitled "Must Be Nice". It's the last track of the album. I love the blasting part on the verse. It gives energy to the song. But the thing is, this song seems to have a void of emotion in the middle. Still, this song can't satisfy my expectation of the band.

I understand that the first take for the band wouldn't be easy, but there is a lot of room for improvement on this album.

Pembroke – All The Brightest Pictures cover artwork
Pembroke – All The Brightest Pictures — HANDSTAND RECORDS, 2022

Recently-posted album reviews

Kyle Burnett

Glory Days
Syrup Moose Records (2026)

There’s a form of folk punk that treats every song like a drunken campfire confession with all its ragged shouting and romanticized self-destruction. Then there’s the version that feels mature and more reflective. It’s less interested in glorifying collapse and more concerned with figuring out what comes after it. Kyle Burnett’s Glory Days firmly belongs to the latter category. Best … Read more

Rufio

From The Outside
Double Felix Records, Double Helix Records (2026)

“Rufio?! Like from back in the day Rufio?” Those were the words out of my mouth while claiming my next review. I wore out Perhaps, I Suppose as a teenager and my curiosity piqued. It has been 25 years since that album was released and 16 years since we have heard from Rufio at all. Regardless of these facts, we … Read more

Oddfellows

Oddfellows
Dirtnap, Wild Honey Records (2026)

The self-titled album from Oddfellows was a long time coming. As in, the band formed in 1994. Now in 2026, they return with founding members Chris Pulliam, Mark Ryan, and Mike Throneberry, plus new addition Peter Salisbury to release their debut album just 32 years later. This lineup means you're going to get a Marked Men reference right away, but … Read more