Review / 200 Words Or Less
Much Worse
Macrocosm is a Wash

Forward Records (2013) Nathan G. O'Brien

Much Worse – Macrocosm is a Wash cover artwork
Much Worse – Macrocosm is a Wash — Forward Records, 2013

Following a couple of excellent 7”s, the confusingly-titled Macrocosm is a Wash is the first full-length LP from this Minneapolis foursome. Spun from the same Mecca-like breeding ground as Wild Child, Total Trash, Varix, and countless others, Much Worse play a non-stop, angry, and poignant style of hardcore punk. While there is an air of reckless abandon in their approach, they eschew most of the demented noise that’s making the rounds these days, in favor of a more cohesive sound; less-refined than Coke Bust but a bit more focused than, say, Brain Tumors. 

They mash the vocalist’s violent vibes with tough riffs, brief but squealing axe solos, and strident drumming. It’s a style that comes through particularly well on “Fathoming Hell.” It begins with breakdown riffing before the authoritative vocals come in, which eventually let up for some erratic Greg Ginn-like guitar soloing. It all ends with a pretty sweet mid-tempo mosh part. Similarly, the album-closer “Already Dead” builds a nice head of steam before ending in a fiery car crash of shatted pants and burnt flesh. 

At various points throughout the record there is a slight ’82 Demos feel; even some shades of Japanese hardcore, but overall Macrocosm is a Wash is a pretty distinctive release that holds a place among the best punk/HC LPs of 2013. Highly recommended for anyone that liked that Boston Strangler record from a few years ago; owns VHS tapes of Japanese pro-wrestling death matches; or regularly has nightmares about their teeth breaking.

Much Worse – Macrocosm is a Wash cover artwork
Much Worse – Macrocosm is a Wash — Forward Records, 2013

Related features

Much Worse

One Question Interviews • January 1, 2020

Recently-posted album reviews

Jungle Rot

Cruel Face Of War
Unique Leader (2026)

Twelve albums and more than three decades into their career, Jungle Rot remains one of death metal's most reliable institutions. While countless bands have spent years chasing technical excess, progressive experimentation, or whatever trend happens to be dominating the underground now, the Kenosha veterans have remained committed to a simpler mission. Writing memorable riffs, locking into crushing grooves, and leaving … Read more

Overcalc

Fruits of the Decision Tree
Sleeping Giant Glossolalia (2024)

Some instrumental records create atmosphere while others create movement. Fruits of the Decision Tree feels like it creates an entire environment. It’s unstable, mechanical, strangely beautiful, and constantly in motion. The solo project of Nick Skrobisz (Multicult, The Wayward), Overcalc exists somewhere between electronic experimentation, prog-level guitar precision, ambient drift, and full on sci-fi hallucination. Trying to pin it cleanly … Read more

Fangus

Emerald Dream
From The Urn Records (2026)

The needle drops, and there’s no introductory sweaty handshake. Fangus doesn’t care for niceties; they’re ready to get down to brass-knuckle business. With their debut full-length, Emerald Dream, the Montreal quintet has exhumed a sound that feels less like a tribute to the early '70s and more like a master tape found rotting in a damp basement behind a stack … Read more