Review
Germ
Loss

Eisenwald (2012) Cheryl

Germ – Loss cover artwork
Germ – Loss — Eisenwald, 2012


The Germ project has been in some form or another for quite some time yet the first record (Wish) from this Tim Yatras production only saw the light of day this year. It’s surprising then, that an EP should follow Wish quite so quickly, yet here we are with the melancholic yet strangely uplifting sounds of Loss on our hands.
Loss continues in the footsteps of Wish, in that it somehow mixes black metal with tranced out, blissful dance beats. It shouldn’t work, it makes no sense, but Yatras is some kind of evil genius and Loss weaves its magic around fiery rave-like processes and unholy screams. Tim Yatras has had a hand in some of the most magnificent Australian black metal that ever was – Austere, Woods of Desolation and Grey Waters to name but a few – and his style is unmistakably a part of Germ.

Germ turns the black metal blueprint completely on its head here, and the addition of punchy beats only adds to the curious, otherworldly essence of Loss and its sadness. Electronic pulses of light push through the otherwise head-spinning intensity of the darker side of Yatras’ musical landscape and the leading track “My Only Hope” features the pure and clean vocal style that made such a generous appearance on Wish. Here on Loss that vocal is utilised along with the devastating and instantly recognisable scream of Yatras along with a sweetly slow build up towards the break of synthesised song structures and succinctly soaring guitar riffs.

Songs flow between the two base elements and intoxicate with their ingenuity and freshness. This is a new approach to a genre that has seen a massive shift in style in recent times and black metal has never sounded so full of purpose whilst not adhering to the framework laid down so many years ago by the greats. “So Lonely, Dead Lonely” is a forceful piece that imbues it’s unrelenting drum beats with powerful choral arrangements and a deep sense of gloom. Loss is beautiful in it’s morose sensibilities yet is filled with a sublime hope. Lovely.

7.5 / 10Cheryl • November 26, 2012

Germ – Loss cover artwork
Germ – Loss — Eisenwald, 2012

Related features

Germ

Interviews • February 17, 2013

Daggermouth

Interviews

Related news

Germany's Shoreline

Posted in Labels on September 15, 2023

Germany's Phantom Bay: new EP

Posted in Records on September 14, 2023

German punks Love Forty Down return with a new EP

Posted in Records on January 22, 2022

Recently-posted album reviews

Bevis Frond

Horrorful Heights
Fire Records (2026)

God loves Nick Saloman, and from the heavens, the expulsion of the beloved archangel fell and spawned Horrorful Heights. A 20-track double-album behemoth. Eighty-eight minutes of musical mayhem. Who does that anymore? nobody. As they edit themselves down to make nice, safe Spotify playlists, Nick just dumps the whole glorious attic on your head like the wicked witch of the … Read more

Nine Pound Hammer

Too Outlaw For Outlaw Country
Reptilian Records (2026)

For nearly forty years, Nine Pound Hammer have occupied a strange corner of American music that very few bands have ever managed to touch. They're too loud for traditional country, too country for most punk bands, too dirty for radio rock, and frankly too stubborn to care where anyone thinks they belong. That's exactly why Too Outlaw For Outlaw Country … Read more

Fuming Mouth

The Ringing Bell”
Triple B (2026)

There are plenty of bands capable of writing crushing death metal. There are plenty of bands capable of writing punishing hardcore. Very few can occupy both worlds without sounding like they're simply alternating between genres. Fuming Mouth have spent years refining that balance, and The Ringing Bell feels like the moment where every piece of their identity locks together. Anyone … Read more