Aaron Rice
Neverfade/For Dusk
Elizabeth Label (2019)
Aaron Rice deftly wades through the debris of a break-up on his debut solo LP Neverfade/For Dusk, where his songs are bolstered by addictive synths that alternately lurk behind percussive bass or envelop the tracks. Rice's voice veers between being sparse and elegiac at points, while at others vocal manipulation makes his voice take on a deep, otherworldly sound over the … Read more
Alcest
Spiritual Instinct
Nuclear Blast (2019)
Spirituality is one of the more personal topics that an artist can speak about within their music and it’s something that is coloured by experiences and by life as it happens around them. Where many find comfort, some find fear and where some find fear, many find comfort. For Alcest’s Neige (Stéphane Paut), that comfort comes from childhood experiences that … Read more
Almøst Human
XS2XTC
Fastball Music (2019)
As most of you non-essential workers I have been working from home for what seems like forever now. What I see as one of the positive sides is that I get to decide what music to listen to (for those moments I am not in an online meeting that is). No discussions about what radio station to tune into. I … Read more
Aseethe
Throes
Thrill Jockey (2019)
Aseethe’s sludgy doom as kept them a part of the underground for over a decade and for the Iowa-based trio, that scene is one that allows them to burn brightly and produce music that is as thoughtful as it is crushingly heavy. The political climate of the last few years in America is one that has given many musicians the … Read more
ASHRR
Oscillator
First Second (2019)
Encompassing all of the most salient aspects of 80s synth pop, with clear nods to Talking Heads and New Order, LA trio ASHRR's debut album is a nostalgic but not particularly convincing first step for the band. The synth rock collective is made up of experienced musicians, with singer Steven Davis, producer Ethan Allen (Black Rebel Motorcycle Club, Sheryl Crow) and producer and piano … Read more
Bad Year
My Escape
Snappy Little Numbers (2019)
Snappy Little Numbers make some snappy packaging. Cover art, one-sided vinyl and specialty colors shouldn’t drive musical decision-making but, let’s face it, in the digital era it definitely makes a difference when you pick up a record that stands out from the pack. And as an uncle who has spent a lot of time watching Ninjago and making internal judgments that it’s … Read more
Barnett + Coloccia
VLF
Sige (2019)
Alex Barnett and Faith Coloccia are both distinguished members of the experimental ambient music scene, and have already proved that they are a force to be reckoned with when they collaborate. The duo has previously released two intriguing records of experimental, drone goodness in their debut record Retrieval and their sophomore full-length Weld. What was striking about the collaborations of Barnett and Coloccia … Read more
Basement Benders
Shrapnel Songs
Dead Broke Rekerds (2019)
I recently wrote about Future Virgins, stating that the band tempers their anger, choosing more subtle reflection in their songwriting to express that always important human emotion. I guess I know where the band’s members let it out.Basement Benders play a somewhat lo-fi melodic punk with a lot of vocal tradeoffs that pull together with joined melodies. It’s a pop structure … Read more
Batshit Crazy
Batshit Crazy
Basement Records (2019)
I didn’t even realize how much I’ve stigmatized horrorcore until Batshit Crazy showed up in my mailbox and made me question my way of thinking. The band embraces the term so I will for the context of this review. To me, the cover art, font and subgenre name make me think of Misfits-meets-rockabilly or, shudder, psychobilly.But Batshit Crazy sets a … Read more
Bernays Propaganda
Vtora Mladost, Treta Svetska Vojna
Moonlee Records, Geenger Records, Pop Depresija, Ill in the Head, Balkan Ve (2019)
Nothing is certain except that everything will change. The fact that change is one of the only things you can count on in life is sometimes hard to deal with. Some bands present you a different nuance of the same sound on each album, which can result in the complaint they release the same album again and again. Some bands … Read more
Big Eyes
Streets Of The Lost
Greenway Records (2019)
In the past I’ve described Big Eyes as half-punk, half-classic rock in a Cheap Trick vein. It’s concise and punchy like punk, but the energy relies on more traditional rock hooks. It’s great, but a part of me fears for the band’s growth because most other band’s I’ve enjoyed that get compared to classic rock eventually end up writing self-indulgent six minutes … Read more
BIG|BRAVE
A Gaze Among Them
Southern Lord (2019)
Big | Brave set out on a sonic journey influenced and inspired by diverse forces. For the band, on the one hand there was the elusive pull of their native Montreal post-rock scene, but on the other side there was the inclination towards the heavier post-metal and drone trajectories. It was this dichotomy that fuelled two excellent works in Au De … Read more
Billy Liar
Some Legacy
Red Scare Industries (2019)
I don’t know much about Billy Liar, but Red Scare has rarely turned out a bad release so I picked Some Legacy out of the pile with some hope -- and it delivers. Liar is a Scottish musician who has been playing under the moniker since 2006. Sometimes he tours solo, sometimes with a band.On Some Legacy there are shades of solo musicians like Billy … Read more
Black Dots
Everything Has Gotta Change
Snappy Little Numbers / La Escalera Records (2019)
Some albums just hit you right away. I was vaguely aware of Black Dots – some friends saw them at The Fest last year and said nice things, so I figured I should check it out myself when a lovely one-sided 12” showed up at my door.Everything Has Gotta Change hits immediately. Opener “I’m Already Gone” lays the framework: introducing each … Read more
Blood Incantation
Hidden History of the Human Race
Dark Descent Records (2019)
By now it’s clear that Blood Incantation are the death metal band of the future, a band willing to push the genre and do things with its base elements that others may be scared of or not capable of. The quartet meld progressive qualities with dirty riffs, speak of their love of science fiction and their quest for the ultimate … Read more
Blut Aus Nord
Hallucinogen
Debemur Morti Productions (2019)
Having a twenty-five year long career is an achievement in itself, yet crafting works that can stand as a whole and as a part of each other is another level of talent that many try their hardest to reach, and many fail to achieve. France’s Blut Aus Nord find no problems with reinventing their sound and creating compositions that ring … Read more
Bob Mould
Sunshine Rock
Merge (2019)
Music is a form of expression and therapy and often times the only way an artist can make sense of the events going on around them. It's something Bob Mould makes very clear when he steps up to the mic. After years of dealing with loss and delving deeper into a darkness that surrounded him, he's letting his new album, Sunshine … Read more
Calabrese
Flee The Light
Spookshow Records (2019)
This year I was so psyched! I am a big horror punk fan. There are three bands I really, really enjoy. Calabrese is one of those bands. I’ve followed this hard working band since their second album and have enjoyed each and every release so far. I had no problem following them in their development from their campy horror punk … Read more
