Review
I Am the Avalanche
I Am the Avalanche

Drive-Thru (2005) Michael

I Am the Avalanche – I Am the Avalanche cover artwork
I Am the Avalanche – I Am the Avalanche — Drive-Thru, 2005

If you look at the musical resumes of the members of I Am the Avalanche, they are quite impressive. Vocalist Vinnie Caruana fronted the pop-punk band The Movielife; Guitarist Brandon Swanson played in the highly-toted emo/indie rock band Further Seems Forever; bassist Kellen Robson was a member of Long Island hardcore band Scraps and Heart Attacks; and while guitarist Michael Ireland and drummer Brett Romnes were not previously attached to any noteworthy musical endeavors, both demonstrate adequate talent throughout I Am the Avalanche.

"Dead and Gone" and "New Disaster," which was the album's first single, kick off the album with a fusion of pop-punk, indie rock, and melodic hardcore undertones. These songs are extremely catchy, both in musical and in lyrical content. Think the best moments of The Movielife but with a more straightforward song structure akin to radio-rock and you'd be along the right track.

The fellows in I Am the Avalanche slow things down occasionally, take "Murderous" for example. The song is a ballad of sorts that makes use of acoustic guitars in addition to the standard instrumentation found on previous tracks. The song ends on an upbeat note with hardcore-esque sing-alongs accompanying the acoustic guitars, which may sound bizarre, but it works quite well. Other notable "ballads" include "Green Eyes," "Wasted," and "Symphony."

And while the album does contain its fair share of slower moments, it is the fast-paced numbers that make this album so much fun to listen to. The playful "I Took a Beating" is a surefire radio hit in the making; especially with the groundwork laid by bands like Taking Back Sunday and Fall Out Boy. "This is Dungeon Music" is a roaring pop-punk tune that throws back to The Movielife complete with infectious sing-along choruses.

Lyrically, Caruana sticks to the subject matter of "girls" for the majority of the songs contained within. And while some may consider this to be somewhat immature and cliché, I found myself unaffected by the so-called generic words. When the songs and lyrics are as catchy as they are, there's really no reason to complain.

I Am the Avalanche is an album that greatly impressed me, though I must say that the first half of the album is a tad stronger than the second half. Despite the occasional drifting moment, I Am the Avalanche exceeded all my expectations with their debut release.

8.0 / 10Michael • December 20, 2005

I Am the Avalanche – I Am the Avalanche cover artwork
I Am the Avalanche – I Am the Avalanche — Drive-Thru, 2005

Related news

Pass Away debut

Posted in Records on June 16, 2015

I Am the Avalanche Stream New Track 'Amsterdam'

Posted in MP3s on September 28, 2011

Recently-posted album reviews

The Cascadian Divide

To the Sky
Independent (2026)

The Cascadian Divide is a Washington state based melodic skate punk band that formed during the infamous COVID lockdown. Although it started as an experiment, it soon became a passion project for the band members. The band has seen its share of line up changes over the years, but the commitment to maintaining the sound and integrity of the band … Read more

Jungle Rot

Cruel Face Of War
Unique Leader (2026)

Twelve albums and more than three decades into their career, Jungle Rot remains one of death metal's most reliable institutions. While countless bands have spent years chasing technical excess, progressive experimentation, or whatever trend happens to be dominating the underground now, the Kenosha veterans have remained committed to a simpler mission. Writing memorable riffs, locking into crushing grooves, and leaving … Read more

Overcalc

Fruits of the Decision Tree
Sleeping Giant Glossolalia (2024)

Some instrumental records create atmosphere while others create movement. Fruits of the Decision Tree feels like it creates an entire environment. It’s unstable, mechanical, strangely beautiful, and constantly in motion. The solo project of Nick Skrobisz (Multicult, The Wayward), Overcalc exists somewhere between electronic experimentation, prog-level guitar precision, ambient drift, and full on sci-fi hallucination. Trying to pin it cleanly … Read more