Review / 200 Words Or Less
Asid Bateri
Demo

Dead Tank (2014) Nathan G. O'Brien

Asid Bateri – Demo cover artwork
Asid Bateri – Demo — Dead Tank, 2014

Here's some of that good ol’ raw punk that was en vogue a few years ago. You know, those salad days before everyone started going gaga for the gothic, post-punk, all-weird-all-the-time trend that’s hot right now. (Personally, I like both styles quite a bit so I’ve got no complaints. I’m just having some fun here.) While the intro shows a band capable of crafting tight song structures and playing skillfully, the rest of this four song red cassette is noisy, blown-out hardcore in the vein of No Power. Discordant vocals buried amidst a feedback wave of D-beaten low end and cacophonous guitars; this shit bangs you over the head like a Dusty Rhodes atomic elbow dropping from the heavens. It’s unsettling and youthful, and in the true spirit of punk.

As for the packaging, it’s nicer than a lot of demos that come across my desk. The J-card is pro-printed glossy cardstock rather than photocopied paper. And I like the artwork because it’s not immediately revealing. It’s simplistic but imaginative in a way that makes me think “mysterious guy” or, like, Synthetic ID rather than crust punk. Thankfully punk is still a genre in which tangible items are the preferred format. As someone who still makes zines with scissors and glue stick I'd never throw shade at those working within the budgetary constraints of DIY, but it’s really nice to see labels like Dead Tank putting in the extra effort to have good-looking product.

Asid Bateri – Demo cover artwork
Asid Bateri – Demo — Dead Tank, 2014

Recently-posted album reviews

Cancer Bats

Give Me Dirt
Marshall Amplification PLC (2026)

ALBUM HIGHLIGHTS – “Bright Eyes of Gold”, “Give Me Dirt”, “Long Tooth”, “Fools Like You” Almost exactly two years ago, on 8th August 2024, Cancer Bats played Conne Island in Leipzig – a choice they would live to regret. Unbeknownst to them at the time, the centre had slowly become renowned for its radical politics and, more recently, the ban … Read more

Tyler Sonnichsen

The Dead Milkmen
J-Card Press (2026)

When I saw The Dead Milkmen at Toronto’s Diamond Club back in the late 1980s, the floor was a volatile, beautiful mess of colliding subcultures. It was like different species of house flies bumping into one another, wondering what the hell you were doing in the mason jar. You had suburban high school pocket-pen-protector pencil-neck nubile nerds, college radio snobs … Read more

Opus Kink

The Sweet Goodbye
So Recordings (2026)

ALBUM HIGHLIGHTS – “Come Over, Do Me Wrong”, “The Sweet Goodbye”, “I Have to Shine My Sunday Shoes”, “Crucify!” Opus Kink sound like nobody else. To call them “jazz punk” is to massively oversimplify it. In fact, there’s not much traditionally “punk” about them. If anything, it’s “noise rock”, but with traces of almost every other genre you could name. … Read more