Review
Butcher
666 Goats Carry My Chariot

Osmose productions (2020) Dennis

Butcher – 666 Goats Carry My Chariot cover artwork
Butcher – 666 Goats Carry My Chariot — Osmose productions, 2020

Bütcher takes you on an epic journey to a parallel universe. A universe that is very similar to ours. A universe where cars are referred to as chariots. A universe where we do not mention horsepower, but talk about goatpower. And Bütcher is here to introduce their new ride! Sorry, was that too corny? I know, I can’t help myself. Let’s forget about that and I’ll tell you how I got to know this band and why I am so excited about this album.

I tend to dislike the current trend of bands touring in packages of too many bands. Usually, when I go to a concert, I just one to see that one band. I am willing to work my way through the set of one support act, but that’s it. It is a tough life, as you can imagine. A couple of years ago I went to a concert to see a Dutch speed/thrash metal band (Distillator, in case you are curious) and saw two support acts that are an example of the exception that proves the rule. One of these bands was so good I just stood there in disbelief. It was only halfway through the first song that I managed to pick up my jaw from the floor, that kind of good. I watched their show with a smile so large it almost split my head in two. This band, as you might have guessed, was Bütcher.

Since that day I have seen them a couple more times and each time it was a blast. This band is awesome live, so if you ever have the chance to catch ‘m live, I suggest you do just that. Question is, are they any good in the studio? After that first show I got a copy of their debut. I was happy to hear it lived up to their live-show, although of course there is a big difference between listening to a live show or sitting on your couch watching the record spin. The last show I saw the band tried a new song on us. I was not that thrilled, it was different from what I expected. I was a bit worried their second album could only disappoint. Boy, was I wrong…

One of the reasons this band is such a delight both live and in the studio is that half the time they play so fast they sound like a train that can derail any second. And yet it doesn’t. So there you have it, this is speed metal as it should be played. Fast and furious and with a vocalist who can match the musical madness. He applies an almost black metal shriek with plenty of high pitched yells thrown in for good measure.

The influences are worn on the sleeve by this band, but the mish mash they make of it makes it a sound of their own. It is great fun to look for the almost tributes the band pays to certain bands. It is not as obvious as the part lifted straight of the Manowar debut on their previous album, but even the casual metal listener will look up and think: hmmm… sounds a lot like Diamond Head (the start of “Metallström/Face the Bütcher”). This is just one example, there are plenty more. There is Bathory (the epic title track), Mercyful Fate, Iron Maiden and plenty more to be discovered.

That title track is the track that made me think: what direction are they heading? I enjoyed the debut with all it’s short and ultra fast speed metal cuts. Mixing it with a bunch of Bathory (viking metal era) influences was not what I expected and not what I was waiting for at that moment. After listening to the album a lot I have to admit this track works really well. It breaks the spell of all the speed (even though the track has a midsection at typical Bütcher speed) that surrounds it, giving you, the listener, a small pause that is very welcome.

The production is very eighties, but with a modern twist. I find this difficult to explain, as however I put it, it will sound like a strange paradox. My best try? When you spin the record it will transport you to the eighties production wise. At the same time everything sounds clearer than most records coming out of that era, which makes it a clear child of this day and age. Nostalgic without lingering on it for too long. On top of that every instrument is clearly audible, including the bass guitar, which is something I enjoy greatly. As on the debut short acoustic parts are used. I just have to mention how much better this works with the production on this album. In short: a production job well done!

It is impressive how Bütcher reintroduces metal in a way that is fun. This is all about escaping day to day dread and having some good old metal fun. It allows you to join them in their parallel metalverse for 36 minutes (after which you can just play the record again if need be, of course). So put on your denim jacket, prepare to raise your fist and bang your head again and again and again.

9.0 / 10Dennis • March 17, 2020

Butcher – 666 Goats Carry My Chariot cover artwork
Butcher – 666 Goats Carry My Chariot — Osmose productions, 2020

Related features

ButcherBird

One Question Interviews • May 22, 2025

Bütcher

One Question Interviews • May 26, 2020

Bilinda Butchers

One Question Interviews • April 2, 2015

Related news

ButcherBird takes flight...or, perhaps, pummels

Posted in Records on April 25, 2025

Plutocracy Planet gives us the news

Posted in Bands on February 27, 2024

Le Butcherettes and Death Valley Girls split

Posted in Records on January 22, 2022

Recently-posted album reviews

Prayer Group

Strawberry
Reptilian Records (2025)

Standing between genres can act as a vantage point. For Prayer Group, sitting at the intersection between noise rock and hardcore has armed them with the necessary arsenal to propel their anger and frustration forward. And so, through a series of EPs and singles, this work culminated in their 2022 debut full-length, Michael Dose, where The Jesus Lizard methodology collided … Read more

The Goslings

Plexuses, Planes
Independent (2025)

For experimental rock artists torn between noise-rock abrasion and torturous drone immersion, one side usually wins. It is either a certain sentimental and ethereal quality or an oppressive noise dimension that prevails. But there are some acts that can balance between these worlds. Names like The Angelic Process, and of course Low exemplify this strange balance in different ways. A … Read more

Bee Bee Sea

Stanzini Can Be Allright
Wild Honey Records (2025)

I believe the first I heard of this album was when Wild Honey released the limited edition It’s All About The Music concept 7” EP back in July. Exclusively released for the Punk Rock Raduno festival, IAATM is a three song 7” but only sort of? The concept: one garage-rock anthem, three versions- one is slowed down, one is regular … Read more