Austin, TX—wich recently shed its longstanding slogan “The Live Music  Capital of the World” in favor of the less desirable “The Place Where  Ben Weasel Punched That Chick”—is home to a relatively new five piece  hardcore band called Criaturas.   As is usually the case with incestuous  genres such as punk, Criaturas shares its members with other bands—an  impressive pool that includes Deskonocidos, Vaaska, J-Church, and  others.  But they are a creature (or, ah, el criatura)  all their own.  Last year they recorded a cassette-only demo of catchy,  spastic ragers that they distributed at their shows.  I suspect  Criaturas, along with Weird TV, Getting Even and a handful other rad  bands who have released demo tapes recently are largely responsible for  the cassette player sales spike of 2010.  (Believe it or not, there  actually was a cassette player sales spike in 2010.)
Eventually  the Criaturas demo caught the attention of columnists at various  holier-than-thou punk rags, whereupon lots of very nice things were said  about them.  As is typical these days, soon afterwards ripped copies  started making the rounds on uploader's blogs.  Since then, Criaturas'  growing fan base has eagerly anticipated the release of new material.    The wait wasn’t long.  Aranas en el Corazon—which  translates to “Spiders in the Heart”—comes our way courtesy of Martin  Sorrondeguy’s (Los Crudos, Limp Wrist, N.N, etc.) Lenguna Armada Discos  label.  Four songs total, the record is blast of frantic, melodic,  thrash-tinged hardcore. 
 
In terms of hardcore punk, lyrical  content means little provided the vocals don’t annoy the shit out of me.   As long as it’s not outright racism, homophobia, or straight up idiocy  (unless it’s idiocy purely for the sake of idiocy,) I can tolerate  anything at a level of not-quite-but-almost-headache-inducing and above.    No worries here, as—if band name, title, and record label were not  dead giveaways—it’s all in Spanish.  And shockingly harmonious for a  band that lists Discharge and Motorhead as influences.  While the D-Beat  affections are there, I am more inclined to liken Criaturas to other  female-fronted, similar sounding bands like Infect or Pandamonium. 
 
Listen  close enough and you might just hear the tiniest bit of guitar solo.   Don’t worry about getting bored though, as no track clocks in past the  minute and a half mark.  The guitars are blazing, the drumming is  lightning fast, the bass is, well, whatever bass should sound like in  these scenarios; and the vocals are attractive as hell.  I’d be  hard-pressed to tell any of these songs apart from each other.  And  that’s by no means a bad thing.  Criaturas does things short, fast, loud  and in-your-face.  In other words, they’re perfect.